Much ‘Continental’ philosophy after Merleau-Ponty strikes me as little more than bad poetry dressed up as philosophy…. In terms of clarifying the centrality of art and the aesthetic the Analytic tradition is now more or less useless. It has recently tried to re-brand itself as ‘Anglo-American’ but is better described as White Aesthetics. Instead of regarding the Duchampian tradition of ready-mades as secondary and parasitic upon traditions of sensuously embodied art-making – as (in other words) something whose artistic status has to be justified, Analytic philosophers have now made this tradition, dogmatically, into the very focus of artistic meaning.
Continuing the End Times series, Richard Marshall interviews Paul Crowther.