{"id":71164,"date":"2014-12-21T12:46:05","date_gmt":"2014-12-21T12:46:05","guid":{"rendered":"http:\/\/www.3ammagazine.com\/3am\/?p=71164"},"modified":"2022-08-22T11:39:01","modified_gmt":"2022-08-22T10:39:01","slug":"cekoslovakyalilastiramadiklarimizdanmisiniz","status":"publish","type":"post","link":"https:\/\/www.3ammagazine.com\/3am\/cekoslovakyalilastiramadiklarimizdanmisiniz\/","title":{"rendered":"\u00c3\u2021ekoslovakyal\u00c4\u00b1la\u00c5\u0178t\u00c4\u00b1ramad\u00c4\u00b1klar\u00c4\u00b1m\u00c4\u00b1zdanm\u00c4\u00b1s\u00c4\u00b1n\u00c4\u00b1z"},"content":{"rendered":"<p>By Nia Davies.<\/p>\n<p><strong>for your [plural] continued behaviour as if you could not be desecrated*<\/strong><\/p>\n<p>the never-tired<br \/>\nthe awl and the auger<br \/>\nleather pressed through until the light showed<br \/>\nand continued behaviour that<br \/>\ntastes like lighter fluid<br \/>\nas if not you were not overly sleepless<br \/>\nas if not fortunate and symbolic<br \/>\nas if you could not be desecrated<br \/>\nlike all of us other<br \/>\nsacreds, jumping for proper money,<br \/>\nable to read signs that tell what us what indeed<br \/>\nthe penury should be like<br \/>\nwe don&#8217;t have a lens through which to view our behaviour as others see it<br \/>\nwe just have to IMAGINE<br \/>\nand then the good king wenceslas<br \/>\nlooked out and i dreamt that man flirted with me till he fell over drunk<br \/>\nand i slunk away, skittered in the pool of surplus shiraz,<br \/>\nburnt in the wicker basket set up for such things<br \/>\ni had another hand to hand just waiting in my pocket<br \/>\nbut now i have frequent ball aches without the balls to speak of<br \/>\nand such a lot of dripping drool over tooth and gum<br \/>\ngutted i can&#8217;t be with you tonight darling<br \/>\nfor your awl and augur and your continued behaviours<br \/>\nthe purse is empty again, look i took the name of you in vain<br \/>\ndear god look upon me kindly with your unknowable unsubstantial<br \/>\nunverifiable looks<br \/>\nand your hot sauce<br \/>\nbring this desecration back to life<\/p>\n<p><em>* Megszents \u00e9gtelen\u00c3\u00adthetetlens \u00e9gesked \u00e9seitek \u00e9rt (Hungarian)<\/em><\/p>\n<p><strong>also for those who have turned like counterrevolutionaries *<\/strong><\/p>\n<p>also for those best pleased<br \/>\nwith a monicker<br \/>\na halo uncertain<br \/>\nalso in the grave<br \/>\ntaste of salsify<br \/>\na chip off the old collectivised<br \/>\nsplitters gurning<br \/>\non white cream<br \/>\neach wrote a poem entitled \u2018dad&#8217;<br \/>\ncarry on childish<br \/>\na primer<br \/>\ncladdings etc<br \/>\nyou err on the err<br \/>\nscale of ten to one<br \/>\nscale of [sic]<br \/>\nand wonder, don&#8217;t wonder<\/p>\n<p><em>*\u00e1\u0192\u2019\u00e1\u0192\u0090\u00e1\u0192&#x2122;\u00e1\u0192\u009d\u00e1\u0192\u0153\u00e1\u0192\u00a2\u00e1\u0192&nbsp;\u00e1\u0192&nbsp;\u00e1\u0192\u201d\u00e1\u0192\u2022\u00e1\u0192\u009d\u00e1\u0192\u0161\u00e1\u0192\u00a3\u00e1\u0192\u00aa\u00e1\u0192\u02dc\u00e1\u0192\u009d\u00e1\u0192\u0153\u00e1\u0192\u201d\u00e1\u0192&nbsp;\u00e1\u0192\u201d\u00e1\u0192\u2018\u00e1\u0192\u00a3\u00e1\u0192\u0161\u00e1\u0192\u201d\u00e1\u0192\u2018\u00e1\u0192\u02dc\u00e1\u0192\u00a1\u00e1\u0192\u0153\u00e1\u0192\u0090\u00e1\u0192\u02dc\u00e1\u0192&nbsp;\u00e1\u0192\u201d\u00e1\u0192\u2018\u00e1\u0192\u02dc\u00e1\u0192\u00a1\u00e1\u0192\u0090\u00e1\u0192\u2014\u00e1\u0192\u2022\u00e1\u0192\u02dc\u00e1\u0192\u00a1\u00e1\u0192\u0090\u00e1\u0192\u00aa (Georgian)<\/em><\/p>\n<p><strong>for those who were repeatedly unable to pick enough of small wood-sorrels in the past*<\/strong><\/p>\n<p>for those of us repeatedly amiss<br \/>\nfor those with ears on fire and<br \/>\nthen the heat of the hands-out begging bowl night<br \/>\nin the past we used ourselves knottily<br \/>\nand burnished overcompensating<br \/>\nbureau-speak, safe-hands in the monetary shallows<br \/>\nwe go unchallenged inourselves we forget to look<br \/>\ninto those begging bowls deep enough<br \/>\nthen again the waning collective appetite for sorrel,<br \/>\nfor early-in-the-year green vegetable mass,<br \/>\nhasn&#8217;t calmed your brutal fish hook hands<br \/>\nand a surplus of mud is also there<br \/>\nwe took to asking for burnt greens but not clearly enough<br \/>\nwe got samphire and honey and a terrible hurt<br \/>\nit&#8217;s just one way to be amiss in this world,<br \/>\nthose of us hapless but with enough wood sorrel<br \/>\ndid know this once, with our pickings mealy and mouth-eyed,<br \/>\nwe&#8217;d be trying to clear woodland hurdles and sun-ache<br \/>\nwe&#8217;d try to be small enough to smell it<\/p>\n<p><em>*nebeprisiki\u00c5\u00a1kiakop\u00c5\u00absteliaudavusiems (Lithuanian) <\/em><\/p>\n<p><strong>to the least able to be making less understandable*<\/strong><\/p>\n<p>it would be telling to here make an observation about being understandable<br \/>\nnot understandably hurt or upset<br \/>\nnot a sentence where you can insert your sympathy easily<br \/>\nhe was understandably tempted<br \/>\nshe was rightly pissed off<br \/>\netc etc<br \/>\nto tell you about making myself understandable would take several lines of FLAT<br \/>\nprosaic twoddle like some of what you will encounter here<br \/>\ncommunication is not the aim of poetry<br \/>\npoetry is not the aim of communication<br \/>\nit gets in the way though somehow doesn&#8217;t it?<br \/>\nhappy morning, said the clock<br \/>\nthis is all just guess-work, said the sandfly<br \/>\ni didn&#8217;t make a mess of myself for this<br \/>\ni had to ask her &#8211; what is the aim?<br \/>\nwhat is the objective?<br \/>\nto communicate of course<br \/>\ni said i know that, i meant what is the communicated thing?<br \/>\nwhat are you trying to say?<br \/>\nshe said well the essential thing about us<br \/>\nis something we can&#8217;t really reveal to the public<br \/>\nso it has to be put into a very niche category<br \/>\nand they don&#8217;t understand that<br \/>\nso it&#8217;s best just to make something up<br \/>\nat the very least i said<br \/>\nbut we have to get it right she said<br \/>\nat the very least you should just put your best foot forward<br \/>\ni said, into the vague<br \/>\ninto the vague way we speak to one another<br \/>\nthere is probably only one or two friends<br \/>\ni will communicate this to anyway<br \/>\ni said, speak clearly, i said<br \/>\npay attention, what is it you are getting at?<br \/>\ni don&#8217;t understand,<br \/>\nwhy then, if you so say,<br \/>\nare you not at least able to put some language<br \/>\ninto some order and say it out loud?<\/p>\n<p><em>*nejneznesrozumitel\u00c5\u02c6ov\u00c3\u00a1vateln\u00c4\u203aj\u00c5\u00a1\u00c3\u00admu (Czech)<\/em><\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone size-full wp-image-71663\" src=\"https:\/\/www.3ammagazine.com\/3am\/\/wp-content\/uploads\/2014\/12\/attachment-300x290.jpg\" alt=\"\" width=\"300\" height=\"290\"><\/p>\n<p><strong>ABOUT THE AUTHOR<\/strong><br \/>\n<strong>Nia Davies<\/strong>&#8216;s pamphlet <em>Then Spree<\/em> came out from Salt in 2012. In 2014 she took over the editorship of the quarterly magazine <em>Poetry Wales<\/em>. She also works on the international literature initiatives Literature Across Frontiers and Wales Literature Exchange. Her work has been published and translated widely.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>hasn&#8217;t calmed your brutal fish hook hands<br \/>\nand a surplus of mud is also there<br \/>\nwe took to asking for burnt greens but not clearly enough<br \/>\nwe got samphire and honey and a terrible hurt<br \/>\nit&#8217;s just one way to be amiss in this world,<br \/>\nthose of us hapless but with enough wood sorrel<br \/>\ndid know this once, with our pickings mealy and mouth-eyed,<br \/>\nwe&#8217;d be trying to clear woodland hurdles and sun-ache<br \/>\nwe&#8217;d try to be small enough to smell it<\/p>\n<p>By <strong>Nia Davies<\/strong>.<\/p>\n","protected":false},"author":155,"featured_media":71666,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[7],"tags":[],"class_list":["post-71164","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-poetry"],"_links":{"self":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/71164","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/users\/155"}],"replies":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/comments?post=71164"}],"version-history":[{"count":2,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/71164\/revisions"}],"predecessor-version":[{"id":111968,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/71164\/revisions\/111968"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/media\/71666"}],"wp:attachment":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/media?parent=71164"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/categories?post=71164"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/tags?post=71164"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}