{"id":2822,"date":"2008-04-28T17:19:54","date_gmt":"2008-04-28T17:19:54","guid":{"rendered":"http:\/\/www.3ammagazine.com\/3am\/arts-bite-the-brother\/"},"modified":"2008-04-28T17:19:54","modified_gmt":"2008-04-28T17:19:54","slug":"arts-bite-the-brother","status":"publish","type":"post","link":"https:\/\/www.3ammagazine.com\/3am\/arts-bite-the-brother\/","title":{"rendered":"Arts bite: The Brother"},"content":{"rendered":"<div align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.3ammagazine.com\/3am\/\/wp-content\/uploads\/2008\/04\/flannthebrother.jpg\"><\/div>\n<p>There was a blink-and-you&#8217;ll-miss-it exhibition of works by <b>Miceal O Nuallain<\/b> on in <a href=\"http:\/\/www.dlrcoco.ie\/arts\">my home town<\/a> recently. O Nuallain is of course the younger brother of Irish novelist <a href=\"http:\/\/www.themodernword.com\/scriptorium\/obrien.html\">Flann O&#8217;Brien<\/a> and the exhibition, <I>Memorabilia of Myles Na Gopaleen<\/i>, was a tribute to the great humorist. Some of the best works in the show included a pastel drawing of O&#8217;Brien&#8217;s typewriter (an Underwood) and a watercolour of the hallway of <b>4 Avoca Terrace<\/b>, <a href=\"http:\/\/thedubliner.typepad.com\/the_dubliner_magazine\/2007\/04\/the_dubliners_d.html\">Blackrock<\/a>, as it was in 1948 and where O&#8217;Brien wrote some of his most-famous works\u2014<I>At Swim-Two-Brids<\/i> and <I>The Third Policeman<\/i>, and as Myles na Gopaleen <I>An B \u00e9al Bocht<\/i> (<I>The Poor Mouth<\/i>) and his <I>Cruiskeen Lawn<\/i> column which ran in the Irish Times. A magnificent oil of Flann O&#8217;Brien [<I>pictured<\/i>, though my camera phone doesn&#8217;t do it justice], the only known portrait of O&#8217;Brien at work, dominated <I>Memorabilia<\/i>, as did a portrait of <b>Brendan Behan<\/b>, a drinking buddy of O&#8217;Brien&#8217;s. Behan nudged his way into the exhibition more than once, also portrayed alongside <b>Paddy Kavanagh<\/b> and <b>Maurice Walsh<\/b> in a section of portraits on O&#8217;Brien&#8217;s friends; the good, the bad and the ugly of Irish Literature, if you like. <\/p>\n<p>The highlight of <i>Memorabilia<\/i> for me, though, had to be the fourteen illustrations from <I>Cruiskeen Lawn<\/i>, drawn by O Nuallain under his pseudonym of &#8220;Kilroy&#8221; (what is it about these boys and their aliases?) with accompanying text by O&#8217;Brien, colourful illustrative explosions bringing out the best of Myles. In the catalogue O Nuallain explains this series: <\/p>\n<blockquote><p>&#8220;In the 1950s Brian stated that he was going to Tory Island to write a book and asked me to accompany him to illustrate it. To show him what I could do, I made fourteen illustrations using coloured inks in pen, brush and wash. At this point I received a large commission and could not go to Tory. Brian did not go either but he wrote the book which he titled <I>The Hard Life<\/i> and got his friend <b>Sean O&#8217;Sullivan<\/b> to illustrate it.&#8221;<\/p><\/blockquote>\n<p>Miceal O Nuallain had been planning first a biography, then <a href=\"http:\/\/findarticles.com\/p\/articles\/mi_qn4161\/is_20030202\/ai_n12859863\/pg_1\">a book of anecdotes<\/a> on Flann O&#8217;Brien, but both, as far as I&#8217;m aware, have failed to materialise. Still, <I>Memorabilia of Myles Na Gopaleen<\/i> is a fitting enough tribute to &#8220;The Brother&#8221;, and as <B>Anthony Burgess<\/b> said, <I>&#8220;If we don&#8217;t cherish the work of Flann O&#8217;Brien we are stupid fools who don&#8217;t deserve to have great men. Flann O&#8217;Brien is a very great man.&#8221;<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>There was a blink-and-you&#8217;ll-miss-it exhibition of works by Miceal O Nuallain on in my home town recently. O Nuallain is of course the younger brother of Irish novelist Flann O&#8217;Brien and the exhibition, Memorabilia of Myles Na Gopaleen, was a tribute to the great humorist. Some of the best works in the show included a [&hellip;]<\/p>\n","protected":false},"author":119,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2822","post","type-post","status-publish","format-standard","hentry","category-buzzwords"],"_links":{"self":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/2822","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/users\/119"}],"replies":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/comments?post=2822"}],"version-history":[{"count":0,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/2822\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/media?parent=2822"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/categories?post=2822"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/tags?post=2822"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}