Writer, artist and Soho dandy Sebastian Horsley has died of a suspected heroin overdose, just days after after a play based on his memoir opened in London. As Toby Young says, “I’ve met a few Soho characters in my day and most of them were drunken bores. Not Sebastian.” He continues:
“He styled himself an artist, but his true genius was for conversation. Aphorisms and one-liners came pouring out of his mouth like gusts of fresh air, blowing away received wisdom and herd opinion like so many cobwebs. He was steeped in the works of Oscar Wilde, but could just as easily quote Balzac or Flaubert. I never spent an evening with him without having to write down something he’d said immediately afterwards.”
Asked by 3:AM‘s Sophie Parkin as to why Dandy in the Underworld couldn’t have a happy ending, Horsley replied, “Because anything that consoles is fake. You see, the good ended happily, and the bad unhappily, that is what fiction means.”
Today as people everywhere are raising a glass in honor of Bloomsday, Joshua Cohen traces the heirs of Joyce’s Ulysses, from Wales to Russia to Turkey to Argentina:
I wrote a book called Witz. It’s capacious (800 pages). It’s complex (puns in a dozen languages: fun in a daze of longuages). And it’s about a Wandering Jew – the Last Jew in the world.
A friend of my father called after having tried a page to say, “It’s like the Jewish Ulysses.” That wasn’t a compliment. Problem is, James Joyce‘s Ulysses is already the Jewish Ulysses; featuring, as it does, Leopold Bloom – that Dubliner born Jewish, raised Protestant, converted to Catholicism to marry Marion “Molly” née Tweedy, who at the end of the novel says “Yes” a lot. That’s what I said to my father’s friend. “Yes,” I said, “yes.”
That wasn’t a compliment either: I knew he wouldn’t get the reference. I began wondering. If Ulysses was the Jewish Ulysses – and the Irish Ulysses, too, one would think – shouldn’t other cultures have Ulyssi of their own? Having worked as a weekly book reviewer, I came across marketese like this all the time: “Known in its nation of origin as the Icelandic Ulysses” – publicity talk for “a difficult but ultimately rewarding novel by a dead man from Reykjavik.” In other words, the summa of a culture.
The best work of art, in any medium, that I’ve come across this year is Douglas Gordon and Philippe Parreno’s film Zidane. Almost exclusively following Zizou through an entire football game – a game during most of which he’s not really ‘doing’ much other than meandering one way and another or indulging his nervous tick of scraping the top of his foot against the grass – it’s a brilliant disquisition on time, event-space, mediation, consciousness and, of course, repetition. During half-time we pan out from the stadium to find out what else is going on in the world during the game, and see, among footage of various trade pacts being signed, space missions being launched and so on, the inevitable image of a roadside bomb in Iraq’s aftermath – and one of the blood-soaked, screaming victims is wearing a Zidane t-shirt. I think it’s a major masterpiece.
Greenwich Book Festival Old Royal Naval College Friday, 22 May 2015 from 7pm onwards Paul Ewen (pictured), author of Francis Plug – How To Be A Public Author, recently longlisted for the Gordon Burn Prize is very proud to host an evening with three of the UK’s most unconventional writers, all working outside the literary […]
“Britain is several countries not one. Its sleep too is fragmented. In the morning it raises its eyebrows while one part then another breaks off. It needs to be addressed patiently, with deadly honesty, with some appreciation of its intelligence, even with some affection, especially by those who want it to change, to move from acts of individual altruism (of which it has plenty) to one of socially cohesive altruism. It needs stop raising its eyebrows.”
George Szirtes, and Joanna Walsh on the UK Elections.
Tuesday 28th May 2015, Institute of English Studies, Senate House, University of London A Brunel Centre for Contemporary Writing & MCFSN Symposium & Public Event to celebrate the life and work of celebrated, award-wining novelist and biographer, Jonathan Coe, on the occasion of the twenty-first anniversary of the publication of his novel, What a Carve […]
3:AM sort Cathi Unsworth has penned the intro for the next London Books Classics reissue, Arthur La Bern’s It Always Rains on Sunday. Beloved of Iain Sinclair, its cinematic treatment was the classic Ealing 1947 film by Robert Hamer, starring Googie Withers. Fans of Patrick Hamilton and Alexander Baron will no doubt find much to […]
3:AM editor K. Thomas Kahn has joined the phenomenal Words without Borders as Reviews Editor, in addition to continuing on in the same role here. Words without Borders is currently seeking a fresh batch of bright and eager reviewers to review world literature in English translation. See the call for submissions here for more information, […]
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Selected writings by David Winters
A selection of Richard Marshall's End Times interviews published by Oxford University Press