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On The Romantic Absolute published 21/11/2014

Schlegel’s claim is that philosophy does not concern any one topic, nor does it amount to any one conception of truth or reality; rather, it is in a state of eternal conflict, such that it is only by grasping the various conflicts within philosophy––determining the ways they emerged, and were resolved or dissipated––that we can grasp what philosophy is about.Schlegel similarly argues that literature must be understood through its history. In his lectures on the history of European literature he maintains that “the new cannot be understood without the old,” because “literature can only be understood as a whole.” In other words, in order to understand the nature of literature one must grasp the history of literature.

Continuing the End Times series, Richard Marshall interview Dalia Nassar.

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Parts, wholes, abstracts, tropes and ontology published 14/11/2014

A book may be part of the library and a page part of the book, but the page is intuitively not part of the library. By contrast, if an amount of rice is part of a larger amount of rice, which in turn is part of a dish, the first amount of rice is still part of the dish. This is because amounts of rice are not integrated wholes, whereas books are.

Continuing the End Times series, Richard Marshall interviews Friederike Moltmann.

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powers, Aristotle and the incarnation published 08/11/2014

Powers are properties that enable their bearer to bring about or suffer change. Each (type of) power is defined by the (type of) change it is ‘responsible’ for. The change is the manifestation of the nature of the power. Importantly, manifesting is one of the two different states a power may be in; the other is being inactive. Powers are real even if never manifesting. Even a changeless universe may be powerful.

Continuing the End Times series, Richard Marshall interviews Anna Marmodoro .

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Plato aims at virtue published 31/10/2014

I certainly would not say that Plato hates poetry; rather, he is amazed by and concerned about its persuasive power. I think it is precisely this power he tries to acquire and control with his own beautiful and poetic writing. It would be a fair summary of Plato’s work to see it obsessed, from the very opening lines of the Apology, with the relationship between persuasion and truth. How and why is it that the truth so often fails to be persuasive? What has to occur to make the truth persuasive?

Continuing the End Times series, Richard Marshall interviews Iakovos Vasiliou.

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Leibniz: Strange monads, esoteric harmony and love published 24/10/2014

I think one of the things that makes people react to Leibniz in the way that Diderot did is the sheer breadth of his accomplishments. Setting aside his achievements in any particular field, Leibniz is clearly one of the greatest polymaths the world has ever seen. He is well-known as an important philosopher, mathematician, and natural philosopher and, to a lesser degree for his pioneering writings on jurisprudence, linguistics, and geology. But also his work extended to more practical endeavours, including inventions such as his early calculating machine, his designs for wind driven water pumps for use in mining, and a submarine. In one letter he even mentions an idea for shoes with springs underneath to facilitate quick escape from pursuers.

Continuing the End Times series, Richard Marshall interviews Paul Lodge.

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Category Mistakes published 17/10/2014

I haven’t been able to find a natural language that doesn’t contain category mistakes (it’s hard to imagine how there could be such a language – but I’m not just relying on this intuition. I asked speakers of a wide range of languages and all of them confirmed there are sentences that are odd in precisely this sort of way in their languages). Moreover, even within a language, category mistakes can arise in the context of very diverse grammatical constructions.

Continuing the End Times series, Richard Marshall interviews Ofra Magidor.

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about aboutness published 10/10/2014

I don’t (or didn’t) treat number-talk as straightforwardly metaphorical. Sometimes when we launch a sentence into the world our confidence in the sentence outruns our sense of how it is best interpreted, in particular whether it is best assigned a literal reading or a metaphorical one. There’s an implicit FINESS operator: construe it literally if possible, Figuratively If NeceSSary. These things can take a while to sort themselves out. And sometimes they never are sorted out.

Continuing the End Times series, Richard Marshall interviews Stephen Yablo.

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medieval matters published 03/10/2014

All I know is that there was more work done in logic, and better work, in the 14th century than in any century other than the fourth century BCE (in which Aristotle is the only significant figure whose work has survived), and the 20th century. Several of my colleagues protest at my saying that, claiming 19th century logic as important—which it is, and the work of Boole, Frege, Schröder and perhaps others was essential for what came later, but it’s no better and much less in extent than what we find in the 14th, with Ockham, Burley, Buridan, Albert of Saxony, Heytesbury, Wyclif, and many, many more.

Continuing the End Times series, Richard Marshall interviews Stephen Read.

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The colour of our shame published 29/09/2014

So we have to ask ourselves: just what kind of ‘liberal democracy’ is marked by a strain of deep and disrespectful injustice that is contrary to the very idea of liberal democracy? My answer is: One that doesn’t merely marginalize but one that explicitly and implicitly rejects the humanity of black Americans. So it is more than not being part of American society. It is deeper. It is not being seen fully as the kind of thing that can vie for membership in American society – a human being. So here, the question of loneliness is not itself as central as the diminished value of black humanity.

Continuing the End Times series, Richard Marshall interviews Chris Lebron.

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Post-analytic phenomenology vs market serfdom published 26/09/2014

Much ‘Continental’ philosophy after Merleau-Ponty strikes me as little more than bad poetry dressed up as philosophy…. In terms of clarifying the centrality of art and the aesthetic the Analytic tradition is now more or less useless. It has recently tried to re-brand itself as ‘Anglo-American’ but is better described as White Aesthetics. Instead of regarding the Duchampian tradition of ready-mades as secondary and parasitic upon traditions of sensuously embodied art-making – as (in other words) something whose artistic status has to be justified, Analytic philosophers have now made this tradition, dogmatically, into the very focus of artistic meaning.

Continuing the End Times series, Richard Marshall interviews Paul Crowther.

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