In Lynch’s ‘Inland Empire’ Nikki Grace is stabbed by a woman with a screwdriver after an affair and at the moment of death she fantasises narratives of being a successful movie star, of a haunted movie project where infidelity, retribution and violence continue to multiply an interior world. Throughout she is being watched by her terrifying double. Lana del Rey sings songs out of the dark shapes of such fantasies. There is a sense of performative action in all this. Her sound draws attention to itself as a performance so each song claims fidelity to their escapist hopes and leaves us with the same sense of dread that pervades Lynch’s worlds.
Richard Marshall on the eerie sound of Lana del Rey.