The randomized program of John Cage’s “Diary” attempts, to use Deleuzian phrasing, becoming-zero, becoming-hole. What “Diary” stages is a way to live in silence, to listen and respond, to produce affect through exteriority, and locate the otherness within the self by putting one in conversation not only with other humans but with non-humanness, the flips of coins, chance operations. Cage writes: “Home begins outside. Shelter’s inside.” The chance-determined numbers that provide the program of the “Diary” function as a way out of that shelter, dropped breadcrumbs back to the home of the world.
Chris Robinson on John Cage‘s “Diary”