{"id":36838,"date":"2011-05-01T18:46:35","date_gmt":"2011-05-01T18:46:35","guid":{"rendered":"http:\/\/www.3ammagazine.com\/3am\/?p=36838"},"modified":"2011-05-01T19:54:00","modified_gmt":"2011-05-01T19:54:00","slug":"the-missing-links-199","status":"publish","type":"post","link":"https:\/\/www.3ammagazine.com\/3am\/the-missing-links-199\/","title":{"rendered":"The Missing Links"},"content":{"rendered":"<p style=\"text-align: center;\"><img fetchpriority=\"high\" decoding=\"async\" class=\"size-full wp-image-36967 aligncenter\" title=\"missinglinks\" src=\"https:\/\/www.3ammagazine.com\/3am\/\/wp-content\/uploads\/2011\/05\/missinglinks.jpg\" alt=\"missinglinks\" width=\"338\" height=\"450\" srcset=\"https:\/\/www.3ammagazine.com\/wp-content\/uploads\/2011\/05\/missinglinks.jpg 338w, https:\/\/www.3ammagazine.com\/wp-content\/uploads\/2011\/05\/missinglinks-225x300.jpg 225w\" sizes=\"(max-width: 338px) 100vw, 338px\" \/><\/p>\n<p><strong>Tao Lin<\/strong>: <a href=\"http:\/\/www.observer.com\/2011\/culture\/does-novel-have-future-answer-essay\">does the novel have a future?<\/a> * <a href=\"http:\/\/www.brainpickings.org\/index.php\/2011\/02\/25\/alfred-hitchcock-on-the-fright-complex\/\">Alfred Hitchcock<\/a> and the &#8220;<strong>fright complex<\/strong>&#8220;. * <a href=\"http:\/\/k-punk.abstractdynamics.org\/archives\/2011_04.html\">On hauntology<\/a>. * How do you commemorate <a href=\"http:\/\/passouline.blog.lemonde.fr\/2011\/04\/24\/cioran-ou-de-linconvenient-detre-celebre\/#xtor=RSS-3208001?utm_source=twitterfeed&amp;utm_medium=twitter\">Cioran<\/a>&#8216;s anniversary? * The <a href=\"http:\/\/www.paulgormanis.com\/?p=2550\">Sex Pistols<\/a>&#8216; first media exposure. * <a href=\"http:\/\/www.guardian.co.uk\/books\/2011\/apr\/26\/ludwig-wittgenstein-philosopher-profile\">Wittgenstein the polymath<\/a>. * <a href=\"http:\/\/www.guardian.co.uk\/music\/musicblog\/2011\/apr\/26\/poly-styrene-x-ray-spex\">Poly Styrene RIP<\/a>. More <a href=\"http:\/\/www.dangerousminds.net\/comments\/poly_styrene_r.i.p\/\">here<\/a>. <a href=\"http:\/\/thequietus.com\/articles\/06171-poly-styrene-obituary\">Zo\u00c3\u00ab Howe<\/a>&#8216;s obituary. <a href=\"http:\/\/www.collapseboard.com\/poly-styrene-r-i-p-1957-2011\">Everett True<\/a>&#8216;s tribute. * <a href=\"http:\/\/www.apieceofmonologue.com\/2011\/04\/samuel-beckett-literary-marketplace.html\">Samuel Beckett<\/a>&#8216;s <strong>public image<\/strong>: <em>&#8220;&#8216;All the obituaries said he hated to be photographed,&#8221; Dilks says, \u201cbut each one had a different photograph of him.&#8217; As Dilks looked into this incongruity, he found that the way Beckett was photographed was similar to that of a movie star \u2014 posed and carefully crafted by his personal photographer, John Minihan, to perpetuate an aura of celebrity. Dilks writes that the methods used for these photos &#8216;documents a moment in his private life in order to reinforce his public image as a man averse to intrusions into his public life&#8217;.&#8221;<\/em> * <a href=\"http:\/\/www.guardian.co.uk\/books\/booksblog\/2011\/apr\/27\/physical-criticism-books\">The art of physical criticism<\/a>. * <a href=\"http:\/\/dadsaretheoriginalhipster.tumblr.com\/\">Dads: the original hipsters<\/a>. * <a href=\"http:\/\/www.guardian.co.uk\/music\/2011\/may\/01\/ray-davies-kinks-meltdown-interview\">Ray Davies<\/a>: <em>&#8220;I write songs about people, and I happen to feel that the suburbanite kind of person who&#8217;s not much noticed is quite interesting&#8221;<\/em>. * <a href=\"http:\/\/www.dangerousminds.net\/comments\/richard_hell_and_the_voidoids_the_kid_with_the_replaceable_head_cartoo\/\">The kid with the replaceable head<\/a>. * <a href=\"http:\/\/www.brainpickings.org\/index.php\/2010\/12\/21\/kate-bernheimer\/\">Modern fairy tales<\/a>. * <a href=\"http:\/\/www.metro.co.uk\/news\/862092-pippa-middletons-bottom-is-facebook-hit\">Pippa Middleton&#8217;s bum<\/a>. * <strong>William Burroughs<\/strong> on another <a href=\"http:\/\/k-punk.abstractdynamics.org\/archives\/011818.html\">Royal wedding<\/a>. * Beat poet <a href=\"http:\/\/beatnews.jackmagazine.com\/2011\/04\/25\/passing-away-of-ira-cohen\/\">Ira Cohen RIP<\/a>. * <a href=\"http:\/\/www.tricycle.com\/special-section\/buddhism-beat-generation\">Buddhism and the Beat Generation<\/a>. * <a href=\"http:\/\/www.poetryfoundation.org\/harriet\/2011\/04\/ubuweb-at-15-years-an-overview\/\">UbuWeb at 15<\/a>. * On <a href=\"http:\/\/www.jonsavage.com\/2011\/04\/14\/homage-to-man-ray-tattoo\/\">Judy Nylon<\/a> and <a href=\"http:\/\/ruthmarten.com\/\">Ruth Marten<\/a> (Savage includes a link to <strong>3:AM<\/strong>&#8216;s <a href=\"http:\/\/www.3ammagazine.com\/litarchives\/oct2001\/interview_judy_nylon.html\">interview<\/a>). * <strong>Gabriel Josipovici<\/strong>&#8216;s <em>Only Joking<\/em> <a href=\"http:\/\/www.thewinnipegreview.com\/wp\/2011\/04\/only-joking-and-inspiring\/#more-1987\">reviewed<\/a>: <em>&#8220;As he says about Mallarm \u00e9, Hofmannstahl, Kafka and Beckett \u2014 words that may apply as well to Josipovici \u2014 they all feel impelled to write, this being the only way they know to be true to their own natures, yet at the same time they find that in doing so they are being false to the world\u2013imposing a shape on it and giving it a meaning which it doesn&#8217;t have \u2014 and thus, ultimately, being false to themselves&#8221;<\/em>. * <a href=\"http:\/\/www.dangerousminds.net\/comments\/stunning_film_clips_of_the_sunset_strip_in_the_mid-sixties\/\">Mid-60s Sunset Strip<\/a>. * <a href=\"http:\/\/www.dangerousminds.net\/comments\/rare_interview_with_morrissey\/\">Morrissey<\/a> in <a href=\"http:\/\/www.guardian.co.uk\/music\/2011\/apr\/24\/morrissey-the-smiths-autobiography\">Penguin Classics<\/a>? * Why <a href=\"http:\/\/louderthanwar.com\/blogs\/why-george-formby-was-the-first-modern-pop-star\">George Formby<\/a> was the first pop star. * <a href=\"http:\/\/www.guardian.co.uk\/books\/2011\/may\/01\/the-secret-life-of-libraries?CMP=twt_gu\">The secret life of libraries<\/a>. * <a href=\"http:\/\/www.itsnicethat.com\/categories\/bookshelf\">Bookshelves of creative people<\/a>. * Is <a href=\"http:\/\/www.newstatesman.com\/society\/2011\/05\/royal-sex-kate-public-monarchy\">Will Self<\/a> like a <a href=\"http:\/\/blogs.telegraph.co.uk\/news\/brendanoneill2\/100085716\/like-a-medieval-tyrant-republican-will-self-denounces-the-british-people-as-gullible-peasants\/\">medieval tyrant<\/a>? *  <a href=\"http:\/\/www.dangerousminds.net\/comments\/the_horrors_new_offshoot_band_cats_eyes\/\">Cat&#8217;s Eyes<\/a>. * <a href=\"http:\/\/www.jonsavage.com\/\">Jon Savage<\/a> on <a href=\"http:\/\/www.guardian.co.uk\/film\/2011\/apr\/21\/taxi-zum-klo-berlin?INTCMP=SRCH\">Berlin as sexual playground<\/a>. * <a href=\"http:\/\/pontone.pl\/pontones-special-guest-mix-k-punk-the-metaphysics-of-crackle\/\">The metaphysics of crackle<\/a>. * On <strong>The Monkees<\/strong>&#8216; <a href=\"http:\/\/www.guardian.co.uk\/music\/2011\/apr\/28\/monkees-head-jack-nicholson-interview?CMP=twt_gu\"><em>Head<\/em><\/a>. * After the death of <a href=\"http:\/\/www.3quarksdaily.com\/3quarksdaily\/2011\/04\/after-the-death-of-david-foster-wallace.html\">David Foster Wallace<\/a>. * <a href=\"http:\/\/www.pastemagazine.com\/blogs\/lists\/2011\/04\/band-names-inspired-by-literature.html?utm_source=twitterfeed&amp;utm_medium=twitter\">Bookish band names<\/a>. * An in-depth interview with <a href=\"http:\/\/www.guardian.co.uk\/music\/2011\/apr\/24\/pj-harvey-england-shake-interview\">PJ Harvey<\/a>. * <a href=\"http:\/\/www.thisislondon.co.uk\/lifestyle\/article-23940980-the-and-8201blossoming-and-8201of-bloomsbury.do\">The blossoming of Bloomsbury<\/a>. * <a href=\"http:\/\/www.guardian.co.uk\/lifeandstyle\/2011\/may\/01\/live-long-join-the-immortals\">The amortals<\/a>. * On a similar subject: &#8220;<a href=\"http:\/\/andrewgallix.com\/2008\/03\/24\/forty-tiddly-winks\/\">Forty Tiddly Winks<\/a>&#8220;. * <a href=\"http:\/\/www.guardian.co.uk\/culture\/gallery\/2011\/may\/01\/ten-best-british-indie-labels-in-pictures\">Top 10 British indie labels<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tao Lin: does the novel have a future? * Alfred Hitchcock and the &#8220;fright complex&#8220;. * On hauntology. * How do you commemorate Cioran&#8216;s anniversary? * The Sex Pistols&#8216; first media exposure. * Wittgenstein the polymath. * Poly Styrene RIP. More here. Zo\u00c3\u00ab Howe&#8216;s obituary. Everett True&#8216;s tribute. * Samuel Beckett&#8216;s public image: &#8220;&#8216;All the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-36838","post","type-post","status-publish","format-standard","hentry","category-buzzwords"],"_links":{"self":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/36838","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/comments?post=36838"}],"version-history":[{"count":0,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/36838\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/media?parent=36838"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/categories?post=36838"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/tags?post=36838"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}