{"id":31620,"date":"2010-11-29T17:02:35","date_gmt":"2010-11-29T17:02:35","guid":{"rendered":"http:\/\/www.3ammagazine.com\/3am\/?p=31620"},"modified":"2010-11-29T17:18:21","modified_gmt":"2010-11-29T17:18:21","slug":"seven-poems-volya-hapeyeva","status":"publish","type":"post","link":"https:\/\/www.3ammagazine.com\/3am\/seven-poems-volya-hapeyeva\/","title":{"rendered":"Seven Poems"},"content":{"rendered":"<p>By Volya Hapeyeva.<\/p>\n<p><strong>+++<\/strong><\/p>\n<p>it&#8217;s not easy being a street<br \/>\nespecially at that place<br \/>\nwhere the crosswalk lies<br \/>\nwhere<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; horizontal<br \/>\nmeets<br \/>\n&nbsp; vertical<\/p>\n<p>humans and machines<br \/>\nsometimes beasts<br \/>\ndogs and doves<br \/>\nand wheels \u00e2\u02c6\u2019 the new ones for a few hundred dollars<br \/>\nor the old ones inherited from people born in 1930<\/p>\n<p>when i was little<br \/>\ni always got the two mixed up \u00e2\u02c6\u2019 vertical and horizontal<br \/>\nevery time i said the words<br \/>\ni pictured the horizon<\/p>\n<p>horizon \u00e2\u02c6\u2019 that&#8217;s like a line<br \/>\nbehind which the sea should instantly appear<br \/>\nand disappear again<br \/>\nthis street \u00e2\u02c6\u2019 me<\/p>\n<p>&nbsp;<\/p>\n<p><strong>+++<\/strong><\/p>\n<p>i examined their bodies with my mouth<br \/>\nand forgot that i had already had some<br \/>\nthat i have to breathe and eat<br \/>\nthat i am not them<br \/>\nbelong to other senses<br \/>\nOnly when their names got all jumbled<br \/>\ndid i open up<br \/>\nwater taps<br \/>\nwindows wide<br \/>\ndictionaries<br \/>\nword files<\/p>\n<p>i even called embassies<\/p>\n<p>to hear that everything was the same and in its place<\/p>\n<p>In our relationship we had no understanding for eyes<br \/>\nonly hearing &nbsp; &nbsp; &nbsp; &nbsp; only forms<br \/>\n&nbsp; &nbsp; &nbsp; touch  and  shape &nbsp; &nbsp; &nbsp; weight &nbsp; rhythm  and  motion<br \/>\nhard kisses  of emphasis &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; embraces of sound<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; dances of intonation in empty stations<br \/>\nfrom which they departed<br \/>\nhaving left behind<br \/>\nlipstick stains on my cheek<\/p>\n<p>a smile will keep for a while on my mouth<br \/>\ni guess that&#8217;s how a clown feels after the audience leaves<\/p>\n<p>sometimes it&#8217;s hard to believe &nbsp; &nbsp; the wind&#8217;s nothing but a difference in pressure<br \/>\nsometimes a conjunction is more than just a way to connect words<\/p>\n<p>never ever will i overturn life from the word death<br \/>\noverturn the word girl from my own body<br \/>\nblood bakes on my breasts<br \/>\nbakes hard and crumbles<\/p>\n<p>&nbsp;<\/p>\n<p><strong>+++<\/strong><\/p>\n<p>as long as you forget my name<br \/>\nday by day one letter at a time<br \/>\nlike no other body<br \/>\nwill i lie<br \/>\nunder the stretched electricity wires<br \/>\non the edges<br \/>\nof an all forgiving power plant<br \/>\nand like no other bird<br \/>\ngrasping for the naked wires<br \/>\nunder your left eye<br \/>\nthe muscle contracting<br \/>\nto find out<br \/>\nwhat an instant<br \/>\nreally is<\/p>\n<p>&nbsp;<\/p>\n<p><strong>+++<\/strong><\/p>\n<p>i kiss the wind with wild abandon<br \/>\nfor dessert i order day with caramel<br \/>\ni longed to marry a shadow \u00e2\u02c6\u2019 so what<br \/>\neven your shadow was enough<br \/>\nit&#8217;s just that your language<br \/>\nlacked a future<br \/>\nand so I was cursed to remain<br \/>\nin some form of past perfect<\/p>\n<p>&nbsp;<\/p>\n<p><strong>+++<\/strong><\/p>\n<p>for &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;  &nbsp; &nbsp;  &nbsp;  &nbsp; in the &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;  &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; your hand<br \/>\n&nbsp; months &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; drifted &nbsp; &nbsp; &nbsp; &nbsp; warm &nbsp; &nbsp; &nbsp;  &nbsp; &nbsp;  &nbsp; &nbsp; palm of<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; my breasts &nbsp; &nbsp; &nbsp; &nbsp;  &nbsp; &nbsp;  &nbsp; &nbsp;  &nbsp; &nbsp;  &nbsp; &nbsp;  &nbsp; boats of the\t<\/p>\n<p>&nbsp;<\/p>\n<p><strong>+++<\/strong><\/p>\n<p>read the snow<br \/>\n&nbsp; &nbsp; till the very end<br \/>\nerase all the errors<br \/>\nuntil the snow melting<br \/>\nstills your thirst &nbsp; &nbsp; emancipated winter<br \/>\non the field&#8217;s edge red birds settle<br \/>\nloosen up the earth like the knot in your throat<br \/>\nbut however you swallow<br \/>\ni cannot save those blue lips<br \/>\ni am that unstressed syllable<br \/>\nto be more exact a concrete feminine noun with <em>\u00c6\u00a7<\/em> in the stem<br \/>\nand to decline me \u2026<br \/>\n<em>\u00e2\u02c6\u2019 what might i show you?<br \/>\n\u00e2\u02c6\u2019 these candies \u2026<\/em><br \/>\nthe plural always helps<br \/>\nand since so many words<br \/>\nare not written together<br \/>\ni give myself a hyphen<br \/>\nunder my coat i bear<br \/>\nbouquets of red and yellow<br \/>\nsoft signs<br \/>\nagainst your hardness<br \/>\n&nbsp; &nbsp; &nbsp; though<br \/>\nyou are no exception<br \/>\nand i am not the rule<\/p>\n<p>&nbsp;<\/p>\n<p><strong>+++<\/strong><\/p>\n<p>when you&#8217;re a tree<br \/>\n&nbsp; &nbsp; &nbsp; and the wind has abandoned you<br \/>\nyou can stand for centuries untouched<\/p>\n<p>what are birds to you &nbsp; &nbsp; &nbsp; their summer songs <\/p>\n<p>when you<br \/>\nare a tree<br \/>\nabandoned by the wind <\/p>\n<p>&nbsp;<\/p>\n<p><em>Translated for the first time into English by Chris Michalski, exclusively for Maintenant<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/www.3ammagazine.com\/3am\/\/wp-content\/uploads\/2010\/11\/img_hap2.jpg\" alt=\"img_hap2\" width=\"584\" height=\"438\" class=\"aligncenter size-full wp-image-31621\" srcset=\"https:\/\/www.3ammagazine.com\/wp-content\/uploads\/2010\/11\/img_hap2.jpg 584w, https:\/\/www.3ammagazine.com\/wp-content\/uploads\/2010\/11\/img_hap2-300x225.jpg 300w\" sizes=\"(max-width: 584px) 100vw, 584px\" \/><br \/>\n<strong>ABOUT THE AUTHOR<\/strong><br \/>\n<strong>Volya Hapeyeva <\/strong>(1982) was born in Minsk, Belarus. She graduated from Minsk State Linguistic University with an MA in Linguistics (MSLU) and Sociology (Gender Studies, EHU-International, Vilnius, Lithuania ). She then finished her PhD studies in Comparative Linguistics. A writer of poetry, prose, plays, her books include <em>Reconstruction of the Sky<\/em> (2003) and <em>Unshaven Morning<\/em> (2008). Her works have been translated into English, German, Czech, Macedonian, Polish, Lithuanian. She has also participated in a number of international literary festivals and conferences (Slovenia, Germany, Czech Republic, Lithuania). <\/p>\n","protected":false},"excerpt":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.3ammagazine.com\/3am\/\/wp-content\/uploads\/2010\/11\/img_hap21-150x150.jpg\" alt=\"img_hap21\" width=\"150\" height=\"150\" class=\"aligncenter size-thumbnail wp-image-31827\" hspace=\"5\" vspace=\"5\" align=\"right\" \/>as long as you forget my name<br \/>\nday by day one letter at a time<br \/>\nlike no other body<br \/>\nwill i lie<br \/>\nunder the stretched electricity wires<br \/>\non the edges<br \/>\nof an all forgiving power plant<br \/>\nand like no other bird<br \/>\ngrasping for the naked wires<br \/>\nunder your left eye<br \/>\nthe muscle contracting<br \/>\nto find out<br \/>\nwhat an instant<br \/>\nreally is <\/p>\n<p>By <strong>Volya Hapeyeva<\/strong>.<\/p>\n","protected":false},"author":119,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[484,7],"tags":[],"class_list":["post-31620","post","type-post","status-publish","format-standard","hentry","category-maintenant","category-poetry"],"_links":{"self":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/31620","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/users\/119"}],"replies":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/comments?post=31620"}],"version-history":[{"count":0,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/31620\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/media?parent=31620"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/categories?post=31620"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/tags?post=31620"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}