3:AM is opening fiction submissions for a short period. I’m looking for exciting, and formally challenging new writing The opening date is 1st February 2015, and the closing date/time is midnight on 14th February 2015, Hawai-Aleutian Standard Time.*
Please send your work to me via the link on the contacts page.
I am very much looking forward to reading!
-Joanna Walsh (Fiction Editor)
*To avoid any quibbles, this is the furthest west global timezone.
Cinema without people (via Gorse). * An interview with 3:AM legend Richard Cabut. * Brian Dillon on Gerhard Richter. * Brian Dillon on the topless cellist. * Sam Cooper on the novel after its abandonment. * Enrique Vila-Matas in The White Review‘s translation issue. * Translating the untranslatable. * Untranslatability studies. * Towards an alternative ethics of translation. * Anne Carson‘s “Pronoun Envy”. * Rachel Kushner: “My aspiration to spend time at sea as requisite literary training died long ago, as a teenager, on a white-knuckled ferry ride to Elba during a torrential rainstorm”. * Colm Tóibín and Rachel Kushner in conversation. * Roland Barthes born 100 years ago. * The new modesty in literary criticism. * Mark Dery in conversation with Will Self. * In 1977, hope I go to heaven… * Paul Simonon‘s new exhibition gets a pasting. * Paul Simonon in his studio (video). * TS Eliot, 50 years on. * Millions like us. * Nabokov and the movies. * “Short Story Idea (The Macaque)” by Evan Lavender-Smith. * Teju Cole‘s favourite things. * Michel Houellebecq on Soumission. * Lauren Elkin on Georges Perec. * Chris Killen‘s second novel reviewed. * How Tim Parks reads. * What Blake Butler read in 2014. * A place that can’t exist again: Bondie’s New York. * Times Square in the early 80s. * An excellent retrospective of the late Kim Fowley‘s career. * An interview with Michael Hofmann. * Beyond Man Ray. * Adventures of the Black Square. * Ben Lerner. * Ben Lerner‘s latest reviewed. * The history of the number zero. * Irvine Welsh rereads American Psycho. * A few tunes between homicides. * The Observer‘s new faces of fiction 2015. * James Laughlin’s New Directions. * Kafka‘s drawings. * Punks hanging out. * David Bowie: changes. * Michel Houellebecq, France’s literary provocateur. * Rushdie on Charlie Hebdo and freedom of speech. * Tim Parks on the limits of satire. * What we talk about when we talk about Charlie Hebdo. * Jeremy Harding on the historic Paris march. * Adam Thirlwell wonders if art can still shock? * Iain Sinclair on the excavation of London. * On Groucho Marx. * “Andrew’s Blues” * Bez for PM? * Joey Ramone sings John Cage. * Greg Gerke on Mr Turner, Boyhood and criticism. * Giorgio Agamben on the unforgettable. * Three documentaries on Nietzsche, Heidegger, and Sartre. * The mystery of consciousness. * Love sounds. * The wellness ideology. * Expanding the medium of artists’ books. * The golden age of Peter and Jane. * Californian high-school life, 1969. * John Berger goes for a swim. * Van Gogh the preacher?
Illustration: Ekaterina Panikanova.
David Winters has quickly become a leading voice in the new landscape of online literary criticism. His widely-published work maps the furthest frontiers of contemporary fiction and theory. The essays in this book range from the American satirist Sam Lipsyte to the reclusive Australian genius Gerald Murnane; from the “distant reading” of Franco Moretti to the legacy of Gordon Lish. Meditations on style, form and fictional worlds sit side-by-side with overviews of the cult status of Oulipo, the aftermath of modernism, and the history of continental philosophy. Infinite Fictions is indispensable reading for anyone interested in the forefront of literary thought.
And here’s what people are saying:
David Winters is a brilliant young literary critic. His literary essays, which have appeared in a vast range of publications, both on- and offline, go far beyond the usual precis-and-evaluation typical of book reviews. He is unique in the philosophical subtlety and depth he brings to his work, and in the striking authors he covers.
Lars Iyer, author of Spurious, Dogma, and Exodus
David Winters is an exceptional talent in literary criticism. He combines a vivid, accessible style of writing with deep erudition and great intellectual precision. Ranging from popular works of fiction to difficult philosophers, he is always able to cut through the jargon and make the reader engage with the heart of the matter. Indeed, Winters is that rare thing: a young intellectual who is able to speak to the general reader while contributing to the academic conversation as well.
Martin Hägglund, Yale University
David Winters is the smartest young critic to emerge in recent years. His writing is marked by a desire for the unorthodox, and an attention to our most daring logophiles—Lish, Lutz, Marcom, Schutt—so often overlooked by others. An intimacy with continental philosophy and literary modernism elevates his work well beyond the obvious exegetical formulas of mainstream criticism, and yet it always remains eminently readable and accessible, eminently fun. In Winters I’ve found a critic whose writing I can read without having to chalk it up to a guilty pleasure—he makes me smarter, there’s no doubt about it.
Evan Lavender-Smith, author of Avatar and From Old Notebooks
David Winters is a massively intelligent, erudite and inquiring analyst of American letters, especially American modernism, Gordon Lish, and Lish’s vast influence on the contemporary writing scene. I read his essays avidly, and always find fresh insights and fresh connections. He’s describing the furniture in the room—a lot of other critics haven’t found the door yet. Winters writes with élan, complexity and thoughtfulness. I haven’t come across another new critic I like so well.
Douglas Glover, author of Attack of the Copula Spiders
Whenever I read David Winters’ thoughts on a book, it is as though I am seeing that book anew, no matter how well I thought I already knew it. He is rigorous, broad-minded, generous, and courageous—qualities that cannot be taught, but are of essential importance for a critic to have. I look forward to reading him for years to come.
Scott Esposito, co-author of The End of Oulipo
David Winters has become a prominent figure in a new generation of young intellectuals. His literary criticism resists the temptation of liberal humanism and its narrow conception of literature; it interrogates the nature of the novel in a philosophically radical fashion, and sheds light on the alternative voices that are routinely ignored by the mainstream.
Carl Cederström, co-author of Dead Man Working
David Winters’ meditations on the literary experience dance with intelligence and beauty. Powerful and penetrating, his essays turn other writers’ writing into new, exciting pieces that spark the writerly imagination and leave you wanting more. A leading critic.
Susana Medina, author of Philosophical Toys
David Winters is the most exciting critic out there. Each of his essays starts from scratch, as he looks for a new vocabulary and a new form to talk about each new book. In a sense, his reviews are often even more fascinating than the books themselves—demonstrating how great a writer he truly is.
Andrew Gallix, 3:AM Magazine
A public event celebrating the recent boom in online criticism, and encouraging readers to get involved in the growth of digital literary culture.
Editors from three leading online literary reviews, 3:AM Magazine, Review 31 and Berfrois, will participate in a panel discussion exploring:
– the current proliferation of online reviews and magazines, and its implications for contemporary literary culture
– the democratisation of criticism in the online landscape: in a world without journalistic gatekeepers, can anyone be a critic?
– the distinctive challenges and opportunities facing the new generation of online literary journals
Following the panel discussion, an extended Q&A session will enable the audience to join the debate.
David Winters is co-editor in chief of 3:AM Magazine, and a researcher at Cambridge University. His writing has appeared in the Guardian, the Times Literary Supplement, the LA Review of Books and elsewhere. A collection of his essays, titled Infinite Fictions, is forthcoming from Zero Books in January 2015.
Robert Barry is a contributing editor at Review 31, covering books pertaining to technology and digital culture. He is also a contributor to Frieze, Wired, Art Review and The Wire.
Marc Farrant is a senior editor at Review 31, and a researcher at Goldsmiths College, University of London. He has written for the Times Literary Supplement, The New Inquiry, openDemocracy, the LA Review of Books and others.
Russell Bennetts is the founder and editor of Berfrois magazine. He has written for a variety of literary publications including The Honest Ulsterman, HTML Giant and Pank Magazine.
Tariq Goddard is a novelist and publisher. He founded Zero Books in 2007, and left in 2014 to begin a new imprint in association with Watkins, REPEATER. He is currently writing his sixth novel, Nature and Necessity.
Michael Bhaskar is a digital publisher and author of The Content Machine, a book outlining a theory of publishing in the digital age. He is currently working on a new book about the idea of curation.
7th February 2015, 4pm
Upstairs at the Duke of York pub, Rathbone Street,
London W1T 1NQ
Admission is free. Nearest tube stations are Warren Street & Goodge Street.
Please join us to celebrate the publication of David Winters’ Infinite Fictions and Steve Finbow’s Grave Desire, both available now from Zero Books. David and Steve will be joined by special guests Lee Rourke, Jonathan Gibbs and Paul Ewen for an evening of drinks and literary discussion.
23rd January 2013, 7pm
The Function Room, Phoenix Road, London
I particularly want to read critics and criticism of books from my side of planet Earth — everything from Kiribati to Kazakhstan. You do not need a lengthy bibliography behind you to be considered for publication — you have to start somewhere and, in fact, it’d be a thrill if that start was here — but I ask that you familiarise yourself with the criticism 3:AM favours — it’s honest, adept, fearless, and so, at times, contrary — and have something ready to show me when submitting or pitching (3:AM’s submission guidelines).
Who am I? My name is Tristan Foster — I’m a writer from Sydney, Australia, a long-time reader of 3:AM Magazine and subscriber to its ethos. Best way to introduce myself is to link to the pieces I’ve had published by 3:AM — Chest Open; on Trieste. Maybe they’re an indication of the kind of writing — the critical as well as the critiqued — that will most readily grab my attention — but maybe not. We’ll see. Let’s go.
Asymptote journal hosts a London event to celebrate four years of international literature and translation. Granta Best Young British Novelist Adam Thirlwell, acclaimed translators Daniel Hahn and Deborah Smith, and founder and publisher of And Other Stories Stefan Tobler will come together to discuss international translation and the contemporary global literary scene, followed by a Q&A session, and a drinks reception. You can buy tickets here.
Stefan Tobler is the publisher at And Other Stories, a young publishing house whose titles include the Booker Prize shortlisted Swimming Home by Deborah Levy and much literature in translation, including the Latin American authors Juan Pablo Villalobos, Iosi Havilio, Carlos Gamerro, Haroldo Conti, Yuri Herrera, Rodrigo de Souza Leão and Paulo Scott. He is a literary translator from Portuguese and German. Recent translations include All Dogs are Blue by Rodrigo de Souza Leão, Água Viva by Clarice Lispector and Silence River by Antônio Moura. @stefantobler and @andothertweets
Adam Thirlwell’s new novel, Lurid & Cute, is published in early 2015. He has written two novels, a novella, and a project with translations that includes an essay-book and an anthology edited for McSweeney’s. He has twice been selected as one of Granta’s Best of Young British Novelists. His work has been translated into 30 languages.
Daniel Hahn is a writer, editor and translator (from Portuguese, Spanish and French) with some forty books to his name. His work has won both the Independent Foreign Fiction Prize and the Blue Peter Book Award. He is currently chair of the Society of Authors and on the judging panel for the 2015 IMPAC Dublin Award.
Deborah Smith (@londonkoreanist) is the translator of The Vegetarian by Han Kang (Portobello Books, 2015). She has also translated The Essayist’s Desk and The Low Hills of Seoul by Bae Suah. She is currently in the final year of a Korean literature PhD at SOAS, and is setting up a non-profit publishing company which will publish translations from Asian and African languages, after apprenticing with And Other Stories.
Crazy in love. * Elena Ferrante: “I didn’t choose anonymity; I chose absence”. * An interview with Laure Prouvost. * Tom McCarthy on reality, realism, and the real. * Tom McCarthy on Gravity’s Rainbow. * Simon Critchley: suicide — a defence. * Erasing Duchamp. * An interview with Cioran. * Paul Muldoon on Beckett. * An interview with Béla Tarr. * A celebration of Lynne Tillman. * Lydia Davis interviews Dan Gunn. * Jacques Mesrine‘s death instinct. * An answer to the novel’s detractors. * Seventies throwback fiction: “How sad does one have to be to want to resuscitate the era of stagflation?” * CD Rose on the art of biography. * An interview with CD Rose. * Failure is our muse: “[B]usinessmen are only amateurs at failure, just getting used to the notion. Writers are the real professionals”. * Tore Renberg‘s “5 Albums That Sadly Do Not Exist’. * Kafka: what kind of funny is he? * Nicholas Rombes on Joan Didion. * Roberto Acestes Laing interviewed by Nicholas Rombes. * Nicholas Rombes‘s Reasearch Notes. * Nicholas Rombes interviewed and profiled here. * Selfies without the self. * Iain Sinclair on the obsessions of Werner Herzog. * A great review of the Bolano biography. * Lynne Tillman on the politics of pants. * Wonder Woman, the feminist. * A Winged Victory for the Sullen live in London (video). * Simon Critchley on Bowie (video). More here. * Atticus Lish interviewed. *An interview with 3:AM‘s genius co-editor in chief David Winters. * 3:AM Poetry Editor extraordinaire, Steven J. Fowler, has a new website. * Gorse – the number 2 launch (video). * Nina Manandhar on What We Wore (which includes several pictures of yours truly, including a little photobooth number on the cover). * Paul Gorman on What We Wore. * An interview with Greil Marcus. * Will Self on library lust. * Will Self on the Tate Modern extension: “The new Tate Modern will thus be not an art gallery per se, but a sort of life-size model of what an art gallery might be should our culture have need of one. Since it doesn’t, but rather has a requirement for visitor attractions that reify the ever‑widening gulf between haves and have-nots, I’m absolutely certain it will prove an outrageous success”. * Will Self interviewed by Interview: “You can look at the proliferation and the way in which DSM [the Diagnostic and Statistical Manual of Mental Disorders] is used in psychiatry as a kind of brutal heuristic for understanding what, at best, is incoherent and, at worst, is kind of unknowable“. * Will Self: “Shark is like Janet and John compared to Ulysses“. * On a sentence by Robert Walser. * John Ashbery: “In a 1956 letter to Kenneth Koch, John Ashbery wrote: ‘I hate all modern French poetry, except for Raymond Roussel’, specifying: ‘I do like my own wildly inaccurate translations of some of the 20th-century ones, but not the originals'”. * Jean-Luc Nancy, The Inoperative Community. * Why read new books? * On Tim Parks‘s NYRB essays. * Knausgaard interviewed: “I feel the novel is very much like a room, or rooms: that you’re in this room or that room, and that the whole aim of writing is to create a room where you can say something. And that’s what writing is about”. * Knausgaard‘s Boyhood Island reviewed by Stuart Evers. * Knausgaard at the London Review Bookshop. * Ed Wood‘s erotica is back in print. * Iain Sinclair on London’s lost cinemas. * George’s Perec‘s lost novel. * Jean-Paul Sartre: more relevant than ever? * The bonfire of the humanities. * More Moore. * The Elena Ferrante phenomenon. * The Joan Didion documentary trailer. * This is England. * What heartbreak looks like (including Christiana Spens). * Jonathan Coe on Robert Wyatt. * Robert Frank at 90.* William Klein: “Everyone started out on the Lower East Side. They became embourgeoisé and would move to the Upper West Side. Then if they’d make money they’d move to Park Avenue. Their kids would become artists and move down to the Lower East Side and the Village. There was a triangle. That’s the story of New York”. * Godard‘s Goodbye to Language. * Worth linking to again: William Gass‘s “The Hovering Life”. * Nicholas Lezard looks back on Gass‘s In the Heart of the Heart of the Country. * The power of nostalgia. * On Darby Crash. * Billy Name and Andy Warhol. * This is not a writer’s room. * Borges and God. * On Wim Wenders‘s Paris, Texas. * Jim Jarmusch the musician. * Viv Albertine‘s memoir reviewed in the New York Times. * Jörg Fauser by Niall Griffiths. * Three rare films by Susan Sontag. * An exhibition of Carlo Mollino‘s Polaroids. * Photography is art. * Don Delillo‘s annotated Underworld. * Flann O’Brien. * Jah Wobble. * Adorno and protest music. * Skinheads circa 1970. * John Berger. * How the Victorians invented the future. * Biography’s Victorian values. * A weapon for readers. * The living death of Alt lit.
Pic by Paolo Reversi.