{"id":1280,"date":"2007-05-14T19:22:47","date_gmt":"2007-05-14T19:22:47","guid":{"rendered":"http:\/\/www.3ammagazine.com\/3am\/the-living-and-the-dead\/"},"modified":"2007-05-14T19:31:13","modified_gmt":"2007-05-14T19:31:13","slug":"the-living-and-the-dead","status":"publish","type":"post","link":"https:\/\/www.3ammagazine.com\/3am\/the-living-and-the-dead\/","title":{"rendered":"The Living and the Dead"},"content":{"rendered":"<p>Jason, <em>The Living and the Dead<\/em> (Fantagraphics, 2007)<\/p>\n<div align=\"center\"><img decoding=\"async\" src=\"http:\/\/farm1.static.flickr.com\/188\/439065225_cdcbe9ff69_o.jpg\" \/><\/div>\n<p>Following successful forays into four colours with <em>The Left Bank Gang<\/em> (on the Paris of the Twenties,  starring Hemingway, Scott Fitzgerald, James Joyce and Ezra Pound in a bundled bank job) and <em>Why Are You Doing This?<\/em> (described as Alfred Hitchcock shot by Jim Jarmusch)\u2014Jason goes back to two tones in <em>The Living and the Dead<\/em>, part two of his planned horror trilogy, and his amusing reworking of the old boy-meets-girl story as a rom-zom-com (a term cribbed from <em>Shaun of the Dead<\/em>).<\/p>\n<p>A deadbeat dishwasher passes a hooker each night on his return from work. He scrimps enough money together for a date, but a meteor falls on a graveyard and the city, now plagued with the undead,  proves a more hostile background than usual as the both flee the flesh-eating hordes.<\/p>\n<p>In the past, much has been made of Jason&#8217;s (real name, John Arne S\u00c3\u00a6ter\u00c3\u00b8y) deadpan Buster Keaton style and here, an homage to the visual gags of the silent movies results in a wonderful panel where the two lovers escape by clambering through a car; the zombies queue up to plod in after them and file out the other side.<\/p>\n<p>It&#8217;s not entirely whimsical, though: the panels where a mother leaves her child in a pram on the street outside a shop, to return to a skeleton, knocks any notions of gentility on the head, as does a scene were a dog ravishes a bird. That said, for a zombie turn, it is not all blood and gore. In Jason&#8217;s hands, most of it is a whiff of the genre. Like a German Expressionist horror film, it is the unseen that is the most chilling, and his simple renderings of the characters and backgrounds only reinforce the harrowing austerity.<\/p>\n<p><strong>ABOUT THE REVIEWER<\/strong><\/p>\n<p><a href=\"http:\/\/www.3ammagazine.com\/buzzwordsblog\/uploaded_images\/162373731_aceb94aefd_s-726476.jpg\" \/><\/p>\n<div style=\"text-align: center\"><a href=\"http:\/\/www.3ammagazine.com\/buzzwordsblog\/uploaded_images\/162373731_aceb94aefd_s-726476.jpg\"><img decoding=\"async\" border=\"0\" src=\"http:\/\/www.3ammagazine.com\/buzzwordsblog\/uploaded_images\/162373731_aceb94aefd_s-725260.jpg\" \/><\/a><\/div>\n<p><strong>Susan Tomaselli<\/strong> lives in Ireland where she edits the inimitable <a href=\"http:\/\/www.dogmatika.com\/dm\/\"><em><strong>Dogmatika<\/strong><\/em><\/a> and is Comics Co-Editor of <strong>3:AM<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p><img decoding=\"async\" vspace=\"5\" hspace=\"5\" border=\"solid black 1px\" align=\"right\" alt=\"living.jpg\" src=\"https:\/\/www.3ammagazine.com\/3am\/\/wp-content\/uploads\/2007\/05\/living.thumbnail.jpg\" id=\"image1306\" \/>A deadbeat dishwasher passes a hooker each night on his return from work. He scrimps enough money together for a date, but a meteor falls on a graveyard and the city, now plagued with the undead, proves a more hostile background than usual as the both flee the flesh-eating hordes.<\/p>\n<p><strong>Susan Tomaselli<\/strong> reviews <strong>Jason<\/strong>&#8216;s <em>The Living and the Dead<\/em>.<\/p>\n","protected":false},"author":119,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-1280","post","type-post","status-publish","format-standard","hentry","category-criticism"],"_links":{"self":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/1280","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/users\/119"}],"replies":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/comments?post=1280"}],"version-history":[{"count":0,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/1280\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/media?parent=1280"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/categories?post=1280"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/tags?post=1280"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}