Low cost, big aims: An interview with Dostoyevsky Wannabe
What we publish has to be very good, very bad in a good way, or very cool – and that stands as our criteria. I suppose it’s similar to the “publishing” in inverted commas thing. A way not only of not setting ourselves up as appointed gatekeepers but also of not offering wholly fabricated standards to writers that nobody could live up to because they don’t genuinely exist.
Fernando Sdrigotti interviews Richard Brammer.