{"id":93330,"date":"2018-07-16T11:28:56","date_gmt":"2018-07-16T11:28:56","guid":{"rendered":"https:\/\/www.3ammagazine.com\/3am\/?p=93330"},"modified":"2018-07-18T15:13:34","modified_gmt":"2018-07-18T15:13:34","slug":"93330-2","status":"publish","type":"post","link":"https:\/\/www.3ammagazine.com\/3am\/93330-2\/","title":{"rendered":"Doclisboa’ 18"},"content":{"rendered":"\n\n\n
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Doclisboa’18 Presents its Retrospective and Focus: Luis Ospina and Sailing the Euphrates, Travelling the Time of the World<\/h1>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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At 10:30pm, on July 27th<\/sup>, \u00a0Doclisboa \u2013 International Film Festival<\/a> \u00a0<\/strong>will present a preview of its 2018 retrospective and special focus sections, through an open-air screening at the Cinemateca Portuguesa \u2013 one of the venues of the festival. A \u00a0double bill \u00a0<\/a>of \u00a0The Vampires of Poverty<\/em> \u00a0(Colombia, 1978, Luis Ospina, Carlos Mayolo, 27 min) and \u00a0A Flood in Baath Country<\/em> \u00a0(France, Syria, 2003, Omar Amiralay, 48 min) will provide a first exploration of these programmes, in anticipation of October’s festival.<\/p>\n

Retrospective \u2013 Luis Ospina<\/u><\/p>\n

\u201cWhat interests me most is to investigate what is a documentary in itself, to question the mechanisms that cinema \u2013 and documentary in particular \u2013 has for transmitting the truth or lies.” Luis Ospina<\/strong><\/p>\n

This year, Doclisboa dedicates its auteur retrospective to director Luis Ospina, one of the most important names of Colombian cinema. His acute and playful vision of his country, his strong passion for cinema and his commitment to preserving the past, marks him as one the most important figures in the recent history of Latin American film. This will be \u00a0the first ever complete European retrospective dedicated to Luis Ospina’s work<\/u><\/strong>, and will feature the world premiere of his latest film, the short \u00a0Selfish<\/em> \u00a0(2018). In this programme, we will present \u00a0several restored films<\/u><\/strong>. The retrospective will be complemented by the director’s carte blanche selection, offering further surprises, discoveries and insights into Ospina’s work and influences.<\/p>\n

Focus: \u201cSailing the Euphrates, Travelling the Time of the World”<\/u><\/p>\n

The focus Sailing the Euphrates, Travelling the Time of the World \u00a0<\/em>offers an additional special programme for the 2018 Festival, presenting a key for the understanding of our day and age through the cinema and history of this complex geographical region.<\/p>\n

Doclisboa proposes to present and narrate the complexity of this area \u2013 devastated by multiple conflicts over the past 20 years \u2013 through films made before the wars and upheavals of our contemporary period. These historical works of cinema’s recent past will manifest a context and frame for the contested present of the region, through a diversity of cinematographic languages and a variety and multiplicity of films and authors \u2013 from Armenia, Turkey, Kurdistan, Syria and Iraq.<\/p>\n

Please find \u00a0HERE<\/strong><\/a> \u00a0a \u00a0Press Kit<\/strong> \u00a0featuring more information about these two programmes and the films to be screened. \u00a0 \u00a0<\/u><\/p>\n

This year, \u00a0Doclisboa \u2013 International Film Festival<\/strong> \u00a0celebrates its 16th edition, and will take place in Lisbon from 18 to 28 October.<\/p>\n

Images for download:
\nhttps:\/\/www.dropbox.com\/sh\/c89qixvzwnzrx2x\/AACcvUWNanaHllmHjJUTfGDZa?dl=0<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Doclisboa’18 Presents its Retrospective and Focus: Luis Ospina and Sailing the Euphrates, Travelling the Time of the World At 10:30pm, on July 27th, \u00a0Doclisboa \u2013 International Film Festival \u00a0will present a preview of its 2018 retrospective and special focus sections, through an open-air screening at the Cinemateca Portuguesa \u2013 one of the venues of the […]<\/p>\n","protected":false},"author":119,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-93330","post","type-post","status-publish","format-standard","hentry","category-buzzwords"],"_links":{"self":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/93330","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/users\/119"}],"replies":[{"embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/comments?post=93330"}],"version-history":[{"count":2,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/93330\/revisions"}],"predecessor-version":[{"id":93363,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/posts\/93330\/revisions\/93363"}],"wp:attachment":[{"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/media?parent=93330"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/categories?post=93330"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.3ammagazine.com\/3am\/wp-json\/wp\/v2\/tags?post=93330"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}