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How to Survive Nuclear Attack
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The Last Days


POOLHOPPING

by

Andrew Bomback



“I If my mother was still alive, I'd tell her that I finally experienced a "certification." She'd know what I meant by that. It's from her favourite book -- The Moviegoer by Walker Percy -- and it's a term the narrator uses when he goes to see a movie with a scene showing the neighbourhood of the theatre he's sitting in. The guy gets all excited about it, and I remember having no idea why he was so worked up. I was fifteen when I read it. I don't read much but I read it the first few days after my mother died because it was her favourite book and I was allowed to stay home from school and didn't feel like watching any television for some reason.

Edgar made me promise not to tell Jim about the pills, because Jim is a pot fiend and he'd be any other kind of drug fiend if he had access to it, so Edgar didn't even want to entice Jim. "He's weak," Edgar said to me one night as we were floating on our backs in the heated pool on Montgomery Lane. Jim was lying on the grass beside the pool, smoking the remains of a joint that he had found in the pocket of his shorts. "He'll always be weak," Edgar went on, "and it'll be our responsibility, for the rest of our lives, to look after his sorry ass."

I realize I'm being wishy-washy with the bad things. Not with this one: I know that what the man on Montgomery Lane does to Lara DeMarco isn't right, isn't some sort of sex fetish, and even if it is, Lara isn't getting anything out of it. I know it's wrong that we watch them have sex, but what's even worse is that we watch him punch her in the back and sometimes even in the head, and all we do is stand outside the window, and now I'm just speaking for myself, but I go home and put on dry clothes and sit on my couch, drinking something and completely forgetting about Lara. That's not right, and another bad thing is that I'm pretty sure none of us, including me, is going to do anything about it.

Back to the good things: My mother was an English teacher at the high school and she'd be proud of me for reading The Moviegoer and for keeping a journal which I write in every day, even if it's stupid things like saying what I did the night before or listing what's good and what's bad about me. It's still non-school writing and that was something she tried to get all of her students to do during their summer vacations, so I know she'd like that. My mother would also be happy about the relationship that my father and I have. Sometimes we can talk to each other like friends, which is something we never did when she was around. Then it was those two on one level and me on another. But now, not all the time but sometimes, my father and I joke around or go to the driving range together or see a movie on a Sunday afternoon. Other than the people at his job and the other golfers at the driving range and people in the stores where he buys food, as far as I can tell I'm the only person he ever sees. I'm his only friend.

Last night I asked Country to buy me a litre of Captain Morgan and a two litre of Coke from the liquor store. The bill came to a little over fifteen dollars, so he got to keep almost five dollars. Edgar and Jim came with me to the store and they smoked up with Country after he bought me the liquor, so he really had himself a good night. I drank directly from the two bottles, shots and chasers in the liquor store parking lot, even though I was hoping to have some nice Captains and Cokes in the comfort of my house. But there was a feeling of friendship in the air, between all four of us. Those three smoked and I drank and there wasn't much talking but we all were on the same plane. I watch a lot of movies, pretty much any one that's playing on cable, and so I have this habit of viewing parts of my life as if they're a scene from a movie. I was able to watch us last night in the parking lot, and I even inserted an imaginary flaming trash can, around which we were all huddled, forgetting that it was summer. I pictured us as these four happy bums, making the best of what we had. I was so into that scene, it was like I didn't even need to get drunk. We were getting along so well with Country I thought for a second that we might ask him to go poolhopping with us. But we didn't, and soon we were on the fourth pool, the heated one on Montgomery Lane. The night just glided along, like a musical number that speeds up time in a movie, and soon we were in our clothes, standing by the bedroom window, watching the house's owner press into Lara DeMarco, occasionally taking her head in his hands and bashing it against the wall. She was crying and the man was shouting and we were just looking on. Like another movie.

My father asked me if I wanted to drive him to the range for practice. I said sure, and soon we were out of the house. On the road he asked me if I was having a good summer. "Yeah, sure," I said. "What do you do at night when I'm at work?" he asked. I got a bit nervous that he knew something he shouldn't have known, but I also was fairly certain that I had kept all of my vices hidden from him, trying, as I've said before, to be a good son. "Nothing much," I said. "Watch whatever's on the television." "Do you ever have any of your friends over the house?" he asked. "Yeah, sometimes. Edgar and Jim come over every once in a while, just to hang out. Summer's a really slow time, you know. We just kind of hang out in the basement." I was saying too much, I realized, being over-talkative like someone who's guilty. "Someone's been drinking my beers. I bet you it was that Moore kid, he's always been a sneaky kid." My father was talking about Edgar. He's known throughout the town because of his older brother, who's always getting into fights and showing up in the "Police Watch" section of the local newspaper. "You tell him I've started counting my beers." I stayed quiet, signalling for a right turn and keeping my hands at ten and two o'clock, just as my father had told me to do. "Look, I know you're trying to be a good friend by not ratting him out, so I won't say anything else about it. You know what's right, I know that, because your mom taught you well. Listen, though, okay, just listen, I know I come down with this stuff a lot on you, but for some reason I feel like I have to say it. It's just us two now and we have to be a bit more careful and a bit more responsible. It sucks for you because you're sixteen and when I was your age, being responsible was the last thing I wanted to be, but I had a mother and so I was allowed to be a fuck-up, whereas you have a whole different life." He rolled up his window and put the air conditioning on. "Dad, I know what you're saying." "It's like golf," he continued, not seeming to register my words. "To hit a good iron, you have to do the opposite of what you want. To get the ball flying far and in the air, you have to swing down. You have to chop at it, and for some reason that works. Swing down and the ball goes "Yeah," I said, lying so that we could finish the conversation. I made the turn into the driving range, happy that this lesson was over.

My father went through three buckets and I sat on a bench behind him, watching him work on his swing, listening to whatever golfisms he felt like sharing with me. When he was finished, he went to the pro shop to buy himself a new glove. I went in with him and started comparing the various balls they were selling, trying to figure out the differences between the brands, not knowing why I was doing so, other than finding a way to pass the time. Summer is really slow, I thought to myself. My father started talking to the man behind the counter and I looked up, following their voices until my eyes rested on the face of the man behind the counter. The same man who owned the house on Montgomery Lane and who fucked and hit Lara DeMarco at the same time.

My father just left for work and the house has a strange emptiness to it, as if he's never going to come back and I'll be here alone, forever. It's not true, obviously -- he'll be home tomorrow morning as usual, and as usual Edgar and Jim will be coming over in a few hours -- but I guess there must be something to this feeling of isolation.

" When my mother died, I had to do a little hypothetical thinking, because there's always the chance that my father could also die at any minute. He could get into a car accident or have a sudden haemorrhage or be stopping for coffee at a 7-11 when there's a hold-up and get shot as an innocent bystander. These are gloomy thoughts, I know, but I think it's what every kid of a single parent forces himself to think, just to have a plan ready in case something bad should happen. Now that I'm sixteen I think I'd be allowed to skip out on foster homes and live here by myself, and to tell you the truth, other than missing my father, it wouldn't be that bad. I'd get a job and work hard all day, then come home and have a few drinks with dinner, watch what's on television or maybe rent a movie, and then go to sleep real early, wake up real early the next day, have a leisurely breakfast, and then off to the job again. It would be a nice little cycle. I'd have to work a girl in there somehow, maybe after I'd made enough money at the job to take her out to a nice restaurant. I don't feel like going out tonight, seeing Edgar and Jim and having to put up with their shit. They're my best friends but sometimes I need a break from them. Edgar's so wired up all the time, it's like he could snap anytime, like his brother, who, according to the "Police Watch" section of today's newspaper, was arrested last night for drunk driving. See, the thing about Edgar is, even though he's supposedly my best friend, I wouldn't dare ask him about that. And the fact that I'm afraid to ask him about it is probably the best way I can explain why I don't feel like hanging out with him tonight. And Jim, well Jim can be depressing sometimes. His whole life is getting high, and sometimes I'm jealous that he still gets to smoke whenever he wants and I have my stupid little vow to never smoke again (thanks, Mom), but most of the time it's just so fucking depressing seeing the way his mind has been burned away. Edgar's right, someone will have to take care of Jim's sorry ass for the rest of his life, but I don't want it to be me. And I'm pretty sure Jim doesn't want it to be Edgar.

" When they come over, I'll just tell them that I'm too drunk or too sick to go out tonight. If that doesn't work, if they don't leave, I'll pull the wild card out, tell those two perverts that the guy on Montgomery Lane isn't even home, that he and Lara DeMarco are away for the weekend, so they're not going to get their private show tonight anyway. That'll put those two in their places. That'll shut them up and make them leave and then I'll get to be alone for the night, maybe have one more drink and go to sleep early. I'm so tired tonight.

I fixed us all Jim Beams and Ginger Ales while Edgar figured out how to order pay-per-view pornos. I was still nervous, but I figured all we were doing was drinking some of his liquor and watching his television, so we really weren't doing anything really bad to Mr. Reed. I was pretty sure Edgar was lying about taking a shit in the guy's shower. I brought the drinks to the living room and we drank for a while, watching the opening scenes of a porno called "The Chauffeur." The chauffeur was driving an actress home from a movie set, and she was telling him about how badly the scenes had gone that day. They had been doing a love scene and her co-star was a total dud with a small cock (her words, not mine) and she wished they would start hiring actors who were good in the sack. The chauffeur smiled at her through his rear view mirror and she smiled back. He told her he wanted to be an actor, and she said she'd try to get him his first break. I forget how they ended up doing it in the back of the limo, but that's what happened. He pulled over and they started going at it in the back of the limo, and when she started making sounds, Jim put the volume on really loud and Edgar started playing with the stereo so that the movie came out of its speakers. We were surrounded by that woman's groaning, and that's why we never heard Mr. Reed pull into his driveway.

We heard the front door open and time just seemed to take on a new quality, not faster or slower, but more like paused. We looked at each other and somehow knew where to go, right into the kitchen, into the large pantry. There was a light inside the pantry but we didn't turn it on, so we stayed in that darkness, surrounded by food we couldn't see, waiting for Mr. Reed to find us. We could hear his voice. "What the fuck?" Mr. Reed said. He turned the television off. "What the fuck!" "Call the cops," another voice said, a woman's voice, Lara DeMarco's voice. "It's probably a bunch of kids. They might still be here," he said. He moved into the kitchen, opened a drawer, and we heard a click. "If you're still in here," he shouted, "I have a gun." Lara DeMarco came into the kitchen. "Jack, call the cops," she said. "Fuck you," Mr. Reed said. "I'll call them when I'm good and ready." "You're going to shoot someone?" Lara said, her voice shaking. "It's not loaded," Mr. Reed said, softly. "I just want to give these fuckers a scare." "I think you should call the cops," Lara said. "Shut up," Mr. Reed said. "We shouldn't have come home. We should have just gone to another hotel. I'm scared, Jack." We heard him hit her with the gun and we heard her crying. "I thought I told you to shut up. In fact, I thought I told you to shut up when we started driving home and you've been yapping ever since then. What don't you ever listen to me?" He hit her again, this time with his fist. "Now just sit the fuck down and stop your crying and wait for me in here." He left the kitchen and then all we could hear was Lara's crying. The poor girl was trying to stifle her tears but doing a poor job. Mr. Reed came back a few minutes later. "They're gone," he said. "Oh, what the fuck is wrong with you?" "Nothing," she said. "I'm sorry, Jack." "Just go take a shower and clean yourself up. You look like shit. I'll join you in a few minutes." "You're not going to call the cops?" she said. "Naw, all they did was watch some television. Just some little fuckers from the neighbourhood. Get in the shower." He slapped her, probably on the butt, and we heard her leave. Mr. Reed went to the sink and poured himself a glass of water. He pulled a chair out and sat down, sighing loudly. "No," Edgar whispered back. "What are we going to do?" Jim whispered. "We'll wait for him to go into the bedroom with Lara and then we'll break," Edgar whispered. "Okay," Jim said.

I pictured Mr. Reed going into the bedroom, waiting for Lara to come out of the shower, this beautiful girl all naked and wet and willing to do anything for him, and all he was going to do was curse at her and hit her some more. We had done something wrong by breaking into Mr. Reed's house, and we had been doing wrong all summer long swimming in his pool and spying on him, but I felt like there had to be a reason for that. The summer was like one long movie, and there had to be an ending to it. There had to be a reason why I felt so bad, so low, why I was surrounded by darkness and hating the way my life had turned so quickly. Just a half a year ago, both my parents were alive (my mom was pretty sick, but she was still there, we could still talk) and my life was so goddamned simple -- wake up, go to school, smoke up on the weekends, see the new movies when they came out, simple stuff like that. And now I was "pure bad," my father would have said. I tried to think of my father then, wondering what he would do in this situation, but all I could picture was him sitting next to me in the car, saying "Swing down and the ball comes up."

" I knocked on the bathroom door and opened it, not waiting for Lara DeMarco to say "Come in" or something like that. The bathroom was steamy and I began to sweat. "Lara?" I called out. There was no answer. "Lara?" I said again. "Lara, we're here to help you. I'm going to open the shower curtain, okay, so maybe you should cover up. I'll open on three. One. Two. Three." When I opened the curtain, I saw that the window was open. Lara DeMarco was gone. Good, I thought, she came to her senses. I turned the water off and went back to the kitchen. Mr. Reed was lying on the ground, unconscious, blood running from his mouth and ears and nose. Jim and Edgar were pissing on his legs.

"Let's go," I said. "Before he wakes up." "Where's Lara?" Edgar asked, his eyes filled with something sinister in them. "She's gone," I said, "and we should be too." So we left. I feel bad about what happened but it all ended for the best, I think. I've only had a day to think about it though, so I may be wrong. The cops haven't come for us or anything like that. My guess is that Mr. Reed is too embarrassed to report something like this to the cops, like they would laugh at him for getting beat up by three kids and then getting his leg pissed on. The only thing I'm really worried about is if Mr. Reed saw my face and remembered who I am and then told my father what happened. I don't think that will happen, but that would be the worst possible thing, worse even than getting arrested.

I guess I'm also worried about Lara DeMarco, if she'd ever go back to Mr. Reed or if he'd ever go after her if she didn't. And Edgar and Jim, too. I worry about what would happen to them if we got caught. Still, most of all I think of my father, about how disappointed he'd be in me, how he wouldn't be able to go back to the driving range anymore, how he'd be all alone if I went to jail. Last night, though, must have happened for a reason, and I don't think the reason was to ruin my father's life.





ABOUT THE AUTHOR

Andrew Bomback is a second year medical student at Columbia University College of Physicians & Surgeons. When he has some down-time from my studies, he enjoys writing and has published stories in Elysian Fields Quarterly, Carve Magazine, Panic Attack, and Humanism in Medicine. A story of his was recently chosen as a finalist for the 2001 Raymond Carver Short Story Award at the University of Washington.


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