As any good biographer, Finbow demystifies rather than promulgates romantic notions about his subject. In fact, he is resolutely straight-shooting about Ginsberg’s neuroses, his guilt over his mad mother, his suicidal tendencies, his petty jealousies and sexual perversities, mentions of which perforate the slender volume throughout, individually as well as in conjunction with Ginsberg’s literary contemporaries. Finbow describes the “jazz loving, poetry quoting” Beatniks as an insular clique riddled with professional backbiting, “soap opera” sexual dynamics and incestuous relationships. Albeit many of the Beats were heterosexual, most dabbled in homosexuality which goes some way to explain how Ginsberg frequently found himself in love with straight men. The worst of these disastrous affairs was with Neal Cassidy, a lubricious sadist and a liar who frequently drove Ginsberg to the brink of suicide. Although, Ginsberg’s suicidal tendencies were in full swing long before Cassidy came on the scene. “For Allen,” writes Finbow “Nietzsche’s maxim ‘The thought of suicide is a powerful comfort,’ held true, and more so that ‘it helps one through many a dreadful night.” It was, in fact, a lifelong coping mechanism which aided Ginsberg thought chronic loneliness, reoccurring breakdowns, numerous bereavements and fruitless quests for love. All of these themes were later celebrated in Ginsberg’s poetry, combining autobiography, fantasy, psychosexuality and imagination – a complete bouleversement of poetic tradition.
(And that’s Steve photographed by Ginsberg above.)
First posted: Monday, September 3rd, 2012.