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Reviews » The Dropped Baby (published 27/09/2015)

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The tales in this arena are whatever outlasts the battle, survivor tales that hint at savagery, random desires and revenge, warnings that no matter how docile, how crushed, how downtrodden a character may seem to be, they are shimmering in a deranged version of eternity, watching the ripped sky defecating violence and immensity in hurled bolts of hatred and vengeance, modes of fantastical and diseased consolation that are versions of a cankered, deranged, moony, slithering, abnormal, hallucinatory, inhuman, begrudging, monstrous, spectral, erotic, horrific, engorged, skewed, insane, psychotic, raving, calamitous, delusion- a shimmering done in Flaubert’s register of the cracked kettle – ‘tapping crude rhythms for bears to dance to, whilst we long to make music that will melt the stars’.

Richard Marshall reviews Jackie Lewis’s The Dropped Baby.

Interviews » The End Times » Time, Language, Ontology (published 19/09/2015)

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Nobody, however, takes the need for spatially variable terms—spatial indexicals—to have any implications about the nature of space itself. Everyone cheerfully accepts that though it is pragmatically necessary to divide space up into the ‘here’ and the ‘there’, space itself is perfectly isotropic; there is no such-thing as an observe-independent ‘here’. Space is not centered, even though our orientation toward space requires us (most of the time) to center our representation of it upon ourselves. This is just one of the ways in which, we all agree, our normal ways of thinking about space come apart from the way it is itself.

Continuing the End Times series, Richard Marshall interviews Joshua Mozersky.

Interviews » The End Times » Italian philosophy, Magic and Peter of Spain (published 12/09/2015)

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By the time Italian fascism hit bottom in the late thirties, intimidated by Hitler and promulgating its own disgraceful racial laws, Gentile was no longer a major force in the regime or the Party, which he never renounced. Gentile had immense philosophical talent – more focused than Croce’s, whose range was broader, less committed to philosophy. The grand historical narrative of Italian philosophy – with the politics of nation-building as its armature – is still Gentile’s. His metaphysics of actual idealism or actualism is a strikingly original attempt to naturalize (speaking very broadly) idealism.

Continuing the End Times series, Richard Marshall interviews Brian Copenhaver.

Interviews » The End Times » From the Point Of View of the Universe (published 06/09/2015)

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“The point of view of the universe” is to symbolize an impartial concern for everyone. Sidgwick calls for impartiality in ethics and thinks that when deciding what we ought to do, we should try to take an impartial perspective – not mine, not yours, not my children’s but “the point of view of the universe”.

Continuing the End Times series, Richard Marshall interviews Katarzyna de Lazari-Radek.

Reviews » Immortality Isn’t Forever (published 05/09/2015)

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Something of the heart is truly broken here, which means the appetite feels intimidated and defensive. But everything feels broke as well as broken, as if it’s a story where the cheque bounced and that was all you had left. This, after all, is about the guy Nietzsche told us we could depend on, the one guy we should put our money on to stave off the emptiness and the horror. What we get instead of help is a little parenthesis of light with a hell of a lot of dark, and the feeling that there’s a whole lot more of the dark coming.

Richard Marshall reviews Eddie Campbell‘s Bacchus.

Interviews » The End Times » Naturalism’s Final Causes (published 29/08/2015)

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I consider myself to be a metaphysical naturalist, despite the fact that I agree with some of the claims the Horwich makes. I do think that there are different epistemic tools that one can use other than the scientific method, as I mentioned above with regards to the intentional stance. But I don’t think that a commitment to these epistemic claims leads to any strange ontological commitments, like the existence of anything over and above the natural world. This probably makes me a committed naturalist still trying to find her way through the wilderness.

Continuing the End Times series, Richard Marshall interviews Bana Bashour.

Reviews » Philosophical Toys (published 26/08/2015)

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Reading this takes us to the libidinal chaos of the founding stories, a female Christ, doubles, and in the novel Nina’s mother ‘… a star…[who] needed a lackey… she would sing, she would tell endless stories, but then they had a gagging effect on you these stories… now and again she would spark off a scandal, she had to get all the attention, even if it was negative attention.’ The mother is the scandal who shakes the world out of a torpor through presenting her beauty as both a necessity and consequence: ‘… my mother in the street, with no clothes on, hysterical naked, with a folded gown hanging on her arm, wearing just a pair of yellow stilettos, definitely drunk, she used to say wine was good for your blood, she was so pale.’

Richard Marshall reviews Susana Medina‘s Philosophical Toys.

Reviews » Trolls (published 25/08/2015)

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Philips argues that there is only the thinnest of lines between trolling and sensationalist corporate media. The main difference is that Trolls do it for leisure and for no pay whereas corporate media do it as a business strategy and get paychecks. She claims that they are comfortable fits within the hypernetworked digital media landscape. Trolls use the internet technologies creatively and expertly. They align with corporate and social media marketers. They mobilize the dominate cultural tropes of adversarial and (mainly white) male gendered notions of success, dominance, western entitlement, expansionism and colonialism, and embody the key values of the USA – life , liberty and freedom of expression.

Richard Marshall reviews Whitney Phillips’ ‘This Is Why We Can’t Have Nice Things. Mapping the Relationshp Between Online Trolling and Mainstream Culture.

Reviews » Trade Encroaching a Sacrament… (published 22/08/2015)

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Armand’s writing is perceptual, vivid, senses drenched – and so the visceral and bodily responses are foregrounded throughout. Yet by so doing his writing connects us to the neural circuits that instantaneously appraise the perceptions felt along the dimensions of the hedonic, the prudential, dangerous, noxious, nourishing and so on, a buckled sensory array that each organismic character is relating to. These are the bed rock of Armand’s writing, whereby he reenacts as simulations the raw material of biographical narratives whilst showing that these are selves that depend – overdepend – on the bodily stimuli. Without that, they lose a sense of self-identity, as if they have lost in some very distinctive way, a necessarily personal perspective on the information.

Richard Marshall reviews Loius Armand’s Abacus.

Interviews » The End Times » law and ethics (published )

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I argue that all the standard rationales for capital punishment ─ deterrence-oriented, retributivist, incapacitative, and denunciatory ─ fail to establish that such punishment is morally legitimate. Each of those standard rationales is the application of a general theory of punishment to the death penalty. To succeed as a justification of that penalty, a rationale has to establish that the execution of a convict is both morally obligatory and morally permissible. Since none of the standard rationales does establish the moral obligatoriness and moral permissibility of the death penalty (either when each of those rationales is considered discretely or when they are considered in combination), none of them can properly serve as a basis for the imposition of that penalty.

Continuing the End Times series, Richard Marshall interviews Matthew Kramer.