Because of the writer that James was, his prose come across as very conversational. The criticism often suggested of him is that it’s rambling and dusty but I don’t think that myself. When you have to start breaking that down, fitting his text into boxes, there’s actually no fat on his writing at all. The aspects you might think of as extraneous are actually an important part of how these texts work; the everyday setting, the ordinary people venturing into extraordinary situations.
Leah Moore and John Reppion in conversation with Adam Scovell.