{"id":14689,"date":"2009-10-01T07:49:11","date_gmt":"2009-10-01T07:49:11","guid":{"rendered":"http:\/\/www.3ammagazine.com\/3am\/?p=14689"},"modified":"2009-10-01T07:49:11","modified_gmt":"2009-10-01T07:49:11","slug":"amperes-and-11","status":"publish","type":"post","link":"https:\/\/www.3ammagazine.com\/3am\/amperes-and-11\/","title":{"rendered":"ampere&#8217;s and"},"content":{"rendered":"<div align=\"center\"><img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/www.3ammagazine.com\/3am\/\/wp-content\/uploads\/2009\/09\/ampersand13-241x300.jpg\" alt=\"ampersand13\" title=\"ampersand13\" width=\"241\" height=\"300\" class=\"alignnone size-medium wp-image-14698\" srcset=\"https:\/\/www.3ammagazine.com\/wp-content\/uploads\/2009\/09\/ampersand13-241x300.jpg 241w, https:\/\/www.3ammagazine.com\/wp-content\/uploads\/2009\/09\/ampersand13.jpg 402w\" sizes=\"(max-width: 241px) 100vw, 241px\" \/><\/div>\n<p>Today&#8217;s quick lit [&#038; alt.cult] links from around the web:<\/p>\n<blockquote><p><b>Toby Litt<\/b> on how <b>Raymond Carver<\/b>&#8216;s editor <a href=\"http:\/\/entertainment.timesonline.co.uk\/tol\/arts_and_entertainment\/books\/fiction\/article6848078.ece\">formed his pared-down style<\/a> (see also, <a href=\"http:\/\/www.guardian.co.uk\/books\/2009\/sep\/27\/raymond-carver-editor-influence\">Raymond Carver, the kindest cut<\/a>)<\/p>\n<p><b>&#038;<\/b> <a href=\"http:\/\/thequietus.com\/articles\/02837-kevin-cummins-hits-the-north-oasis-new-order-the-smiths-the-stone-roses-and-joy-division-caught-on-film\">The  Quietus<\/a> interview <b>Kevin Cummins<\/b><\/p>\n<p><b>&#038;<\/b> The surface of things, <a href=\"http:\/\/therumpus.net\/2009\/09\/the-surface-of-things-the-rumpus-interview-with-tao-lin\/\">The Rumpus<\/a> interview <b>Tao Lin<\/b><\/p>\n<p><b>&#038;<\/b> <a href=\"http:\/\/www.npr.org\/blogs\/monkeysee\/2009\/09\/roman_polanski_at_the_often_un.html\">Roman Polanski at the uncomfortable intersection of art &#038; life<\/a> (via <a href=\"http:\/\/twitter.com\/michaelschaub\">@michaelschaub<\/a>)<\/p>\n<p><b>&#038;<\/b> What <b>Scorsese<\/b> &#038; all the rest <a href=\"http:\/\/blogs.villagevoice.com\/runninscared\/archives\/2009\/09\/polanski.php\">know about Roman Polanski that maybe you don&#8217;t<\/a><\/p>\n<p><b>&#038;<\/b> <a href=\"http:\/\/www.youtube.com\/watch?v=IaSfzksPf1w\">I wanna die in the TV<\/a>, <b>Stewart Home<\/b> brings back the testcard<\/p>\n<p><b>&#038;<\/b> <a href=\"http:\/\/htmlgiant.com\/?p=15844\">Conceptual plagiarism<\/a><\/p>\n<p><b>&#038;<\/b> <a href=\"http:\/\/www.matchboox.com\/epages\/62008611.sf\">Books in a matchbox<\/a> (via <a href=\"http:\/\/twitter.com\/AbeBooks\">@AbeBooks<\/a>;  see also, <a href=\"http:\/\/www.poetrymagazines.org.uk\/magazine\/index.asp?id=105\">Matchbox Poetry<\/a>) <\/p>\n<p><b>&#038;<\/b> <b>Will Ashon<\/b> is tweeting a short story <a href=\"http:\/\/twitter.com\/trundlespike\">@trundlespike<\/a> (More on Will Ashon &#038; 3:AM Press <a href=\"https:\/\/twitter.com\/workbywillashon\">here <\/a>&#038; <a href=\"http:\/\/www.facebook.com\/pages\/3AM-Press\/139008723716?ref=mf\">there<\/a>)<\/p><\/blockquote>\n<p>[<b>Image:<\/b> <a href=\"http:\/\/www.flickr.com\/photos\/myklroventine\">Mykl Roventine<\/a>]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Today&#8217;s quick lit [&#038; alt.cult] links from around the web: Toby Litt on how Raymond Carver&#8216;s editor formed his pared-down style (see also, Raymond Carver, the kindest cut) &#038; The Quietus interview Kevin Cummins &#038; The surface of things, The Rumpus interview Tao Lin &#038; Roman Polanski at the uncomfortable intersection of art &#038; life [&hellip;]<\/p>\n","protected":false},"author":119,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-14689","post","type-post","status-publish","format-standard","hentry","category-buzzwords"],"_links":{"self":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/14689","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/users\/119"}],"replies":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/comments?post=14689"}],"version-history":[{"count":0,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/14689\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/media?parent=14689"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/categories?post=14689"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/tags?post=14689"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}