{"id":26542,"date":"2010-07-26T21:24:19","date_gmt":"2010-07-26T21:24:19","guid":{"rendered":"http:\/\/www.3ammagazine.com\/3am\/?p=26542"},"modified":"2010-07-26T21:24:19","modified_gmt":"2010-07-26T21:24:19","slug":"architecture-neurosis-and-death","status":"publish","type":"post","link":"https:\/\/www.3ammagazine.com\/3am\/architecture-neurosis-and-death\/","title":{"rendered":"Architecture, Neurosis and Death"},"content":{"rendered":"<p><img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/www.3ammagazine.com\/3am\/\/wp-content\/uploads\/2010\/07\/3340818167_6b8efd1b23.jpg\" alt=\"3340818167_6b8efd1b23\" title=\"3340818167_6b8efd1b23\" width=\"500\" height=\"375\" class=\"alignnone size-full wp-image-26545\" srcset=\"https:\/\/www.3ammagazine.com\/wp-content\/uploads\/2010\/07\/3340818167_6b8efd1b23.jpg 500w, https:\/\/www.3ammagazine.com\/wp-content\/uploads\/2010\/07\/3340818167_6b8efd1b23-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p>\n<p><a href= \"http:\/\/surplusmatter.com\/\">Tom McCarthy<\/a>, in the <a href= \"http:\/\/www.guardian.co.uk\/books\/2010\/jul\/24\/tom-mccarthy-futurists-novels-technology\"><em>Guardian<\/em><\/a>, on the links between <strong>technology and the novel<\/strong>:<br \/>\n<em><br \/>\nWhere the liberal-humanist sensibility has always held the literary work to be a form of self-expression, a meticulous sculpting of the thoughts and feelings of an isolated individual who has mastered his or her poetic craft, a technologically savvy sensibility might see it completely differently: as a set of transmissions, filtered through subjects whom technology and the live word have ruptured, broken open, made receptive. I know which side I&#8217;m on: the more books I write, the more convinced I become that what we encounter in a novel is not selves, but networks; that what we hear in poems is (to use the language of communications technology) not signal but noise. The German poet Rilke had a word for it: Ger\u00c3\u00a4usch, the crackle of the universe, angels dancing in the static.<\/em><\/p>\n<p>As part of an evening devoted to <a href= \"http:\/\/www.barbican.org.uk\/artgallery\/event-detail.asp?ID=10899\">Freud and Surrealism<\/a> at the <strong>Barbican Art Gallery<\/strong> on <strong>29 July<\/strong>, the <a href= \"http:\/\/necronauts.org\/\">International Necronautical Society<\/a> will hold forth on &#8220;Architecture, Neurosis and Death&#8221;:<\/p>\n<p><strong>7-10 PM: International Necronautical Society INS Commission on Crypts: Architecture, Neurosis and Death<\/strong><br \/>\n<em><br \/>\nAn evening of discussions and interrogations organised by the <strong>International Necronautical Society<\/strong>. The INS is a semi-fictitious organisation founded by author and artist <strong>Tom McCarthy<\/strong>, closely modelled on the European avant-gardes of the early twentieth century. McCarthy will be joined by award-winning novelist <strong>Chloe Aridjis<\/strong> and scholar <strong>Richard Martin<\/strong> as they interrogate acclaimed writer and psychoanalyst Darian Leader and leading architect <strong>Patrick Lynch<\/strong>. The proceedings will be monitored by INS Chief of Propaganda <strong>Anthony Auerbach<\/strong> and INS Environmental Engineer <strong>Laura Hopkins<\/strong>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tom McCarthy, in the Guardian, on the links between technology and the novel: Where the liberal-humanist sensibility has always held the literary work to be a form of self-expression, a meticulous sculpting of the thoughts and feelings of an isolated individual who has mastered his or her poetic craft, a technologically savvy sensibility might see [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-26542","post","type-post","status-publish","format-standard","hentry","category-buzzwords"],"_links":{"self":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/26542","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/comments?post=26542"}],"version-history":[{"count":0,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/26542\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/media?parent=26542"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/categories?post=26542"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/tags?post=26542"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}