{"id":51078,"date":"2012-10-26T23:06:43","date_gmt":"2012-10-26T23:06:43","guid":{"rendered":"http:\/\/www.3ammagazine.com\/3am\/?p=51078"},"modified":"2012-10-27T10:33:13","modified_gmt":"2012-10-27T10:33:13","slug":"julia-tillinghast-akalin-how-the-strip-club","status":"publish","type":"post","link":"https:\/\/www.3ammagazine.com\/3am\/julia-tillinghast-akalin-how-the-strip-club\/","title":{"rendered":"How the Strip Club is a Constellation &amp; other poems"},"content":{"rendered":"<p>By Julia Clare Tillinghast-Akalin.<\/p>\n<p><strong>One of Those Things Everyone Knows about Astronomy<\/strong><\/p>\n<p>I think this man is sending me texts tonight because he wants to have sex<br \/>\nbut I&#8217;m tired, plus I ignored him earlier and I do<\/p>\n<p>want to say no and I do<br \/>\nwant to tell you that this guy wants to fuck me,<\/p>\n<p>right now, while you&#8217;re doing whatever in your<br \/>\napartment or at a party, and I am just reading<\/p>\n<p>silk and silent words marching like ghosts in bed<br \/>\nwaiting for a text from you talking about how<\/p>\n<p>this afternoon we saw each other,<br \/>\nplayed pinball, ate kale, left before dark that says<\/p>\n<p>thanks for hanging out with me<br \/>\nthe clouds today were like marbles,<\/p>\n<p>see you later, sorry for anything,<br \/>\nhave a good night, ok? And the bed<\/p>\n<p>is silk like a web<br \/>\na quiet like a<\/p>\n<p>material that&#8217;s just cooled<br \/>\nafter spinning out of a live body,<\/p>\n<p>a quiet like it&#8217;s late night early morning<br \/>\nbefore a baby is born, or when a star<\/p>\n<p>leans on its side at night in the galaxy,<br \/>\nits reflection down on earth, in a dark sliding-glass door<\/p>\n<p>where a man is at a party<br \/>\nhalf talking to someone, his head tilted<\/p>\n<p>like he&#8217;s listening, seeing<\/p>\n<p>a swimming flame, hot<br \/>\non the glass,<\/p>\n<p>a drink in his hand,<br \/>\nand he is thinking<\/p>\n<p>it&#8217;s a firefly and she is thinking she didn&#8217;t die<br \/>\na million years ago, which is how long it takes light<\/p>\n<p>to reach a man.<\/p>\n<p><strong>Yellow Days with Whoever<\/strong><\/p>\n<p>Somewhere around last year<\/p>\n<p>I realized that the scarf strangling<\/p>\n<p>my city could be fatal, started<\/p>\n<p>trying to loosen myself<\/p>\n<p>from myself wringing myself<\/p>\n<p>with marigolds, which scare off ants<\/p>\n<p>like lions uttered in the tongue<\/p>\n<p>of human anvils, conquering lawns,<\/p>\n<p>scaring God with eyeliner,<\/p>\n<p>Mitzvahs and singing come in shudders<\/p>\n<p>stretching across seconds, sailing<\/p>\n<p>now I&#8217;m thinking those are the way out<\/p>\n<p>sunlight stamping through the fabric<\/p>\n<p>with its blades because the end<\/p>\n<p>is muffled and it&#8217;s behind the only one<\/p>\n<p>coughing and when I close my eyes<\/p>\n<p>I can share in your smile, and I think<\/p>\n<p>that takes some of the burden off<\/p>\n<p>being you.<\/p>\n<p><strong>How the Strip Club is a Constellation<\/strong><\/p>\n<p>I told you I was going to the bar to meet my friend,<br \/>\nbut due to some of the things you said to me I was driving<\/p>\n<p>on a drawbridge, and it lifted. Behind the bar are blue bombs<br \/>\nof nitrous and the music the girls are dancing to melts into a coating<\/p>\n<p>like water silvering a one way street, the calm of looking but not<br \/>\neven being able to touch, of skin saying even though, life.<\/p>\n<p>After a certain amount of time, glass gets powdered with wounds<br \/>\nshaped like a pixel too small to see.<\/p>\n<p>There is no repairing of glass like that, there is only to melt it<br \/>\ndown into molten and begin again, with a fresh soul. Inside<\/p>\n<p>the shock on my skin right now, inside the mantle<br \/>\nthat tells me I ought to be sorry, I ought to feel more,<\/p>\n<p>I ought to learn something, and be alone for a while<br \/>\nis the pulse that chants about what I want to do, what I need<\/p>\n<p>to do to be happy, how now that you don&#8217;t love me,<br \/>\nI can fuck dudes who are way hotter than you,<\/p>\n<p>or just somehow different from you, the part that knows<br \/>\nI must plow through happiness, clearing myself a path<\/p>\n<p>even with a machete, even with a spoon, the prosaic,<br \/>\nelbows and then under that, a mouth that wants<\/p>\n<p>just to suck on human flesh, see the health<br \/>\nof a naked girl&#8217;s skin and feel<\/p>\n<p>I am going to survive, feel that the world is truly<br \/>\na marvel, and inside the body of that body<\/p>\n<p>inside me, licking at the world, is the heart of that girl<br \/>\nwhose love is as pure and simple as lust.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/www.3ammagazine.com\/3am\/\/wp-content\/uploads\/2012\/09\/223879_10151136076823464_700232674_n1-225x300.jpg\" alt=\"\" width=\"325\" height=\"400\" class=\"alignnone size-medium wp-image-51254\" \/><\/p>\n<p><strong>ABOUT THE AUTHOR<\/strong><br \/>\n<strong>Julia Clare Tillinghast-Akalin<\/strong> is from Michigan. She studied poetry at Sarah Lawrence College and Virginia Tech, where she received her MFA. She has spent a number of years, on and off, living in Istanbul, Turkey, and is Co-Translator of <em>Dirty August<\/em>, a selected poems of the experimental 20th-century Turkish poet Edip Cansever. In addition to translations in <em>Agni<\/em>, <em>Guernica<\/em>, <em>Arts &amp; Letters<\/em>, <em>Poetry Daily<\/em>, <em>The Boston Review<\/em> &amp; others, she has had or has original poems forthcoming in <em>Passages North<\/em>, <em>Sou&#8217;Wester<\/em>, <em>Pank<\/em>, and <em>The Bakery<\/em>. She lives in Portland with her son, Hamza. <\/p>\n","protected":false},"excerpt":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.3ammagazine.com\/3am\/\/wp-content\/uploads\/2012\/09\/223879_10151136076823464_700232674_n1-420x179.jpg\" alt=\"\" width=\"420\" height=\"179\" class=\"alignnone size-thumbnail wp-image-51254\" \/><\/p>\n<p>I think this man is sending me texts tonight because he wants to have sex<br \/>\nbut I&#8217;m tired, plus I ignored him earlier and I do<\/p>\n<p>want to say no and I do<br \/>\nwant to tell you that this guy wants to fuck me,<\/p>\n<p>right now, while you&#8217;re doing whatever in your<br \/>\napartment or at a party, and I am just reading<\/p>\n<p>silk and silent words marching like ghosts in bed<br \/>\nwaiting for a text from you talking about how<\/p>\n<p>this afternoon we saw each other<\/p>\n<p>By <strong>Julia Clare Tillinghast-Akalin.<\/strong><\/p>\n","protected":false},"author":155,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[7],"tags":[],"class_list":["post-51078","post","type-post","status-publish","format-standard","hentry","category-poetry"],"_links":{"self":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/51078","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/users\/155"}],"replies":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/comments?post=51078"}],"version-history":[{"count":0,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/51078\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/media?parent=51078"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/categories?post=51078"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/tags?post=51078"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}