{"id":55796,"date":"2013-02-20T07:48:23","date_gmt":"2013-02-20T07:48:23","guid":{"rendered":"http:\/\/www.3ammagazine.com\/3am\/?p=55796"},"modified":"2013-02-20T07:48:23","modified_gmt":"2013-02-20T07:48:23","slug":"drawing-a-blank","status":"publish","type":"post","link":"https:\/\/www.3ammagazine.com\/3am\/drawing-a-blank\/","title":{"rendered":"Drawing a blank"},"content":{"rendered":"<p><img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/www.3ammagazine.com\/3am\/\/wp-content\/uploads\/2013\/02\/malevichwhite.jpg\" alt=\"\" title=\"malevichwhite\" width=\"590\" height=\"590\" class=\"alignnone size-full wp-image-55798\" srcset=\"https:\/\/www.3ammagazine.com\/wp-content\/uploads\/2013\/02\/malevichwhite.jpg 590w, https:\/\/www.3ammagazine.com\/wp-content\/uploads\/2013\/02\/malevichwhite-300x300.jpg 300w\" sizes=\"(max-width: 590px) 100vw, 590px\" \/><\/p>\n<p>In the <em>Guardian<\/em>, <a href=\"http:\/\/www.guardian.co.uk\/books\/booksblog\/2013\/feb\/18\/unread-unreadable-books\">Andrew Gallix<\/a> writes on the impossibility of reading:<\/p>\n<blockquote><p>In theory, the novel could thus be anything, everything, the novelist wanted it to be. The problem, as Kierkegaard observed, is that &#8220;more and more becomes possible&#8221; when &#8220;nothing becomes actual&#8221;. Literature was a blank canvas that increasingly dreamed of remaining blank. &#8220;The most beautiful and perfect book in the world,&#8221; according to Ulises Carri\u00c3\u00b3n, &#8220;is a book with only blank pages.&#8221; Such books had featured in eastern legends for centuries (echoed by the blank map in &#8216;The Hunting of the Snark&#8217; or the blank scroll in <em>Kung Fu Panda<\/em>), but they only really appeared on bookshelves in the 20th century. They come in the wake of Rimbaud&#8217;s decision to stop writing, the silence of Lord Chandos; they are contemporaneous with the Dada suicides, Wittgenstein&#8217;s coda to the <em><a href=\"http:\/\/www.bookdepository.com\/Tractatus-Logico-Philosophicus-Ludwig-Wittgenstein\/9780415254083\/?a_aid=3amagazine\">Tractatus<\/a><\/em>, the white paintings of Malevich and Rauschenberg, as well as John Cage&#8217;s 4&#8217;33&#8221;.<\/p><\/blockquote>\n<p>He continues:<\/p>\n<blockquote><p>Literature (for the likes of Mallarm \u00e9 and Blanchot) takes linguistic negation one step further, by negating both the real thing and its surrogate concept. As a result, words no longer refer primarily to ideas, but to other words; they become present like the things they negated in the first place. When critics objected that Joyce&#8217;s <em><a href=\"http:\/\/www.bookdepository.com\/Restored-Finnegans-Wake-James-Joyce\/9780141192291\/?a_aid=3ammagazine\">Finnegans Wake<\/a><\/em> was unreadable, Beckett responded: &#8220;It is not to be read \u2013 or rather it is not only to be read. It is to be looked at and listened to. His writing is not about something; it is that something itself.&#8221; Unlike ordinary language, which is a means of communication, literary language resists easy, and even complete, comprehension. Words become visible; the bloody things keep getting in the way. From this perspective, the literary is what can never be taken as read. In a recent article, David Huntsperger gives an interesting contemporary twist to this debate. He views the opacity of some contemporary novels as a healthy corrective to our &#8220;clickthrough culture, where the goal of writing is to get you from one place to another as effortlessly as possible, so that (let&#8217;s be honest here) you can buy something&#8221;.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>In the Guardian, Andrew Gallix writes on the impossibility of reading: In theory, the novel could thus be anything, everything, the novelist wanted it to be. The problem, as Kierkegaard observed, is that &#8220;more and more becomes possible&#8221; when &#8220;nothing becomes actual&#8221;. Literature was a blank canvas that increasingly dreamed of remaining blank. &#8220;The most [&hellip;]<\/p>\n","protected":false},"author":119,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-55796","post","type-post","status-publish","format-standard","hentry","category-buzzwords"],"_links":{"self":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/55796","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/users\/119"}],"replies":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/comments?post=55796"}],"version-history":[{"count":0,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/55796\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/media?parent=55796"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/categories?post=55796"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/tags?post=55796"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}