Missorts II is a parable about the underground republic of letters launched at a time when huge subterranean rivers of discontent and unrest roll. Anonymous marches, the international phenomenon of the Occupy movements, these are our brief eruptions but there is always the fear of state crackdown that means messages are coded, discrete and secret. Betrayals and misreadings hurt in this advanced state of suspicion. They happen at all levels.
Richard Marshall on Tony White‘s Missorts Volume II.
“The gunfire began just as Janis Sawyer was serving the main course, a platter of glazed duck with cavalo nero that she was loathe to drop. Shot studded the wall of the lounge. Her guests took cover beneath the cherrywood dining table. Janis dithered. She had plucked, jointed and baked the wild ducks herself, and the urge to protect dinner momentarily overrode her instinct for self-preservation. Dodging a fusillade from what sounded like flint muskets, she hopscotched across broken glass and splintered studwork to lay the platter upon the occasional table.”
Fiction by Matthew De Abaitua, art by Carrie Crow.
Schlegel’s claim is that philosophy does not concern any one topic, nor does it amount to any one conception of truth or reality; rather, it is in a state of eternal conflict, such that it is only by grasping the various conflicts within philosophy––determining the ways they emerged, and were resolved or dissipated––that we can grasp what philosophy is about.Schlegel similarly argues that literature must be understood through its history. In his lectures on the history of European literature he maintains that “the new cannot be understood without the old,” because “literature can only be understood as a whole.” In other words, in order to understand the nature of literature one must grasp the history of literature.
Continuing the End Times series, Richard Marshall interviews Dalia Nassar.
A book may be part of the library and a page part of the book, but the page is intuitively not part of the library. By contrast, if an amount of rice is part of a larger amount of rice, which in turn is part of a dish, the first amount of rice is still part of the dish. This is because amounts of rice are not integrated wholes, whereas books are.
Continuing the End Times series, Richard Marshall interviews Friederike Moltmann.
Picture for a moment a world in which the most significant practitioners of every particular musical style were written out of the history of that movement. For example, imagine The Beatles being excluded from the story of the Sixties beat boom; or Charlie Parker being mysteriously passed over in retrospectives of bebop; or King Tubby being omitted from narratives on the evolution of dub reggae. Such acts of neglect might seem unthinkable, and yet there is one genre whose self-appointed custodians do ensure the marginalisation of its greatest exponents, and that genre is punk.
Phil Knight on The Stranglers.
“I encounter discomfiting truths here, within and outside of myself. How for years I’ve longed to come back, felt some piece of me missing for not reckoning with the Vietnam that was left behind, and then to come back and have to admit the ways I still feel I do not belong.”
Dao Strom on returning to Hanoi.