Armand’s writing is perceptual, vivid, senses drenched – and so the visceral and bodily responses are foregrounded throughout. Yet by so doing his writing connects us to the neural circuits that instantaneously appraise the perceptions felt along the dimensions of the hedonic, the prudential, dangerous, noxious, nourishing and so on, a buckled sensory array that each organismic character is relating to. These are the bed rock of Armand’s writing, whereby he reenacts as simulations the raw material of biographical narratives whilst showing that these are selves that depend – overdepend – on the bodily stimuli. Without that, they lose a sense of self-identity, as if they have lost in some very distinctive way, a necessarily personal perspective on the information.
Richard Marshall reviews Loius Armand’s Abacus.