Embodied Patterns: An Interview with Claire Zakiewicz
My practice is very experimental and I have developed a number of chance methods in painting. Some are more interesting and successful than others, but even the failures are an important part of development. In acting, dance and painting, I sometimes control or restrict movement, which can open up other ways of working. Drawing downward strokes with my attention to breath, setting a tempo for the movement and following the shape of the page are examples.
Steve Finbow interviews Claire Zakiewicz.