:: Buzzwords Archive: January 2015. Click here for the latest posts.

Fiction Call for Submissions (published 30/01/2015)

3:AM is opening fiction submissions for a short period. I’m looking for exciting, and formally challenging new writing The opening date is 1st February 2015, and the closing date/time is midnight on 14th February 2015, Samoa Time Zone (ST).*

Some guidelines:

    • Under 2,500 words, please. Standalone extracts from larger works are welcome, as well as short fiction in any form. Pieces should be previously unpublished. Submit no more than one piece of work per call for submissions.


    • Please send your writing as an attachment, with your name + title in the file name: e.g. Stein_Tenderbuttons.pdf, or AutobioAliceBT_Stein.doc. Please do not paste your piece into the body of your email.


    • You could have a look at some of the work I have published on 3:AM before, or click on the Fiction tab at the top of this page.


    • I particularly welcome submissions in translation (with the written permission of original writer/publisher).


    • Please include a very short biography in your accompanying email (not in any accompanying attachment). This will go on the website if your piece is published, so keep it concise, and include links, if you like.


    • If you have sent me work while submissions were closed, please re-send during the open submissions period or I will not be able to consider it.


    • Depending on submission volume, I hope to be able to send acceptances by the mid-April. Due to the volume of submissions I won’t be sending individual rejection notes. It’s fine to submit simultaneously, but I would be grateful if you could let me know if your submission is accepted for publication elsewhere.


    • No fee (sorry). 3:AM is currently a labour of love for both contributors & editors.


Please send your work to me via the link on the contacts page.

I am very much looking forward to reading!
Joanna Walsh (Fiction Editor)

*To avoid any quibbles, this is the furthest west inhabited global timezone.

The Missing Links (published 26/01/2015)


Cinema without people (via Gorse). * An interview with 3:AM legend Richard Cabut. * Brian Dillon on Gerhard Richter. * Brian Dillon on the topless cellist. * Sam Cooper on the novel after its abandonment. * Enrique Vila-Matas in The White Review‘s translation issue. * Translating the untranslatable. * Untranslatability studies. * Towards an alternative ethics of translation. * Anne Carson‘s “Pronoun Envy”. * Rachel Kushner: “My aspiration to spend time at sea as requisite literary training died long ago, as a teenager, on a white-knuckled ferry ride to Elba during a torrential rainstorm”. * Colm Tóibín and Rachel Kushner in conversation.  * Roland Barthes born 100 years ago. * The new modesty in literary criticism. * Mark Dery in conversation with Will Self. * In 1977, hope I go to heaven… * Paul Simonon‘s new exhibition gets a pasting. * Paul Simonon in his studio (video). * TS Eliot, 50 years on. * Millions like us. * Nabokov and the movies. * “Short Story Idea (The Macaque)” by Evan Lavender-Smith.  * Teju Cole‘s favourite things. * Michel Houellebecq on Soumission. * Lauren Elkin on Georges Perec. * Chris Killen‘s second novel reviewed. * How Tim Parks reads. * What Blake Butler read in 2014. * A place that can’t exist again: Bondie’s New York. * Times Square in the early 80s. * An excellent retrospective of the late Kim Fowley‘s career. * An interview with Michael Hofmann. * Beyond Man Ray. * Adventures of the Black Square. * Ben Lerner. * Ben Lerner‘s latest reviewed. * The history of the number zero. * Irvine Welsh rereads American Psycho. * A few tunes between homicides. * The Observer‘s new faces of fiction 2015. * James Laughlin’s New Directions. * Kafka‘s drawings. * Punks hanging out. * David Bowie: changes. * Michel Houellebecq, France’s literary provocateur. * Rushdie on Charlie Hebdo and freedom of speech. * Tim Parks on the limits of satire. * What we talk about when we talk about Charlie Hebdo. * Jeremy Harding on the historic Paris march. * Adam Thirlwell wonders if art can still shock? * Iain Sinclair on the excavation of London. * On Groucho Marx. * “Andrew’s Blues” * Bez for PM? * Joey Ramone sings John Cage. * Greg Gerke on Mr Turner, Boyhood and criticism. * Giorgio Agamben on the unforgettable. * Three documentaries on Nietzsche, Heidegger, and Sartre. * The mystery of consciousness. * Love sounds. * The wellness ideology. * Expanding the medium of artists’ books. * The golden age of Peter and Jane. * Californian high-school life, 1969. * John Berger goes for a swim. * Van Gogh the preacher?

Illustration: Ekaterina Panikanova.

infinite fictions: “a desire for the unorthodox” (published 19/01/2015)


Infinite Fictions, a collection of critical essays on literature and theory by 3:AM co-editor-in-chief David Winters, is available to buy now from Zero Books. From the back cover:

David Winters has quickly become a leading voice in the new landscape of online literary criticism. His widely-published work maps the furthest frontiers of contemporary fiction and theory. The essays in this book range from the American satirist Sam Lipsyte to the reclusive Australian genius Gerald Murnane; from the “distant reading” of Franco Moretti to the legacy of Gordon Lish. Meditations on style, form and fictional worlds sit side-by-side with overviews of the cult status of Oulipo, the aftermath of modernism, and the history of continental philosophy. Infinite Fictions is indispensable reading for anyone interested in the forefront of literary thought.

And here’s what people are saying:

David Winters is a brilliant young literary critic. His literary essays, which have appeared in a vast range of publications, both on- and offline, go far beyond the usual precis-and-evaluation typical of book reviews. He is unique in the philosophical subtlety and depth he brings to his work, and in the striking authors he covers.

Lars Iyer, author of Spurious, Dogma, and Exodus

David Winters is an exceptional talent in literary criticism. He combines a vivid, accessible style of writing with deep erudition and great intellectual precision. Ranging from popular works of fiction to difficult philosophers, he is always able to cut through the jargon and make the reader engage with the heart of the matter. Indeed, Winters is that rare thing: a young intellectual who is able to speak to the general reader while contributing to the academic conversation as well.

Martin Hägglund, Yale University

David Winters is the smartest young critic to emerge in recent years. His writing is marked by a desire for the unorthodox, and an attention to our most daring logophiles—Lish, Lutz, Marcom, Schutt—so often overlooked by others. An intimacy with continental philosophy and literary modernism elevates his work well beyond the obvious exegetical formulas of mainstream criticism, and yet it always remains eminently readable and accessible, eminently fun. In Winters I’ve found a critic whose writing I can read without having to chalk it up to a guilty pleasure—he makes me smarter, there’s no doubt about it.

Evan Lavender-Smith, author of Avatar and From Old Notebooks

David Winters is a massively intelligent, erudite and inquiring analyst of American letters, especially American modernism, Gordon Lish, and Lish’s vast influence on the contemporary writing scene. I read his essays avidly, and always find fresh insights and fresh connections. He’s describing the furniture in the room—a lot of other critics haven’t found the door yet. Winters writes with élan, complexity and thoughtfulness. I haven’t come across another new critic I like so well.

Douglas Glover, author of Attack of the Copula Spiders

Whenever I read David Winters’ thoughts on a book, it is as though I am seeing that book anew, no matter how well I thought I already knew it. He is rigorous, broad-minded, generous, and courageous—qualities that cannot be taught, but are of essential importance for a critic to have. I look forward to reading him for years to come.

Scott Esposito, co-author of The End of Oulipo

David Winters has become a prominent figure in a new generation of young intellectuals. His literary criticism resists the temptation of liberal humanism and its narrow conception of literature; it interrogates the nature of the novel in a philosophically radical fashion, and sheds light on the alternative voices that are routinely ignored by the mainstream.

Carl Cederström, co-author of Dead Man Working

David Winters’ meditations on the literary experience dance with intelligence and beauty. Powerful and penetrating, his essays turn other writers’ writing into new, exciting pieces that spark the writerly imagination and leave you wanting more. A leading critic.

Susana Medina, author of Philosophical Toys

David Winters is the most exciting critic out there. Each of his essays starts from scratch, as he looks for a new vocabulary and a new form to talk about each new book. In a sense, his reviews are often even more fascinating than the books themselves—demonstrating how great a writer he truly is.

Andrew Gallix, 3:AM Magazine