![\"2951764810_83aab4b1ba_m\"](\"https:\/\/www.3ammagazine.com\/3am\/\/wp-content\/uploads\/2009\/01\/2951764810_83aab4b1ba_m.jpg\" "\\"2951764810_83aab4b1ba_m\\"")
<\/p>\n<\/p>\n
3:AM NOVEL OF THE YEAR 2008<\/strong> 3:AM GRAPHIC NOVEL OF THE YEAR 2008<\/strong> 3:AM POETRY BOOK OF THE YEAR 2008<\/strong> 3:AM NON-FICTION BOOK OF THE YEAR 2008<\/strong> 3:AM ALBUM OF THE YEAR 2008<\/strong> 3:AM FILM OF THE YEAR 2008<\/strong> 3:AM MAGAZINE OF THE YEAR 2008<\/strong> 3:AM PUBLISHER OF THE YEAR 2008<\/strong> 3:AM WEBSITE OF THE YEAR 2008<\/strong> 3:AM BLOG OF THE YEAR 2008<\/strong> (See the 3:AM Awards<\/strong> 2005<\/a>, 2006<\/a> and 2007<\/a>.)<\/p>\n Happy new year to all our readers!<\/em><\/p>\n 3:AM NOVEL OF THE YEAR 2008 Tony O’Neill‘s Down and Out on Murder Mile. 3:AM GRAPHIC NOVEL OF THE YEAR 2008 Jonathan Ames and Dean Haspiel’s The Alcoholic. 3:AM POETRY BOOK OF THE YEAR 2008 Dan Fante‘s Kissed by a Fat Waitress. 3:AM NON-FICTION BOOK OF THE YEAR 2008 Travis Jeppesen‘s Disorientations: Art on the […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4222","post","type-post","status-publish","format-standard","hentry","category-buzzwords"],"_links":{"self":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/4222","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/comments?post=4222"}],"version-history":[{"count":0,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/4222\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/media?parent=4222"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/categories?post=4222"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/tags?post=4222"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n Tony O’Neill<\/a>‘s Down and Out on Murder Mile<\/a><\/em>.<\/p>\n
\nJonathan Ames and Dean Haspiel’s The Alcoholic<\/em><\/a>.<\/p>\n
\nDan Fante<\/a>‘s Kissed by a Fat Waitress<\/em><\/a>.<\/p>\n
\n Travis Jeppesen<\/a>‘s Disorientations: Art on the Margins of the “Contemporary”<\/em><\/a>.<\/p>\n
\nChamber Music<\/em><\/a> (Fire Records).
\nJames Joyce’s poems put to music by the likes of Lee Renaldo or Mercury Rev.<\/em><\/p>\n
\nHunger<\/em><\/a> (dir. Steve McQueen).<\/p>\n
\nPen Pusher<\/a><\/em>.<\/p>\n
\nBookkake<\/a>.<\/p>\n
\nThe eXiled<\/a><\/em>.<\/p>\n
\nIt’s a tie between <HTML GIANT><\/a><\/em> and The Glass Hombre<\/a><\/em>.<\/p>\n![\"18369797_e856231e09_o\"](\"https:\/\/www.3ammagazine.com\/3am\/\/wp-content\/uploads\/2009\/01\/18369797_e856231e09_o.jpg\" "\\"18369797_e856231e09_o\\"")
<\/p>\n","protected":false},"excerpt":{"rendered":"