{"id":32706,"date":"2010-12-28T12:58:43","date_gmt":"2010-12-28T12:58:43","guid":{"rendered":"http:\/\/www.3ammagazine.com\/3am\/?p=32706"},"modified":"2010-12-28T12:58:43","modified_gmt":"2010-12-28T12:58:43","slug":"the-missing-links-189","status":"publish","type":"post","link":"https:\/\/www.3ammagazine.com\/3am\/the-missing-links-189\/","title":{"rendered":"The Missing Links"},"content":{"rendered":"<div align=\"center\"><img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/www.3ammagazine.com\/3am\/\/wp-content\/uploads\/2010\/12\/hanesstockingsad-743x1024.jpg\" alt=\"hanesstockingsad\" title=\"hanesstockingsad\" width=\"495\" height=\"683\" class=\"alignnone size-large wp-image-32707\" srcset=\"https:\/\/www.3ammagazine.com\/wp-content\/uploads\/2010\/12\/hanesstockingsad-743x1024.jpg 743w, https:\/\/www.3ammagazine.com\/wp-content\/uploads\/2010\/12\/hanesstockingsad-217x300.jpg 217w, https:\/\/www.3ammagazine.com\/wp-content\/uploads\/2010\/12\/hanesstockingsad.jpg 800w\" sizes=\"(max-width: 495px) 100vw, 495px\" \/><\/div>\n<p><strong>Steve Finbow<\/strong> discusses <strong>Shuichi Yoshida<\/strong>&#8216;s <em>Villain<\/em> &#038; Japanese crime fiction on BBC World Service&#8217;s <a href=\"http:\/\/www.bbc.co.uk\/programmes\/p00ch53g\">The Strand<\/a>. * <a href=\"http:\/\/www.thisislondon.co.uk\/lifestyle\/article-23905589-party-leaders-the-young-guns-who-rule-london-by-night.do\">New literary gang around town<\/a>, includes <a href=\"https:\/\/www.3ammagazine.com\/3am\/\/mutations\/\">Ned Beauman<\/a> &#038; <a href=\"https:\/\/www.3ammagazine.com\/3am\/\/wyldfire-an-interview-with-evie-wyld\/\">Evie Wyld<\/a>. * Popular culture goes <a href=\"http:\/\/www.independent.co.uk\/arts-entertainment\/films\/news\/popular-culture-goes-back-to-the-thirties-2169472.html#\">back to the Thirties<\/a>. * <em><a href=\"http:\/\/www.carlkohler.se\/Mulvihill-Woolf-PDF.pdf\">Dancing on Hot Bricks<\/a><\/em>, <strong>Virginia Woolf<\/strong> in 1941 [PDF] * <a href=\"http:\/\/www.nytimes.com\/2010\/12\/26\/books\/review\/Peck-t.html?_r=2&#038;ref=books\">Thomas Bernhard, the alienator<\/a>. * <em>&#8220;To read <strong>Bernhard<\/strong> is to be trapped in a corner of a Viennese cafe with a splenetic central European intellectual who won&#8217;t shut up and won&#8217;t move on. He&#8217;s funny, but funny-scary. And <a href=\"http:\/\/www.theaustralian.com.au\/news\/opinion\/prize-jerk-who-proves-the-rule\/story-e6frg6zo-1225975055132\">ultimately boring<\/a>.&#8221;<\/em> * Why <strong>Edward Hopper<\/strong> <a href=\"http:\/\/www.thesmartset.com\/article\/article12141001.aspx\">puzzles<\/a>. * <a href=\"http:\/\/flavorwire.com\/133023\/5-must-read-small-press-titles-from-2010\">Five must-read small press titles from 2010<\/a>. * <em>&#8220;The <strong>Coen brothers<\/strong> make two kinds of movies: ones that obsess over the existence of evil and ones that muse on it, <a href=\"http:\/\/www.slate.com\/id\/2278911\/\">accept it merrily, and plow on<\/a>.&#8221;<\/em> * <strong>Georges Bataille<\/strong> on <a href=\"http:\/\/www.dangerousminds.net\/comments\/georges_bataille_on_french_television_1958\/\">French television<\/a>, 1958. * In case you missed it, <em>The Believer<\/em> runs the <a href=\"https:\/\/www.3ammagazine.com\/3am\/\/lovers-of-debris-%E2%80%93-the-ins-at-tate-britain\/\">INS<\/a>&#8216; <em><a href=\"http:\/\/www.believermag.com\/issues\/201011\/?read=article_necronautical\">Declaration on the Notion of &#8220;The Future&#8221;<\/a><\/em>. * <strong>Terry Gilliam<\/strong>&#8216;s steampunk puppet movie<em><a href=\"http:\/\/www.boingboing.net\/2010\/12\/23\/gilliams-steampunk-p.html\">1884<\/a><\/em>. * <em>RiP: A Remix Manifesto<\/em>, an important (free) <a href=\"http:\/\/www.brainpickings.org\/index.php\/2009\/06\/05\/rip-a-remix-manifesto\/\">documentary about intellectual property &#038; remix culture<\/a>. * From a beat cafe in San Francisco to <strong>Robert Louis Stevenson<\/strong>&#8216;s burial ground, the <em><a href=\"http:\/\/www.guardian.co.uk\/travel\/2010\/dec\/24\/literary-holiday-destinations\">Guardian<\/em> readers&#8217; tips to literary locations<\/a>. *    A <a href=\"http:\/\/www.bbc.co.uk\/programmes\/b00x220g\">Roxy Music documentary<\/a> presented by <strong>Jarvis Cocker<\/strong> (<a href=\"http:\/\/twitter.com\/largeheartedboy\">via<\/a>) * <strong>Amanda Palmer<\/strong> &#038; <strong>Neil Gaiman<\/strong> <a href=\"http:\/\/flavorwire.com\/138708\/amanda-palmer-and-neil-gaiman-remake-a-scene-from-labyrinth\">remake a scene from <em>Labyrinth<\/em><\/a>. * <em>&#8220;I fear the result would be unacceptable in Ireland.&#8221;<\/em> Why <strong>Samuel Beckett<\/strong> <a href=\"http:\/\/www.independent.ie\/national-news\/rte-letters-reveal-heartfelt-attempt-to-hire-beckett-for-fledgling-station-2467185.html\">declined to write for RTE<\/a> (<a href=\"http:\/\/www.beckettdebtsandlegacies.com\/2010\/12\/ends-and-odds_22.html\">via<\/a>) * <em>&#8220;<strong>Hazlitt<\/strong> was smashing the boundaries between styles of writing and species of prose, of \u2018high&#8217; and \u2018low&#8217; culture a century and a half before the <strong>Modern Review<\/strong> got in on the game.&#8221;<\/em> <a href=\"http:\/\/www.readysteadybook.com\/Article.aspx?page=neglectedhazlitt\">In praise<\/a> of the neglected <strong>William Hazlitt<\/strong>, <em>&#8220;progenitor of much of what is read today.&#8221;<\/em> * <a href=\"http:\/\/www.sleepycity.net\/posts\/252\/Demolition_of_the_Paris_Metro\">Demolition of the Paris Metro<\/a>, photo-essay on the forgotten stations of Paris (<a href=\"http:\/\/twitter.com\/glynmoody\">via<\/a>) * An addition to <a href=\"https:\/\/www.3ammagazine.com\/3am\/\/hair-of-the-dog\/\">Hair of the Dog<\/a>, <a href=\"http:\/\/www.dangerousminds.net\/comments\/malcolm_lowry_booze_literature_writing\/\">Through a Glass Darkly<\/a>, <strong>Malcolm Lowry<\/strong>, booze, literature &#038; writing. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Steve Finbow discusses Shuichi Yoshida&#8216;s Villain &#038; Japanese crime fiction on BBC World Service&#8217;s The Strand. * New literary gang around town, includes Ned Beauman &#038; Evie Wyld. * Popular culture goes back to the Thirties. * Dancing on Hot Bricks, Virginia Woolf in 1941 [PDF] * Thomas Bernhard, the alienator. * &#8220;To read Bernhard [&hellip;]<\/p>\n","protected":false},"author":119,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-32706","post","type-post","status-publish","format-standard","hentry","category-buzzwords"],"_links":{"self":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/32706","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/users\/119"}],"replies":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/comments?post=32706"}],"version-history":[{"count":0,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/32706\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/media?parent=32706"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/categories?post=32706"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/tags?post=32706"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}