Writer, artist and Soho dandy Sebastian Horsley has died of a suspected heroin overdose, just days after after a play based on his memoir opened in London. As Toby Young says, “I’ve met a few Soho characters in my day and most of them were drunken bores. Not Sebastian.” He continues:
“He styled himself an artist, but his true genius was for conversation. Aphorisms and one-liners came pouring out of his mouth like gusts of fresh air, blowing away received wisdom and herd opinion like so many cobwebs. He was steeped in the works of Oscar Wilde, but could just as easily quote Balzac or Flaubert. I never spent an evening with him without having to write down something he’d said immediately afterwards.”
Asked by 3:AM‘s Sophie Parkin as to why Dandy in the Underworld couldn’t have a happy ending, Horsley replied, “Because anything that consoles is fake. You see, the good ended happily, and the bad unhappily, that is what fiction means.”
Today as people everywhere are raising a glass in honor of Bloomsday, Joshua Cohen traces the heirs of Joyce’s Ulysses, from Wales to Russia to Turkey to Argentina:
I wrote a book called Witz. It’s capacious (800 pages). It’s complex (puns in a dozen languages: fun in a daze of longuages). And it’s about a Wandering Jew – the Last Jew in the world.
A friend of my father called after having tried a page to say, “It’s like the Jewish Ulysses.” That wasn’t a compliment. Problem is, James Joyce‘s Ulysses is already the Jewish Ulysses; featuring, as it does, Leopold Bloom – that Dubliner born Jewish, raised Protestant, converted to Catholicism to marry Marion “Molly” née Tweedy, who at the end of the novel says “Yes” a lot. That’s what I said to my father’s friend. “Yes,” I said, “yes.”
That wasn’t a compliment either: I knew he wouldn’t get the reference. I began wondering. If Ulysses was the Jewish Ulysses – and the Irish Ulysses, too, one would think – shouldn’t other cultures have Ulyssi of their own? Having worked as a weekly book reviewer, I came across marketese like this all the time: “Known in its nation of origin as the Icelandic Ulysses” – publicity talk for “a difficult but ultimately rewarding novel by a dead man from Reykjavik.” In other words, the summa of a culture.
The best work of art, in any medium, that I’ve come across this year is Douglas Gordon and Philippe Parreno’s film Zidane. Almost exclusively following Zizou through an entire football game – a game during most of which he’s not really ‘doing’ much other than meandering one way and another or indulging his nervous tick of scraping the top of his foot against the grass – it’s a brilliant disquisition on time, event-space, mediation, consciousness and, of course, repetition. During half-time we pan out from the stadium to find out what else is going on in the world during the game, and see, among footage of various trade pacts being signed, space missions being launched and so on, the inevitable image of a roadside bomb in Iraq’s aftermath – and one of the blood-soaked, screaming victims is wearing a Zidane t-shirt. I think it’s a major masterpiece.
If you’re in (or near!) Cambridge on 30th October, do come along to Heffers Bookshop and see Lars Iyer discuss his new novel, Wittgenstein Jr., with 3:AM’s co-editor in chief, David Winters. Tickets for the event can be bought here. More info from Heffers: Lars Iyer, in conversation with literary critic David Winters, will discuss Lars’ [...]
This panel revisits Stuart Brisley and Maya Balcioglu’s Cenotaph Project (1987-91). The British painter, sculptor and performance artist Stuart Brisley is widely regarded as a key figure in British art. Along with his frequent collaborator, Maya Balcioglu, he has unflinchingly probed the political, cultural and social mores of his time in a career now spanning [...]
Knausgaard on Peter Handke. * Remembering Christine Brooke-Rose. * Lars Iyer in The Quietus: “A kitschified realism mirrors the old stabilities, an older world, now disappearing. A kitschified modernism mirrors the old instabilities, the cracks in the old bowl of culture. But the bowl has shattered… So what does that mean for our arts? What [...]
On 19 October, Joanna Walsh, 3:AM‘s Fiction Editor, will be reading and talking about short stories with Chris Power. This event is a benefit in support of the Horse Hospital, which is sadly threatened with closure. Some of you may remember 3:AM‘s first live event, which took place there back on 26 July 2003. All [...]
The mighty Paul Ewen reading from his celebrated new novel Francis Plug – How to Be A Public Author at Piccadilly Waterstones last Friday, while Galley Beggar Press’ Sam Jordison looks on. (image @isabelcostello)
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Selected writings by David Winters
A selection of Richard Marshall's End Times interviews published by Oxford University Press