{"id":44301,"date":"2012-02-09T19:10:05","date_gmt":"2012-02-09T19:10:05","guid":{"rendered":"http:\/\/www.3ammagazine.com\/3am\/?p=44301"},"modified":"2012-02-09T19:29:28","modified_gmt":"2012-02-09T19:29:28","slug":"four-poems-melissa-lee-houghton","status":"publish","type":"post","link":"https:\/\/www.3ammagazine.com\/3am\/four-poems-melissa-lee-houghton\/","title":{"rendered":"Four Poems"},"content":{"rendered":"<p>By Melissa Lee-Houghton.<\/p>\n<p><strong>Anarchy <\/strong><\/p>\n<p>The cold grips our skin. We run<br \/>\naround the football pitch in a field<br \/>\nat ten pm in the middle of winter-<br \/>\nit&#8217;s dark, and the dark is playful with us,<br \/>\ngiving us shape and silhouette.<br \/>\nSome guy parks his car on the driveway<br \/>\nand we shout over;<br \/>\nhe hurries inside his house and we figure<br \/>\nwe&#8217;d better put some clothes on.<br \/>\nWe could be made of ice. We don&#8217;t care-<br \/>\nas far as we&#8217;re concerned, if aliens land<br \/>\nthis is where they will be landing,<br \/>\nand in all our glory, we dance.<\/p>\n<p>She lives above an old launderette.<br \/>\nThe gorgeous steam smell of the place gets<br \/>\nup our sensitive noses and in our hair.<br \/>\nHer mum plays Rush LP&#8217;s and wears<br \/>\nleather skirts and takes Prozac.<br \/>\nIn the evening we can&#8217;t go into the living room<br \/>\nin case she&#8217;s skinning up.<br \/>\nOne time her dad came into her room,<br \/>\nsat down talking to her guitar like it was a person.<br \/>\nWe laugh, though I know her life is tragic.<br \/>\nI walk by her in school and my nipples hurt;<br \/>\nI just want to touch her all the time.<\/p>\n<p>We try on sunglasses in a department store<br \/>\non a day out by the sea.<br \/>\nWe run out of the shop wearing them<br \/>\nstreaming with tears of laughter-<br \/>\nit gives us a hunger; we buy greasy doughnuts<br \/>\nand walk the promenade, hand in hand.<br \/>\nNobody stares.<br \/>\nWe can do no wrong. We can get stoned<br \/>\nin the woods and make out, and no-one<br \/>\nstops us. We can sleep together like release doves.<br \/>\nAt times we feel insane,<\/p>\n<p>so we drink our tinnies and smoke our cigarettes,<br \/>\ntalk about leaving school and working in telesales.<br \/>\nTalk about the flat we&#8217;ll have together<br \/>\nand the pets, and the music we will listen to all night-<br \/>\nwe won&#8217;t need to sleep.<br \/>\nWe&#8217;re of the darkness, our eyes need never shut-<br \/>\nand her mum falls asleep in the chair<br \/>\nin her dressing gown, or comes in pissed<br \/>\nand tripping and she carries her to bed-<br \/>\nwe have found ways of hiding from this.<br \/>\nVodka does the trick, and sex.<br \/>\nBut it&#8217;s not the way they do it in the movies.<\/p>\n<p>We&#8217;ve got hard hearts.<br \/>\nWe share t-shirts, jeans, spit.<br \/>\nAll the lads fancy her but she never even blinks.<br \/>\nI have her, like only I can turn her head<br \/>\nand I&#8217;m mad with it.<br \/>\nWe drink wine through straws by the woods<br \/>\nin the dark. We are on a higher plane.<br \/>\nHer eyes are blue like a husky.<br \/>\nHer pupils are always tiny.<br \/>\nHer skin is so supple and firm-<br \/>\nshe&#8217;s a wild creature, and I won&#8217;t tame her-<br \/>\nher heart beats double time when sleeping;<br \/>\nI don&#8217;t know what I&#8217;m doing with her.<\/p>\n<p>She writes me letters, I read them in bed.<br \/>\nShe says she&#8217;s crying, says she&#8217;s lonely.<br \/>\nSays she had to put her mum to bed again.<br \/>\nSays she&#8217;s not going to school anymore,<br \/>\nthey&#8217;ll have to make her, and all that I see<br \/>\nare the highlighted words in the last paragraph-<br \/>\nplease baby always love me. <\/p>\n<p><strong>Heart and Soul<\/strong><br \/>\n<em>For Ian Curtis<\/em><\/p>\n<p>In your wife&#8217;s tired body, strange music accumulates,<br \/>\na clawing of the bed-sheets,<br \/>\none foot over the side of the bed and cold;<br \/>\nfeeling for monsters while you sleep. You can&#8217;t<br \/>\nhold her now, the waxwork with too much make-up on-<br \/>\na broken heart from waiting in the kitchen too long,<br \/>\nsweeping and mopping up. Inside, your blood<br \/>\nwas slippery, black, lacking musicality. The thud<br \/>\nof your heart rocked your brain in your box room<br \/>\nwhere you wrote your best lyrics. In all that dark you wore<br \/>\nsunglasses in winter, nobody owned you.<br \/>\nYou wanted the growl of cheap guitars<br \/>\nand a bassline to hang yourself on. You wanted to screw<br \/>\nthe audience, all of them, and so you ripped it up-<br \/>\ncarnal hysteria like death-throes<br \/>\nguitar strings searing like whips. And then pie and chips for tea<br \/>\nat a table with a chequered cloth. And the baby wants affection<br \/>\nfor breakfast and you don&#8217;t want to wake up again.<br \/>\nThe one you love is a thousand miles away<br \/>\nputting her earrings in at the mirror and smiling,<br \/>\nthe thought of your naked body and sex that almost hurt,<br \/>\nholding onto herself. Everyone believes in you.<br \/>\nYou&#8217;re an essential component. You&#8217;re Music.<br \/>\nYou eat your wife&#8217;s meals and spit out pound coins.<br \/>\nPennies slip through your fingers and the baby needs nappies-<br \/>\nWhere will it end? You ask yourself that question each night;<br \/>\nyou already know. For your true love you turn up your collar<br \/>\nand walk in the snow, push the pram to the park<br \/>\nwhere you want the world to end. You can&#8217;t give her what you promised,<br \/>\nyou can&#8217;t give any of them what you promised.<br \/>\nThe red brick house on the red brick road<br \/>\nwith the draught under the back door that used to get into your bed at night,<br \/>\nstop your heart. She would wake next to you, or dream of waking next to you,<br \/>\nput a hand on your chest, (she&#8217;s smiling<br \/>\nand you&#8217;re repulsed by the smell of her breath, the curve of her hip)-<br \/>\nyou want long black hair, not dirty blonde- you want guilt and envy,<br \/>\nsurrender, and the pure psychology of being<br \/>\nin her supple skin. What will they do with your music?<br \/>\nWhat will they do with your songs? Eat you alive, they&#8217;ll<br \/>\neat you alive. You&#8217;ll never have grey hair or loose teeth;<br \/>\nyour dead skin and dust will stay in that house for a decade.<br \/>\nShe&#8217;ll breathe you in and you&#8217;ll make her sneeze.<br \/>\nThe new guy will choke on you and you will haunt him.<br \/>\nHe has heard all your albums. He dreamed of you of late, he dreamt that you put your fist<br \/>\nthrough the bedroom window and he had to dress the lacerations,<br \/>\nyour eyes rolling, singing from the grave holy and old-<br \/>\none will burn&#8230;<br \/>\nGravity is a son-of-a-bitch. I know manic depressives<br \/>\nthat have suffered more and survived. I&#8217;ve known schizophrenics<br \/>\nand I have come back from the dead with a handful of your hair.<br \/>\nDown there, you&#8217;re a number. You&#8217;re still epileptic, that&#8217;s your punishment<br \/>\nthat&#8217;s what they dished out for your abandoning them,<br \/>\na mouth full of chewed glass and your hands bunched in fists<br \/>\nand your body hanging like a block of wood being beaten<br \/>\nand your soul still spilling out of the front door<br \/>\nand rolling down the street in a panic of her screams;<br \/>\nlucid, ugly, piercing screams until there&#8217;s no sound,<br \/>\njust mouthing help me-<br \/>\nLove dug your grave.<br \/>\nLove churned the soil, loosened the worms.<br \/>\nLove fed your baby.<br \/>\nLove sold your records.<br \/>\nYou didn&#8217;t have enough love.<br \/>\nYou didn&#8217;t have enough.<\/p>\n<p><strong>Play<\/strong><\/p>\n<p>I know the hunger will come<br \/>\nand it will break you. You have wet dreams<br \/>\nbecause I won&#8217;t play.<br \/>\nThis is the fourth poem I have ever written in which I will<br \/>\nuse the word sterile. We don&#8217;t need protection.<br \/>\nWe just need faith,<br \/>\nsome kind of angel.<\/p>\n<p>In the room next door our children and playing with their food.<br \/>\nThey are waiting for me to snap.<br \/>\nThey don&#8217;t know that the real politics in this house<br \/>\nare going on right now<br \/>\nin an empty, dark room with a cold, empty bed<br \/>\nwhere poltergeists are howling noiselessly<br \/>\nswinging from the lampshades,<br \/>\nmad for us.<\/p>\n<p>The hunger will come and it will<br \/>\ndefine you. It was there before, when we met,<br \/>\nwhen even forests weren&#8217;t too big for us.<br \/>\nI tell you I don&#8217;t care if they eat they won&#8217;t starve.<br \/>\nYou, on the other hand, are dying in a way nobody can see,<br \/>\nforever. You&#8217;re losing all your best years.<br \/>\nIt&#8217;s hard to bear witness to that, when in fact<br \/>\nI can&#8217;t, can&#8217;t be without you<\/p>\n<p>and my soul is contemplating defeat-<br \/>\nI&#8217;m not worldly- I have been down on my knees for you,<br \/>\nI have begged.<\/p>\n<p>There are no stars tonight, only rain.<br \/>\nI can&#8217;t tune into the way you make me feel.<br \/>\nI have no clue when you will tire of me holding your head at night<br \/>\nstill as salt and mortar,<br \/>\nno clue when you will tire of me and<br \/>\ntwist my arm-<br \/>\nand break.<\/p>\n<p><strong>Hunger Pangs<\/strong><\/p>\n<p>The girls try to cut into their arms with blunt knives-<br \/>\nSunita is eating out of the food disposal.<br \/>\nThey get up and run to the bathroom, scrambling<br \/>\npast each other to be the first.<br \/>\nI look at my plate and I feel guilty for my hunger pangs and<br \/>\nSunita has clods of food in her soft, dumpy hands-<br \/>\nwhen they realise they have to drag her<br \/>\non her behind, down the corridor, her big mammal laugh<br \/>\nbooming. This madness in me, it is of a timbre<br \/>\nand a texture that leaves my emotions emaciated.<br \/>\nI can&#8217;t cry; these girls are beautiful and dying-<br \/>\nI can&#8217;t cry; nobody is going to save me. Not here.<br \/>\nThe sunsets are like nothing else, they move me to tears-<br \/>\nthough I watch from my reinforced window; no-one cares<br \/>\nabout the fucking sun.<br \/>\nWhen it&#8217;s dark, no-one&#8217;s sorry-<br \/>\ntrees lash the windows like we&#8217;re Wuthering Heights<br \/>\nand the gale force winds don&#8217;t mean nothing at all;<br \/>\nthey&#8217;re no match for thirteen girls<br \/>\nwho can handle the sight of blood<br \/>\nand can and will fly out into the night.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.3ammagazine.com\/3am\/\/wp-content\/uploads\/2012\/02\/melissaleehoughton.jpg\" alt=\"melissaleehoughton\" width=\"240\" height=\"166\" class=\"alignnone size-full wp-image-44302\" \/><\/p>\n<p><strong>ABOUT THE AUTHOR<\/strong><br \/>\n<strong>Melissa Lee-Houghton<\/strong>&#8216;s first collection <em>A Body Made of You<\/em> was released in April 2011 by <em>Penned in the Margins<\/em>. Her work has been published in many literary magazines, including <em>Tears in the Fence, Magma, Poetry Salzburg Review<\/em> and <em>Succour<\/em>, and has work upcoming in <em>La Reata and The Reader<\/em>. She writes regularly for<em> The Short Review<\/em> and has contributed to a number of anthologies, most recently Starry Rhymes by Read This Press. <\/p>\n","protected":false},"excerpt":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.3ammagazine.com\/3am\/\/wp-content\/uploads\/2012\/02\/melissaleehoughton-150x150.jpg\" align=\"right\" border=\"solid black 1px\" hspace=\"5\" vspace=\"5\" \/> <\/p>\n<p>The girls try to cut into their arms with blunt knives-<br \/>\nSunita is eating out of the food disposal.<br \/>\nThey get up and run to the bathroom, scrambling<br \/>\npast each other to be the first.<br \/>\nI look at my plate and I feel guilty for my hunger pangs and<br \/>\nSunita has clods of food in her soft, dumpy hands-<br \/>\nwhen they realise they have to drag her<br \/>\non her behind, down the corridor, her big mammal laugh<br \/>\nbooming. <\/p>\n<p>By <strong>Melissa Lee-Houghton.<\/strong><\/p>\n","protected":false},"author":155,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[7],"tags":[],"class_list":["post-44301","post","type-post","status-publish","format-standard","hentry","category-poetry"],"_links":{"self":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/44301","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/users\/155"}],"replies":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/comments?post=44301"}],"version-history":[{"count":0,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/44301\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/media?parent=44301"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/categories?post=44301"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/tags?post=44301"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}