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The Digital Critic: Literary Culture Online

OR Books Going Rogue

The Digital Critic: Literary Culture Online’ with Houman Barekat, Joanna Walsh and Robert Barry
Wednesday 10th January, 7pm

Entry £3, redeemable against any purchase

Our guests take stock of the so-called Literary Internet up to the present moment, and considers the future of criticism: its promise, its threats of decline, and its potential mutation, in a world of Facebook likes, Twitter wars, and Amazon book reviews.nbsp;

What do we think of when we think of literary critics? Enlightenment snobs in powdered wigs? Professional experts? Cloistered academics? Through the end of the 20th century, book review columns and literary magazines held onto an evolving but stable critical paradigm, premised on expertise, objectivity, and carefully measured response. And then the Internet happened.

From the editors of Review 31 and 3:AM Magazine, The Digital Critic (OR Books, 2017) brings together a diverse group of perspectives—early-adopters, Internet skeptics, bloggers, novelists, editors, and others—to address the future of literature and scholarship in a world of Facebook likes, Twitter wars, and Amazon book reviews. It takes stock of the so-called Literary Internet up to the present moment, and considers the future of criticism: its promise, its threats of decline, and its mutation, perhaps, into something else entirely.

With contributions from Robert Barry, Russell Bennetts, Michael Bhaskar, Louis Bury, Lauren Elkin, Scott Esposito, Marc Farrant, Orit Gat, Thea Hawlin, Ellen Jones, Anna Kiernan, Luke Neima, Will Self, Jonathon Sturgeon, Sara Veale, Laura Waddell, and Joanna Walsh.

About the Speakers

Houman Barekat reviews for the TLS, Literary Review, the Irish Times, Prospect and the London Magazine, and contributes to online journals including 3:AM, Full Stop and the Los Angeles Review of Books. He is the founder and managing editor of the online literary journal Review 31.

Joanna Walsh is the author of Hotel, Vertigo, Grow a Pair and Fractals. She writes literary and cultural criticism for The Guardian, the New Statesman and other magazines. She edits at 3:AM Magazine and Catapult Magazine, and runs @read_women, described by the New York Times as “a rallying cry for equal treatment for women writers.”

Robert Barry writes for publications such as The Wire, Frieze, The Atlantic Monthly, BBC Music, Fact, The Quietus, Thump, Wired, and Art Review. He is the visual art editor at The Quietus and technology and digital culture editor at Review 31.

First posted: Saturday, January 6th, 2018.

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