{"id":42974,"date":"2011-12-12T19:06:27","date_gmt":"2011-12-12T19:06:27","guid":{"rendered":"http:\/\/www.3ammagazine.com\/3am\/?p=42974"},"modified":"2011-12-13T00:06:04","modified_gmt":"2011-12-13T00:06:04","slug":"five-poems-joao-luis-guimaraes","status":"publish","type":"post","link":"https:\/\/www.3ammagazine.com\/3am\/five-poems-joao-luis-guimaraes\/","title":{"rendered":"Five Poems"},"content":{"rendered":"<p>By Jo\u00c3\u00a3o Lu\u00c3\u00ads Barreto Guimar\u00c3\u00a3es.<\/p>\n<p><strong>January sun<\/strong><\/p>\n<p>Never so much as today have I paid careful attention<br \/>\nto the<br \/>\nlight of the january sun. Strong<br \/>\nbut delicate. Elusive<br \/>\nbut<br \/>\nlasting. It neither burns nor shivers.<br \/>\nIt is neither dense nor clear. The<br \/>\nlight<br \/>\nof the sun in january:<br \/>\nsuch is our enduring love<br \/>\nhidden by the ink of the days it just<br \/>\npeers in through a gap<br \/>\n(a distraction from the clouds)<br \/>\nto light up and to burst out<br \/>\n(never so much as today have I entreated<br \/>\nthe wind to give it<br \/>\na flying chance).<br \/>\nOur love is january:<br \/>\neven if I deem it forgotten<br \/>\nI know<br \/>\nit will always come forth.<\/p>\n<p><strong>Fresh Bread<\/strong><\/p>\n<p><em>to Pedro Mexia<\/em><br \/>\nSlave of what comes up I write it<br \/>\nbecause it happens (the poetry malaise:<br \/>\nI wish poetry on no one). What<br \/>\ndo you scribble on paper when you are buying a pen?<br \/>\nSomething like \u2018the metaphor<br \/>\nresists the metonymy&#8217; or<br \/>\n\u2018the day will come that simply talking<br \/>\nwill be poetry&#8217;? This<br \/>\n(excuse me)<br \/>\npoem is one possibility:<br \/>\npoetry is in such things<br \/>\n(fresh bread)<br \/>\nuncover it.<\/p>\n<p><strong>Botox \u00ae<\/strong><\/p>\n<p>My hands are sought by a woman<br \/>\nin her forties<br \/>\nrequesting the delay of autumn that falls on her tired<br \/>\neyes: &#8216;only want to lose ten years&#8217;. And<br \/>\nI probe what bitter taste may have lingered<br \/>\nto have her wishing to punish<br \/>\nsome ten years of her life &#8211;<br \/>\nand find myself regretting not being able to delete memories<br \/>\nonly wrinkles<br \/>\nand fine lines (slightly<br \/>\nmarked ruins). In the pitfalls of time<br \/>\nnobody falls by mistake:<br \/>\nskin can&#8217;t be purged by the decade but at best<br \/>\nline by<br \/>\nline.<\/p>\n<p><strong>An autumnal emergency<\/strong><\/p>\n<p>The colours of the baked open apple<br \/>\nin the last throes of summer anticipate in the palate<br \/>\nan autumnal emergency.<br \/>\nIt&#8217;s an invitation for home<br \/>\nthis apple I wounded and whose torso I sprinkled<br \/>\nwith <em>c \u00e9zannes<\/em> of cinnamon.<br \/>\nUnderneath the tanned skin (its<br \/>\ncolour a sinful-yellow) the<br \/>\ntaste is perennial. See just<br \/>\nhow naked they lie<br \/>\nthe robes along the plate<br \/>\n(like the clothes of indecorous girls trailing<br \/>\non the floor).<\/p>\n<p><strong>Deception to the rule<\/strong><\/p>\n<p>To sit down and see<br \/>\nothers passing by is<br \/>\nmy favourite exercise. It&#8217;s entertaining.<br \/>\nIt&#8217;s not draining.<br \/>\nIt&#8217;s for free. In this counter-game of mine<br \/>\nit&#8217;s for the others to pass<br \/>\n(I entrust to the others the task<br \/>\nof passing by). I wash my feet of it.<br \/>\nI write from the inside of life.<br \/>\nIt may even seem that thus I<br \/>\nwill be going nowhere but who<br \/>\nis willing to go<br \/>\nto the place where others go?<\/p>\n<p> \u00a9 Translation: Ana Hudson, 2010. These poems form part of Ana Hudson&#8217;s remarkable project <a href=\"http:\/\/www.poemsfromtheportuguese.org\/\">http:\/\/www.poemsfromtheportuguese.org\/<\/a> in which she has pioneered the translation and elucidation of a vast number of contemporary poets writing in the Portuguese language.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/www.3ammagazine.com\/3am\/\/wp-content\/uploads\/2011\/12\/joo_lus_barreto_guimares2.jpg\" alt=\"joo_lus_barreto_guimares2\" width=\"300\" height=\"250\" class=\"alignnone size-full wp-image-43042\" \/><\/p>\n<p><strong>ABOUT THE AUTHOR<\/strong><br \/>\n<strong>Jo\u00c3\u00a3o Lu\u00c3\u00ads Barreto Guimar\u00c3\u00a3es<\/strong> (1967) is a plastic surgeon and lives in Le\u00c3\u00a7a da Palmeira, north of Porto. His poetry books published since 2000: <em>Lugares Comuns<\/em>, 2000, <em>3 (Poesia 1987-1994)<\/em>, 2001, <em>R \u00e9s-do-Ch\u00c3\u00a3o<\/em>, 2003, <em>Luz \u00c3\u0161ltima<\/em>, 2006, <em>A Parte pelo Todo<\/em>, 2009, <em>Poesia Reunida<\/em>, 2011.<\/p>\n","protected":false},"excerpt":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.3ammagazine.com\/3am\/\/wp-content\/uploads\/2011\/12\/capa-poesia-reunida-150x150.jpg\" align=\"right\" border=\"solid black 1px\" hspace=\"5\" vspace=\"5\" \/> <\/p>\n<p>I probe what bitter taste may have lingered<br \/>\nto have her wishing to punish<br \/>\nsome ten years of her life &#8211;<br \/>\nand find myself regretting not being able to delete memories<br \/>\nonly wrinkles<br \/>\nand fine lines (slightly<br \/>\nmarked ruins). In the pitfalls of time<br \/>\nnobody falls by mistake:<br \/>\nskin can&#8217;t be purged by the decade but at best<br \/>\nline by<br \/>\nline.<\/p>\n<p>By <strong>Jo\u00c3\u00a3o Lu\u00c3\u00ads Barreto Guimar\u00c3\u00a3es.<\/strong><\/p>\n","protected":false},"author":155,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[484,7],"tags":[],"class_list":["post-42974","post","type-post","status-publish","format-standard","hentry","category-maintenant","category-poetry"],"_links":{"self":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/42974","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/users\/155"}],"replies":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/comments?post=42974"}],"version-history":[{"count":0,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/42974\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/media?parent=42974"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/categories?post=42974"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/tags?post=42974"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}