{"id":44713,"date":"2012-03-04T09:28:14","date_gmt":"2012-03-04T09:28:14","guid":{"rendered":"http:\/\/www.3ammagazine.com\/3am\/?p=44713"},"modified":"2012-03-04T09:28:14","modified_gmt":"2012-03-04T09:28:14","slug":"the-missing-links-236","status":"publish","type":"post","link":"https:\/\/www.3ammagazine.com\/3am\/the-missing-links-236\/","title":{"rendered":"The Missing Links"},"content":{"rendered":"<div align=\"center\"><a href=\"http:\/\/thisisnthappiness.com\/post\/18017865961\/la-motocyclette\"><img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/www.3ammagazine.com\/3am\/\/wp-content\/uploads\/2012\/02\/girlmotorcycle.jpg\" alt=\"girlmotorcycle\" title=\"girlmotorcycle\" width=\"395\" height=\"567\" class=\"alignnone size-full wp-image-44714\" srcset=\"https:\/\/www.3ammagazine.com\/wp-content\/uploads\/2012\/02\/girlmotorcycle.jpg 395w, https:\/\/www.3ammagazine.com\/wp-content\/uploads\/2012\/02\/girlmotorcycle-208x300.jpg 208w\" sizes=\"(max-width: 395px) 100vw, 395px\" \/><\/a><\/div>\n<p><a href=\"http:\/\/www.brooklynmuseum.org\/exhibitions\/djuna_barnes\/\">Djuna Barnes<\/a> exhibition (via <a href=\"http:\/\/www.theparisreview.org\/blog\/2012\/02\/24\/staff-picks-the-kid-\u2018reading-for-my-life'\/\"><em>Paris Review<\/a><\/em>). * <em>&#8220;I think I&#8217;m writing for somebody &#8211; like being the ghostwriter for someone who had a very different life from my life today.&#8221;<\/em> <a href=\"http:\/\/bombsite.com\/issues\/1000\/articles\/6331\">Eileen Myles<\/a> (see also, <em>3:AM<\/em>&#8216;s review of <em><a href=\"https:\/\/www.3ammagazine.com\/3am\/\/writing-an-inferno\/\">Inferno<\/a><\/em>). * On <a href=\"http:\/\/www.openlettersmonthly.com\/wallace-stevens-a-spirit-storming\/\">Wallace Stevens<\/a>, the <em>&#8220;magisterial aesthetician, the abstract reasoner, the obsessive formalist endlessly scrutinizing the gulf between language &#038; reality&#8221;<\/em>. *  <a href=\"http:\/\/www.artsjournal.com\/slippeddisc\/2012\/02\/a-literary-suicide-70-years-on.html\">Norman Lebrecht<\/a> on <strong>Stefan Zweig<\/strong>&#8216;s suicide, 70 years on. * Ex-Hole&#8217;s <a href=\"http:\/\/www.guardian.co.uk\/music\/2012\/feb\/28\/eric-elandson-kurt-cobain-book\">Eric Erlandson<\/a> to release <strong>Kurt Cobain<\/strong> book. * <strong>China Mi \u00e9ville<\/strong> on <a href=\"http:\/\/www.nytimes.com\/2012\/03\/04\/magazine\/china-mieville-london.html?_r=1&#038;pagewanted=1\">apocalyptic London<\/a>. * A visit to the <a href=\"http:\/\/www.theparisreview.org\/blog\/2012\/02\/28\/the-london-library\/\">London Library<\/a>. * Will there ever be another <a href=\"http:\/\/www.weeklystandard.com\/articles\/great-american-novel_630022.html?nopager=1\">Great American Novel<\/a>? * <em><strong>Yeats<\/strong> said, more or less, that we can&#8217;t articulate the truth, but we can embody it. I think that&#8217;s wrong or at least beside the point. What&#8217;s of interest for me is precisely how we try to articulate the truth, and what that says about us, and about &#8220;truth.&#8221;<\/em> <a href=\"http:\/\/asymptotejournal.com\/article.php?cat=Nonfiction&#038;id=20&#038;curr_index=0\">David Shields<\/a>. * <em><a href=\"http:\/\/litreactor.com\/columns\/what-the-hell-ever-happened-to-harry-crews\">Harry Crews<\/a> is, was, &#038; always will be a complete and utter badass.<\/em> * The lost world of <a href=\"http:\/\/www.spectator.co.uk\/books\/blog\/7683823\/the-lost-world-of-lawrence-durrell.thtml\">Lawrence Durrell<\/a>. * Unearthed, the 1949 <em><a href=\"http:\/\/www.litkicks.com\/Gatsby1949\">Great Gatsby<\/a><\/em> film. * <a href=\"http:\/\/www.complete-review.com\/saloon\/archive\/201203a.htm#ao8\">Jos \u00e9 Saramago<\/a>&#8216;s &#8216;lost&#8217; novel published. * Longlist for this year&#8217;s <a href=\"http:\/\/www.bookslut.com\/blog\/archives\/2012_03.php#018711\">best translated books<\/a>. * <a href=\"http:\/\/www.slate.com\/blogs\/browbeat\/2012\/03\/01\/the_wire_slavoj_i_ek_and_frederic_jameson_weigh_in_on_the_hbo_series.html\">Slavoj Zizek &#038; Frederic Jameson<\/a> disagree about <em>The Wire<\/em>. * <a href=\"http:\/\/www.lrb.co.uk\/v34\/n05\/will-self\/it-hits-in-the-gut\">Will Self<\/a>, professor of contemporary thought at Brunel, on <a href=\"https:\/\/www.3ammagazine.com\/3am\/\/militant-modernist-owen-hatherley\/\">Owen Hatherley<\/a>. * The <a href=\"http:\/\/www.dangerousideas.org.uk\/\">Festival of Dangerous Ideas<\/a>. * <strong>Jonathan Lethem<\/strong> &#038; <strong>Steve Erickson<\/strong> on <em><a href=\"http:\/\/www.kcrw.com\/etc\/programs\/bw\/bw120301jonathan_lethem_and_\">The Exegesis of Philip K. Dick<\/em><\/a>. * <em>After <strong>Samuel Beckett<\/strong> heard <a href=\"http:\/\/www.dangerousminds.net\/comments\/patrick_magee_stunning_performance_in_samuel_becketts_krapps_last_tape\">Patrick Magee<\/a> read extracts form his novel Molloy and From Abandoned Work on the radio, he wrote a one act play specifically for the Northern Irish actor.<\/em> * <a href=\"http:\/\/www.nybooks.com\/articles\/archives\/2012\/mar\/22\/beckett-storming-beauty\/?pagination=false\">John Banville<\/a> on <a href=\"https:\/\/www.3ammagazine.com\/3am\/\/reloading-becketts-philosophical-libraries\/\">Beckett<\/a>&#8216;s letters. * <a href=\"http:\/\/www.guardian.co.uk\/books\/2012\/feb\/29\/shalom-auslander-top-10-comic-tragedies\">Shalom Auslander<\/a>&#8216;s top 10 comic tragedies. * <em>&#8220;The ultimate achievement of the career writer, after a lifetime of literary festivals, shortlists and prizes, readings, seminars, honorary degrees, lectures, and, of course, writing is, or would be, to place himself inside \u201cthe canon.&#8221; But in the publishing culture we have today any idea that a process of slow sifting might produce a credible canon such as those we inherited from the distant past is nonsense.&#8221;<\/em> <a href=\"http:\/\/www.nybooks.com\/blogs\/nyrblog\/2012\/feb\/28\/writers-job\/\">Tim Parks<\/a>. * <em>&#8220;I had an intuitive feeling of everything being fiction at the moment, everything being stories&#8230;I did it because I wanted a kind of freedom in literature, but it ended up being a sort of jail, I think.&#8221;<\/em> <a href=\"http:\/\/www.telegraph.co.uk\/culture\/hay-festival\/9104793\/Hay-Festival-Karl-Ove-Knausgard-on-A-Death-in-the-Family.html\">Karl Ove Knausg\u00c3\u00a5rd<\/a>. * <a href=\"http:\/\/www.nydailynews.com\/blogs\/pageviews\/2012\/02\/jonathan-franzens-female-problem\">Jonathan Franzen<\/a>&#8216;s female problem. * <a href=\"http:\/\/www.newstatesman.com\/books\/2012\/02\/roth-life-zweig-letters\">Gabriel Josipovici<\/a> on <strong>Joseph Roth<\/strong>. * (It was bound to happen) <a href=\"http:\/\/www.slate.com\/articles\/arts\/books\/2012\/03\/geoff_dyer_s_tarkovsky_book_zona_reviewed_.html\">Dana Stevens<\/a> watches <strong>Tarkovsky<\/strong>&#8216;s <em>Stalker<\/em> &#038; reads <strong>Geoff Dyer<\/strong>&#8216;s <em>Zona<\/em> simultaneously. * <strong>Salvador \u00a0Dal\u00c3\u00ad<\/strong> &#038; the <a href=\"http:\/\/uk.phaidon.com\/agenda\/art\/articles\/2011\/september\/21\/everyday-icon-1-the-chupa-chups-lollipop\/\">Chupa Chups lollipop<\/a>. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Djuna Barnes exhibition (via Paris Review). * &#8220;I think I&#8217;m writing for somebody &#8211; like being the ghostwriter for someone who had a very different life from my life today.&#8221; Eileen Myles (see also, 3:AM&#8216;s review of Inferno). * On Wallace Stevens, the &#8220;magisterial aesthetician, the abstract reasoner, the obsessive formalist endlessly scrutinizing the gulf [&hellip;]<\/p>\n","protected":false},"author":119,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-44713","post","type-post","status-publish","format-standard","hentry","category-buzzwords"],"_links":{"self":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/44713","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/users\/119"}],"replies":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/comments?post=44713"}],"version-history":[{"count":0,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/44713\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/media?parent=44713"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/categories?post=44713"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/tags?post=44713"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}