{"id":44827,"date":"2012-03-04T18:10:51","date_gmt":"2012-03-04T18:10:51","guid":{"rendered":"http:\/\/www.3ammagazine.com\/3am\/?p=44827"},"modified":"2012-03-04T20:40:35","modified_gmt":"2012-03-04T20:40:35","slug":"the-pirate-who-does-not-know-the-value-of-pi","status":"publish","type":"post","link":"https:\/\/www.3ammagazine.com\/3am\/the-pirate-who-does-not-know-the-value-of-pi\/","title":{"rendered":"The Pirate Who Does Not Know the Value of Pi"},"content":{"rendered":"<p>By Eugene Ostashevsky.<\/p>\n<p>This is the story of the pirate<br \/>\nand his parrot, not unlike<br \/>\nthe ballad of Bonnie and Clyde<br \/>\nwho, however, were a little more<br \/>\ndesperate. And disparate.<br \/>\nOn the day of their meeting,<br \/>\nthe pirate was not yet a pirate<br \/>\nalthough, always aspiring<br \/>\nto become one when an adult,<br \/>\nhe had amassed a vast<br \/>\nprivate collection of pirate arms:<br \/>\nyatagans, grappling hooks,<br \/>\nblunderbusses, Malaysian krisses\u2014<br \/>\nthree hundred and fifty eight total!<br \/>\nThe parrot was already a parrot.<br \/>\nHow they met, closed-circuit cameras agree:<br \/>\nin a dark pet store on a dank day,<br \/>\n(both nose and beak were full of mucus),<br \/>\nnot a little nervously<br \/>\nthe two confided in each other how much they loved to play<br \/>\nwith BOORISHLY! BOOMING!! BAZOOKAS!!!<br \/>\nThey assaulted tourists from Bali<br \/>\nall the way to the Venice Biennale,<br \/>\nthen took a trip down to Cali-<br \/>\nfornia, where they worked as instructors of cali-<br \/>\nsthenics, calibration and calligraphy;<br \/>\ncooked cauliflowers; then reallo-<br \/>\ncated themselves to crime; and finally<br \/>\nwith the proceeds bought themselves a galleon<br \/>\nin case they should come across a large store of gold bullion.<br \/>\nIt was then they took to the sea<br \/>\nand took up piracy.<br \/>\nThey raided packet boats, pedal boats<br \/>\nand boats at once packet and pedal,<br \/>\npalanders, pirogues, pontoons,<br \/>\nand gondolas made of metal,<br \/>\ndhows, dinghies, baidarakas,<br \/>\ncatamarans and clippers,<br \/>\nfeluccas, garrookuhs, tankers,<br \/>\nbathtubs and bedroom slippers!<br \/>\nBut whether on the wavy wave<br \/>\nor on the coconut-strewn shore<br \/>\nthey never did forget<br \/>\nthat old dark and dank pet store,<br \/>\nnot even when filling their coffers<br \/>\nor beheading recently met kafirs.<br \/>\nThey worked hard,<br \/>\nbecame successful and wealthy,<br \/>\nthey bought art<br \/>\nand a split-level house in New Jersey,<br \/>\nalthough they were never in it for the cash<br \/>\nbut because the criminal form of life is such a blast!<\/p>\n<p>\u201cWhat a beautiful song,&#8221; said the pirate. \u201cI wish I knew all the ship-names in it.&#8221;<br \/>\n\u201cShhh,&#8221; said the parrot, \u201cWe&#8217;ll look \u2018em up later.&#8221;<br \/>\n\u201cLater when?&#8221; asked the pirate.<br \/>\n\u201cWhen this book is over,&#8221; said the parrot.<br \/>\nThe pirate fell into deep thought.<br \/>\n\u201cWill we exist when this book is over?&#8221; he suddenly asked.<br \/>\n\u201cIf it&#8217;s a good book,&#8221; said the parrot.<\/p>\n<p>***<\/p>\n<p>Listen, parrot, says the pirate,<br \/>\nthe lights have gone out all over the ocean<br \/>\nand we&#8217;re alone. What shall I tell you<br \/>\nthat might fit the occasion, my<br \/>\nPiggy\u2026 Porky\u2026 what was his name,<br \/>\nthe one that was with Winnie the Pooh? Piglet,<br \/>\nsays the parrot. Yes, says the pirate,<br \/>\nare we not just like them,<br \/>\nparagons of a perfect friendship?<br \/>\nI&#8217;m not sure, says the parrot.<br \/>\nWould you prefer then, says the pirate,<br \/>\nanother proverbial pair of companions,<br \/>\nSocrates and Alcibiades? No,<br \/>\nsays the parrot. I mean to say,<br \/>\nsays the pirate, this: just as an omelet<br \/>\nhas properties other than the properties<br \/>\nof eggs, milk, cheese, and whatever other parts,<br \/>\nso a pirate and a parrot are more<br \/>\nthan a pirate without a parrot<br \/>\nand a parrot without a pirate.<br \/>\nAlso the number two is not the same<br \/>\nas two ones: it is an even number, and they aren&#8217;t.<br \/>\nSocrates says this in Hippias Major.<br \/>\nSocrates can say whatever he pleases,<br \/>\nsays the parrot, but I still don&#8217;t feel<br \/>\nwe relate to each other; I feel<br \/>\nyou&#8217;re a stranger to me, pirate, you can&#8217;t<br \/>\nmake me out really, you think<br \/>\nI&#8217;m some interchangeable bird. Oh, no,<br \/>\nsays the pirate, how can you even say that?<br \/>\nis it the night, the darkness? No, parrot,<br \/>\nstars shine even if clouds cover them\u2026<br \/>\nAnd the two of us are on the deck of a ship<br \/>\nheaded somewhere, God knows where,<br \/>\nand we&#8217;re headed together. But maybe<br \/>\nit wasn&#8217;t meant like that, says the parrot,<br \/>\nmaybe we&#8217;re here by chance.<\/p>\n<p>***<\/p>\n<p>Like first-order and second-order logic are complete and incomplete in different ways,<br \/>\nThe differences between the pirate and the parrot never cease to amaze.<\/p>\n<p>The parrot has just spent a half-hour reading a sentence that says: \u201cFor whereas if it is impossible that A, it is impossible that both A and not-B (and similarly if it is necessary that B), that it is necessary that if A then B does not so obviously follow from the claim that A is impossible (or B is necessary),&#8221;<br \/>\nBut the pirate used to have a part-time job as a Mohel-in-the-Box who, when he jumps out of the box, breaks into \u201cIt&#8217;s a long way to Tipperary!&#8221;<\/p>\n<p>The pirate relaxes by playing with action figures depicting Einstein, Eisenstein, Gertrude Stein, Frankenstein and Wittgenstein,<br \/>\nBut the parrot once stole Gertrude Stein, telling the pirate she emigrated to Palestine;<\/p>\n<p>He dressed Einstein and Eisenstein in the costumes of Batstein and Robinstein,<br \/>\nAnd made Frankenstein wrestle Wittgenstein in the landscape of Liechtenstein (with speech bubbles saying Ow, my hip! and Your name STILL isn&#8217;t Frankenstein generously provided by Roy Lichtenstein). <\/p>\n<p>The parrot likes rhyme<br \/>\nBut the pirate thinks no rhyme is no crime, as long as there&#8217;s the Sublime!<\/p>\n<p>Another time, the pirate lost a regatta in a cutter that took on too much ricotta,<br \/>\nWhich the parrot, trying to deballast, ate so much of that he had greater runs than a cantata or a toccata,<\/p>\n<p>And as he hung over the railings losing his insides like some kind of pi\u00c3\u00b1ata,<br \/>\nThe pirate didn&#8217;t know whether to curse or laugh and so was suddenly struck by a stupendous stutter,<\/p>\n<p>And thereafter\u2014like the old man of Alma-Ata who fell into a gutter after eating panna cotta while sexually molesting Harry Potter,<br \/>\nThat Harry Potter who, with his spook tackles off, looked like an Eros\u2014without errata<\/p>\n<p>To the old man of Alma-Ata who, later lying in the gutter, got an urging to utter, \u201cI feel so ashamed cause my wife, whose motto was Nothing in excess, has just died and I already forgot her!&#8221;<br \/>\nBut managed to mutter only incoherencies and inconsistencies because his entire self was so erotically aflutter\u2014<\/p>\n<p>The pirate solved his speech impediment by rubbing his palate with almost liquid sticks of par(s)ley-sprinked butter<br \/>\nAnd the parrot sat on a stopper to stop his splutter.<\/p>\n<p>Reading this poem, the parrot finds some of the jokes funny and some forced, the total effect as arbitrary as Aristophanes,<br \/>\nand the pirate responds, \u201c Aristophanes? I don&#8217;t even know \u2018er knees!&#8221;<\/p>\n<p>The pirate believes nothing is anything: that the world is just a coagulation of gunk that acquires form only in contact with language (and that the form thus acquired is unique to each contact),<br \/>\nAs for the parrot, he sometimes takes this for a fact, and sometimes decides this is not a fact; sometimes he opines it might be a fact; sometimes he asks himself whether, if it were (or even were not) a fact, it would be possible to ascertain whether it might or might not be a fact\u2026  and then he tries to figure out what a fact is and becomes sidetracked\u2026<\/p>\n<p>When the parrot is molting he lowers the shades so that no light escapes, not even a single photon,<br \/>\nThe pirate, on the other hand, often photographs himself as Che Guevara smoking Cuban cigars next to signs that admonish,<br \/>\n\u201cNur f\u00c3\u00bcr Kapitalisten:<br \/>\n    Rauchen<br \/>\nverboten!&#8221; <\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/www.3ammagazine.com\/3am\/\/wp-content\/uploads\/2012\/03\/ostashevsky-bw.jpg\" alt=\"ostashevsky-bw\" width=\"216\" height=\"234\" class=\"alignnone size-full wp-image-44830\" \/><\/p>\n<p><strong>ABOUT THE AUTHOR<\/strong><br \/>\n<strong>Eugene Ostashevsky<\/strong> is a Russian-American poet and translator from New York. He edited <em>OBERIU: An Anthology of Russian Absurdism<\/em>, the first English-language collection of the writings of Daniil Kharms and the poets and philosophers of his circle in 1930s Leningrad. He is currently preparing a volume of Alexander Vvedensky for the <em>New York Review of Books<\/em>. Books of his own poetry, <em>Iterature, The Life and Opinions of DJ Spinoza<\/em> and <em>Enter Morris Imposternak, Pursued by Ironies<\/em>, published in New York by Ugly Duckling Presse, are critically acclaimed for their negotiation between, and defiance of, the Russian and American poetic traditions. The poems presented here come from <em>The Pirate Who Does Not Know the Value of Pi<\/em>, a work-in-progress about the relationship between a pirate and a parrot.<\/p>\n","protected":false},"excerpt":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.3ammagazine.com\/3am\/\/wp-content\/uploads\/2012\/03\/ostashevsky-bw-150x150.jpg\" align=\"right\" border=\"solid black 1px\" hspace=\"5\" vspace=\"5\" \/> <\/p>\n<p>And as he hung over the railings losing his insides like some kind of pi\u00c3\u00b1ata,<br \/>\nThe pirate didn&#8217;t know whether to curse or laugh and so was suddenly struck by a stupendous stutter,<\/p>\n<p>And thereafter\u2013like the old man of Alma-Ata who fell into a gutter after eating panna cotta while sexually molesting Harry Potter,<br \/>\nThat Harry Potter who, with his spook tackles off, looked like an Eros\u2013without errata<\/p>\n<p>To the old man of Alma-Ata who, later lying in the gutter, got an urging to utter, \u201cI feel so ashamed cause my wife, whose motto was Nothing in excess, has just died and I already forgot her!\u201d\u009d<\/p>\n<p>By <strong>Eugene Ostashevsky.<\/strong><\/p>\n","protected":false},"author":155,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[484,7],"tags":[],"class_list":["post-44827","post","type-post","status-publish","format-standard","hentry","category-maintenant","category-poetry"],"_links":{"self":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/44827","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/users\/155"}],"replies":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/comments?post=44827"}],"version-history":[{"count":0,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/44827\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/media?parent=44827"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/categories?post=44827"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/tags?post=44827"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}