POEMS
by
Daniel Nester
copyright © 2003 all rights reserved
Hot Blooded
Our horrible rock band practices for its Friday night set in the singer's apartment. The gig will take place at a Scrabble parlor where serious wordsmiths swill pints of beer and soak in enough dissonance to dismantle the words they speak. Our graybeard singer can't remember his lyrics, and so puts an easel in front of himself. He looks like a portrait painter singing in front of a horrible rock band.
The singer's room is filled with framed pictures of his wife's naked ass. After drinking enough wine to palliate the pain of "China Grove," I suggest covering a Foreigner song. Blank faces all around. In a roomful of naked asses, I begrudgingly explain the story of "Hot Blooded," a song from junior high. I say it's the story of a young girl. The girl may or may not be of legal age. Women throw underwear onstage during this song, I explain.
The singer plays his song, a composition for voice and zither-I think it was called "Snow Leopard's Lament"- and I explode. What I want here- what I want for us, I say- is panties, the body's temperature to rise, not for hands that put down wooden letters to clap along. "Hot Blooded"'s simple thesis I reiterate, is pure sex, I say, like Ravel or James Brown. After the gig, the singer's wife complains in her Danish accent that she "can't hear the words." Taking a page from recent literary theory, I say sometimes words aren't critical at all, that the simple sound of the voice, her husband's easel-aided utterance, would suffice. She shirks this off, and carries her old man's antediluvian teleprompter out to the car.
We do not play "Hot Blooded." We do play paeans to the woman who can't hear our verds. The Scrabble players clap along and gaze up at us. It is a gaze known only to players in horrible rock bands, or those who care to remember true failure-speechless, triple-lettered, rooms-full-of-naked-ass picture failure.
Rick Springfield's Commentary, "Jessie's Girl" (1982)
"I've always admired the box of chords in disguise, the singer singing
simple teenage songs, post-song songs, songs some still sing,
alone and embarrassed. And I know I can know more than I know only
from where I know it- so this circuit creeps past my hands as
I plunk it out, this song exists whether I know it or not. Listen up-questions
such as Where's The Girl For Me knew no age-so forget twenty years ago and
forget moments better suited for jumpsuits-moments handmade for a soap opera
idol to fancify-successfully, tragically. Let those mirror- looking moments pass.
Just be sad it has to be this way- And remember me-I'm still singing
those three summer minutes straight through my body's cheap veil."
Long-Distance Runaround
one of my hometown friends almost pissed himself laughing when another hometown friend the one who feigned illness to get out of being my best man at my wedding with a leg injury suggested a few band names-the one in question was Fozzy Fosbourne a play on of course the muppet show regular with the wakka wakka shtick and the heavy metal figurehead and lead singer of black sabbath ozzy osbourne for some reason Tom who's been popping pills like he was his own eckerd drugs just busted out laughing at the mention of it he just got out of hand with the reaction which is curious for a number of reasons one of which is Tom's aversion to all things heavy metal there was a time when he would simply leave a room when there was the sound of fuzz not even guitar fuzz I'm talking even anyone with a smoker's husk he wanted his music you know pure pure in the sense that it was unmediated or whatever when of course we all know that things are mediated to some degree and so on this night a couple weekends ago one friend who I shouldn't even speak with his name is Bob and another who is popping post-divorce pain pills like valley of the dolls these two grown men starting laughing about a funny band name Fozzy Fosbourne is a pretty funny name though I think and I was left out of it I was too far away I moved away from home
Tables Strata Timebegon
Walnut-size countless visits, the bulge yes, the bulge
Crapping on the lower quadrant, the mack, yes the mack
of unreward and I appreciate this around your neck
around your neck in that table tennis strategy employed by bluebloods who
have been abroad with- out a care in the world They spin it
Oh They spin the ball up in the tight white lines laugh
at their skills makes me wanna pounce acorss the time-
Be gone, be gone, Skillful Worldly Player, Play on, ZeuserFan.
Play on.
ABOUT THE AUTHOR
Daniel Nester is the author of God Save My Queen (Soft Skull Press), which is a meditation on his obsession with the rock band Queen. He is the editor of the online journal Unpleasant Event Schedule, as well as a contributing editor for Painted Bride Quarterly and DUCKY. His work has appeared or will appear in Open City, Nerve, Columbia Poetry Review, LIT, Crazyhorse, and The Best American Poetry 2003.

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