:: Interviews

Jump On The Bed Happy published 04/06/2017

Tableau Vivant inspired me when I saw Carolee Schneemann’s “Interior Scroll” and the audiences adverse reaction to it, while they had none to Chris Burden sitting in his own excrement for days, or shooting himself in arm, or nailing himself to a car like Jesus and backing it out of driveway. No, the audience was more horrified when a woman pulled a harmless scroll out of her vagina and read from it.

Continuing the States of Anxiety series, Jana Astanov interviews Gabriel Don.

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The Pluralist published 03/06/2017

Different moralities must share some general features if they are to perform their functions of coordinating beings having particular kinds of motivations. Morality is a cultural construction in something like the way bridges are. There would be no bridges unless human beings used them to move across bodies of waters or depressions in the earth, but a good bridge cannot be designed according to whim, but rather according to what would adequately fulfill their function and the nature of the materials that are available for their construction.

Continuing the End Times series, Richard Marshall interviews David Wong.

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The Tit Bars and After published 02/06/2017

After arriving in LA, I saw a chance to make my own money, and that seemed better for me than the tenure-track line. I bought apartment buildings that give me some rental income, and that allows me to decide when to teach, and for whom. I’d be in a very different position now as a writer if I didn’t have that income. I always felt strongly about the singularity of my work, and knew it wouldn’t be easily fundable. Which means you have to either have family money, or marriage money, or make your own. It takes a long time for me to write a book — as much as five years. I write catalogue essays and journalism for extra income in between, and give lectures and readings, but if I were completely dependent on that income, my work would be completely different. I couldn’t do the work I do now without an independent income. This is awkward, maybe, to disclose, but I think it’s important — especially in the US people are led to believe that there’s something wrong with their work if it doesn’t result in financial security. When in fact, many of the most prominent artists and writers have relied upon outside support for at least the first part of their careers.

Alison J Carr interviews Chris Kraus.

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My Little Enlightenment: The Plays and Textual Performances of Sophie Seita published 29/05/2017

Gloriously imagined and re-imagined, Sophie Seita’s textual–performance–play hybrids tickle whimsy from grandeur, opulence from bathos and a kind of melodrama from tragedy. My Little Enlightenment Plays is a project that swings between ecstatic irreverence and straight-faced reverence, the seriousness of language and its subject, language as subject, and the serious commitment to abandoning such seriousness in play and artifice. These are not indulged as postmodern tropes but instead staged as emotive and social sensations, encountered through Seita’s particular archaeology of literary history. Cartwheeling between astronomy, utopia, poetry, power, gender, the queer and the courtly, these pieces generate a disorientating experience preoccupied by its own fertile confusion. Or, in the project’s own words: they are conjured from ‘dangerous pleasings of the empire of the Vacuous Obscurity’ to present ‘the Consort of the Mighty and the Mushy’.

Sophie Seita interviewed by David Spittle.

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Reality As Curated Suggestion published 28/05/2017

Eye can see why people would draw parallels between the social scenes. The Factory was frequented by prominent, creative people. Vector is frequented by prominent, creative people as well. As for any common ground between me and Andy, Eye would point to one of his quotes as the greatest evidence of this : “Art is what you can get away with.”

Continuing the States of Anxiety series, Jana Astanov interviews JJ Brine.

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Nietzsche and Friendship published 27/05/2017

Perspectivism consists in part in the view that there is no privileged representation of the world, no theory that can explain once and for all every worldly phenomenon. Many of its critics infer from this that perspectivism reduces to a relativism according to which every view is as true as any other. There are several answers to this charge. But the connection with the arts provides one of the strongest. For, although it makes no sense to think of “the greatest” artist or “the greatest” work, we are still perfectly capable of distinguishing between the quality of different artists and different works. Why, then, should that be impossible in the rest of life as well?

Continuing the End Times series, Richard Marshall interviews Alexander Nehamas.

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Disagreement published 21/05/2017

We take this pattern of judgments to be evidence that the ordinary notion of disagreement allows for two people to disagree by making non-incompatible moral claims (i.e., two claims such that it is not the case that one must be false). If that is right, then, not only is the disagreement argument against contextualism undermined, but the correct theory may in fact be a contextualist theory, since that kind of theory does allow for the possibility of disagreements that do not involve making incompatible claims.

Continuing the End Times series, Richard Marshall interviews Justin Khoo.

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How to Be a Stoic published 15/05/2017

“Fate permitting” is a standard Stoic phrase meant to remind ourselves that planning things is up to us, but the ultimate outcomes are not under our control. It helps us to develop an attitude of equanimity toward the universe. We should very much try to change things for the better, that’s the whole point of the Stoic discipline of action, as I was saying earlier, and that discipline is connected to the virtue of justice. But we should also be rational about it, and understand that sometimes things go our way, and at other times they don’t.

Skye Cleary interviews Massimo Pigliucci about his book How To Be A Stoic.

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Transcendentally Bad published 14/05/2017

I want to split focus. I want to do something badly. I want to do something badly and well at the same time. I want to transcend spectrums of judgement by doing something blissfully awful, transcendentally bad. I want to associate and read the collage of truth in a coffee soaked newspaper. I don’t want people to like it. I don’t care if they like it. Maybe I do if I want them not to like it. It’s not always about liking.

Starting a new interview series, States of Anxiety, Jana Astanov interviews Alex Romania.

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Jerk and Whoosh Time published 13/05/2017

Of course, Cockburn – unlike More or Alexander – was a woman, and it’s likely that sexism has played some part in the neglect of her work. She was writing at a time when men worried that reading made women ‘troublesome or ridiculous’, and debated whether women’s inferiority was due to their feeble bodies or their soggy brain fibres. (Less than eighty years ago, C. D. Broad concludes a book review by writing that its author, Susan Stebbing, must be enjoying something of the exhilaration of a ‘good housewife’ who has completed her spring-cleaning.)

Continuing the End Times series, Richard Marshall interviews Emily Thomas.

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