{"id":27573,"date":"2011-01-07T08:55:56","date_gmt":"2011-01-07T08:55:56","guid":{"rendered":"http:\/\/www.3ammagazine.com\/3am\/?p=27573"},"modified":"2011-01-07T08:55:56","modified_gmt":"2011-01-07T08:55:56","slug":"3am-cult-hero-thomas-chatterton","status":"publish","type":"post","link":"https:\/\/www.3ammagazine.com\/3am\/3am-cult-hero-thomas-chatterton\/","title":{"rendered":"<em>3:AM<\/em> Cult Hero: Thomas Chatterton"},"content":{"rendered":"<div align=\"center\"><img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/www.3ammagazine.com\/3am\/\/wp-content\/uploads\/2010\/08\/chatterton.jpg\" alt=\"chatterton\" title=\"chatterton\" width=\"504\" height=\"324\" class=\"alignnone size-full wp-image-27574\" srcset=\"https:\/\/www.3ammagazine.com\/wp-content\/uploads\/2010\/08\/chatterton.jpg 504w, https:\/\/www.3ammagazine.com\/wp-content\/uploads\/2010\/08\/chatterton-300x192.jpg 300w\" sizes=\"(max-width: 504px) 100vw, 504px\" \/><br \/>\n<em>&#8220;I thought of Chatterton, the marvellous Boy,<br \/>\nThe sleepless Soul that perished in his pride.&#8221;<\/em><\/div>\n<p>Before <strong>J.T. Leroy<\/strong> there was 18th century plagiarist poet <strong>Thomas Chatterton<\/strong>, subject of <strong>Peter Ackroyd<\/strong>&#8216;s <a href=\"http:\/\/www.bookdepository.co.uk\/book\/9780802134806\/Chatterton\/?aid_3ammagazine\">excellent 1987 novel<\/a> and posterboy for Tate Britain&#8217;s current <em><a href=\"http:\/\/www.tate.org.uk\/britain\/exhibitions\/romantics\/default.shtm\">Romantics<\/em><\/a> exhibition (<em>pictured above<\/em>). Quite fittingly, that isn&#8217;t him in Henry Wallis&#8217; painting, instead it is <strong>George Meredith<\/strong> posing as the seventeen-year-old on his deathbed (arsenic poisoning).<\/p>\n<p>Chatterton pulled off <em>the<\/em> literary swindle of his day: the <em><a href=\"http:\/\/www.exclassics.com\/rowley\/rowlcont.htm\">Rowley Poems<\/a><\/em>. Written in the <em>faux<\/em> medieval style of Chaucer and cribbing heavily from John Kersey&#8217;s <em>Dictionarium Anglo-Britannicum<\/em>, Chatterton passed them off as work by a fictitious 15th century monk, even going so far as to use contemporaneous paper. The forgeries were so convincing that <strong>Horace Walpole<\/strong> was (albeit briefly) taken in.<\/p>\n<p>Penniless and eluded by success, Chatterton, according to <a href=\"http:\/\/www.bookdepository.co.uk\/book\/9780571248421\/The-Marvellous-Boy\/?aid_3ammagazine\">Linda Kelly&#8217;s biography<\/a>, took his own life. And so a Romantic legend was born. Though no collection of his poetry was published during his lifetime, his suicide inspired a play, an opera, was apostrophised by <strong>Shelley<\/strong>, <strong>Wordsworth<\/strong>, <strong>Coleridge<\/strong> and <strong>Keats<\/strong>, and was the subject of <strong>Oscar Wilde<\/strong>&#8216;s last lecture. From Keats:<\/p>\n<blockquote><p>O Chatterton! how very sad thy fate!<br \/>\nDear child of sorrow &#8211; son of misery!<br \/>\nHow soon the film of death obscur&#8217;d that eye,<br \/>\nWhence Genius mildly flash&#8217;d, and high debate.<br \/>\nHow soon that voice, majestic and elate,<br \/>\nMelted in dying numbers! Oh! how nigh<br \/>\nWas night to thy fair morning. Thou didst die<br \/>\nA half-blown flow&#8217;ret which cold blasts amate.<br \/>\nBut this is past: thou art among the stars<br \/>\nOf highest Heaven: to the rolling spheres<br \/>\nThou sweetly singest: naught thy hymning mars,<br \/>\nAbove the ingrate world and human fears.<br \/>\nOn earth the good man base detraction bars<br \/>\nFrom thy fair name, and waters it with tears.<\/p><\/blockquote>\n<p><strong>Further:<\/strong> <a href=\"http:\/\/www.exclassics.com\/rowley\/rwlintro.htm\">The Rowley Poems<\/a> by Chatterton \/ <a href=\"http:\/\/www.lib.udel.edu\/ud\/spec\/exhibits\/forgery\/rowley.htm\">&#8216;Forging a Collection,&#8217;<\/a> Thomas Chatterton &#038; the Rowley forgeries \/ <a href=\"http:\/\/www.nytimes.com\/books\/00\/02\/06\/specials\/ackroyd-chatterton.html\">&#8216;One Life Was Not Enough,&#8217;<\/a> Denis Donoghue on Peter Ackroyd&#8217;s <em>Chatterton: A Novel<\/em> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;I thought of Chatterton, the marvellous Boy, The sleepless Soul that perished in his pride.&#8221; Before J.T. Leroy there was 18th century plagiarist poet Thomas Chatterton, subject of Peter Ackroyd&#8216;s excellent 1987 novel and posterboy for Tate Britain&#8217;s current Romantics exhibition (pictured above). Quite fittingly, that isn&#8217;t him in Henry Wallis&#8217; painting, instead it is [&hellip;]<\/p>\n","protected":false},"author":119,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-27573","post","type-post","status-publish","format-standard","hentry","category-buzzwords"],"_links":{"self":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/27573","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/users\/119"}],"replies":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/comments?post=27573"}],"version-history":[{"count":0,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/27573\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/media?parent=27573"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/categories?post=27573"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/tags?post=27573"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}