:: Buzzwords Archive: April 2009. Click here for the latest posts.

Studio 54 (published 29/04/2009)

The Wu Ming Foundation, now in blog form.

That petrified superpun (published 28/04/2009)

jamesjoycemcluhan

This Thursday (30th April @ 7.00 p.m), Mark Ryan reads James Joyce’s Finnegans Wake at the Calder Bookshop, London:

James Joyce’s Finnegans Wake is one of the most impenetrable works of modern literature. This “book of the night” is a dazzling work of multiple meanings, bringing together hermetic mysticism, historical events – real and imagined – unconscious associations and archaic symbolism. Its subject is the beginning and the end, everything and everyone everywhere. Following his successful 2008 performance of excerpts from the Wake, Mark Ryan returns with a recital of the ‘Anna Livia’ chapter.

Further: James Joyce reads from Anna Livia Plurabelle (recording by Sylvia Beach) / ‘Of Chrematology – Joyce and Money’, Tom McCarthy & Simon Critchley on Finnegans Wake

The Emperor’s New Clothes, in reverse (published 27/04/2009)

emperorsclothesoffbeat

“There are lots of young writers who think they’re being Offbeat by spouting clichés about sex and drugs.”

In Issue 5 of Heroin Love Songs (also available here), 3:AM‘s Andrew Gallix talks Offbeat, Brutalist and the state of publishing with Jack Henry:

Jack Henry: What can a writer gain, if anything, from the inclusion within a movement?

Andrew Gallix: First of all, I must make it quite clear that the Offbeats are a movement and not a school of writing. Offbeat writers are individuals — they all have different styles and influences even though they all share certain values and a certain rebellious spirit. Writing is a solitary activity, so it feels good to also have that collective experience.

[..]

JH: In a few interviews I have read, the Offbeat Generation does not exist within a single style or genre, I am curious what the literary influences have been to this group? And, more specifically, any influences from areas outside of writing?

AG: That’s quite right, and since there is no house style, influences are pretty diverse. There’s the Bukowski-John Fante Real McCoy school of writing embodied by Tony O’Neill. There’s the Maurice Blanchot-Francis Ponge-William Burroughs axis led by Tom McCarthy. There’s the Barthelmesque comic postmodernism of HP Tinker. There’s the more quirky Brautigan-tinged world of Chris Killen or Tao Lin. And then there’s all the others with their personal influences.

Music is indeed very important to many Offbeats. Tony O’Neill played in bands like Kenickie or the Brian Jonestown Massacre. Ben Myers is also a music journalist and he even used to have his own indie label. Will Ashon has a hip hop label. As far as I’m concerned, Howard Devoto’s early lyrics are right up there with the works of the greatest writers.