Algerian author Kamal Daoud seems ultra cool, like Camus and it’s not incongruous to push these two Algerian writers together. Daoud’s last novel explicitly talks to Camus. He’s writing about the choices facing us at this precarious time, and doing so from a perspective that isn’t Anglo/American or European. It’s a young modern Algerian existential perspective that’s angry, poised, clever, Muslim, playful, generous, anguished and cosmopolitan.
Richard Marshall raises his glass to Algerian author Kamal Daoud.