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summer reading: callie hitchcock

By Callie Hitchcock, Intern


Stepping into Anaïs Nin’s world has been interesting to say the least. Mirages: The Unexpurgated Diaries 1939-1947 chronicles the emotional fluctuations of a life drunk on love and writing. And who wouldn’t want that? Then, I am inhabiting the more private world of Sara Maitland in her book How to be Alone. Hopefully after reading the two at the same time I will come to some zen understanding of how life is meant to be lived.

Next up is One Hundred Years of Solitude, apparently continuing the theme of autonomy. Márquez has this hypnotic prose that dredges up a primordial desire for story telling. And as I write this from Granada, my Federico García Lorca senses are tingling so I will be revisiting his poetry as well.

Taipei by Tao Lin will be ravenously devoured as soon as it comes in from the library. No one can parallel is delicious absurdity. Check out his NYU graduation speech and accompanying mandalas if you wish to fall down the rabbit hole.

As my back-of-the-used-bookstore-find goes, a 1980’s edition of The Vivisector is up next and will fulfill my tortured artist quota for the summer. 

My hard hitters for the dead heat and end of summer are Virginia Woolf’s To the Lighthouse and of course Dostoevsky’s The Brothers Karamazov as my pilgrimage through the canon continues.

First posted: Tuesday, July 8th, 2014.

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