:: Essays archive ( 2000-2005, click for articles pre-2006)

Dinner with Tomaž: remembering Tomaž Šalamun 1941-2014 published 28/12/2014

He was a quiet titan who bestrode Tito’s communism and EU Europe with an ease and deference that was his hallmark. To speak to him or read his work was to be convinced these seismic changes were of secondary importance behind the actions and thoughts of each individual human being, whose true complexity and humour and love and expression were to be found in the layered, brisk, intelligent, timeless poetry that he penned for nearly fifty years. His reputation was as strong in America and the UK as it was across Europe and the rest of the world. He was, despite himself, a major poet of great significance.

By SJ Fowler.

»

the slowdown perspective published 19/12/2014

New centers are created out of peripheries. New peripheries face centers with fresh ambition. The colonizer and colonized morph into new entities. The purchase of cultural capital, such as indigenous medicine, offers yet new doors into industrial modernity. The extension of the project of late capitalism comes to ride on the shifting position-alities and strategic moves of those that carry such cultural capital.

Atreyee Majumder analyses the representations of postcolonial capital accumulation in James Cameron’s Avatar.

»

Deep subjectivity: immaterial transactions of bodiless data published 12/12/2014

This new kind of aesthetics functions not so much as to create dutiful subjects of the internet ecology but to render subjectivity into a commodity. The internet thus exhibits all the signs of the capitalist hegemony that served as the background for the emergence of the first wave of Enlightenment aesthetic philosophy, paradoxically more or less explicit in its capitalist aims.

TheLitCritGuy on the parallels between enlightenment philosophy and net aesthetics.

»

Sex, Style, and Sewage Farms: Winifred Holtby and Virginia Woolf published 02/12/2014

Winifred Holtby’s novels offer us not the “luminous halo” of consciousness, but the materiality Virginia Woolf rejected as lifeless; to Woolf’s rhetorical question “Must novels be like this?” Holtby implicitly replies that at any rate they can be like this and still convey something important.

Rohan Maitzen on the literary relationship between and legacy of Winifred Holtby and Virginia Woolf.

»

Prediction and the flagpole published 29/11/2014

The study of economics is faced with this problem – let’s call it the flagpole problem (I’m borrowing it from the philosopher Julian Reiss) – all the time. The IMF says there is an association between austerity and lower growth. Yet a range of other phenomena were associated with both austerity and lower growth during the study period. Interest rates were at or near zero. The financial system was broken. Households had high levels of debt.

Emran Mian on economic prediction.

»

“weird sex under the pier” published 28/11/2014

What fun we had at The Colony, talking books and writers, loving words and laughter we both got on well. Each month we both got up and did The Colony Showtime along with Alabama 3, The Magic Numbers and Badly Drawn Boy; the only night where Shane McGowan paid to sing. I thought it wouldn’t be long ‘til Salena was discovered by the rest of the world, such talent and beauty, inside and out rarely go together and a great natural performer.

Sophie Parkin on Salena Godden‘s books of poetry and autobiography.

»

Strangled: the “Black And White” album published 21/11/2014

Picture for a moment a world in which the most significant practitioners of every particular musical style were written out of the history of that movement. For example, imagine The Beatles being excluded from the story of the Sixties beat boom; or Charlie Parker being mysteriously passed over in retrospectives of bebop; or King Tubby being omitted from narratives on the evolution of dub reggae. Such acts of neglect might seem unthinkable, and yet there is one genre whose self-appointed custodians do ensure the marginalisation of its greatest exponents, and that genre is punk.

Phil Knight on The Stranglers.

»

(Notes) From the Other Shore published 18/11/2014

“I encounter discomfiting truths here, within and outside of myself. How for years I’ve longed to come back, felt some piece of me missing for not reckoning with the Vietnam that was left behind, and then to come back and have to admit the ways I still feel I do not belong.”

Dao Strom on returning to Hanoi.

»

The Artist Pioneer: East London and the ‘Stripped-Pine Pioneers’ published 25/10/2014

Since the 1960s a picture has emerged. A collective language of urban development, which paints artists – to use a generic conglomeration of fine artists, writers, architects, photographers and filmmakers – as urban pioneers. It would seem this has become the portrait of urban renewal. Artists as what Jonathan Raban so cuttingly called the ‘stripped-pine pioneers’. First-wave foot soldiers of gentrification. Boldly marching beyond the frontiers of well-trod quartiers, in search of new, cheap, interesting spaces to live and work.

Bea Moyes on the development of the East End.

»

The JeffCO School Board and the Pentagon’s “Vietnam” published 18/10/2014

“You can’t separate this effort to justify the terrible wars of 50 years ago from the terrible wars of today,” said Phyllis Bennis, a Middle East expert who has known Mr. Hayden since the early 1970s. “When I saw this (the Pentagon’s version of Vietnam, what the JeffCO School Board dreams of), I thought immediately, ‘We’ve got to stop this.’ ”

Alan Gilbert on the Pentagon’s Vietnam.

»