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Monaco

I’m doing the same kind of exploring as when we went away together, galleries and museums, looking out for statues and monuments, public art and graffiti. Monaco’s far weirder than I expected, though. I never imagined I’d come here, and I can’t believe I’m saying it, but I think I like it — or at least I don’t hate it. There are stupid boards everywhere saying shit like ‘Monaco — Land of Ahead Thinkers’ and obviously the yacht club can fuck off, but some of it is kind of funny: I saw this ludicrous poster with Mickey and Minnie Mouse, the Monopoly Man, Bugs Bunny and Jessica Rabbit playing poker by the casino, I couldn’t tell if it was shit art or just an annoying advert. Of course, the most straightforward adverts for Gucci or superyacht insurance or banks give a better measure of who lives and works here, but I haven’t met anyone besides Jean-Philippe, and I’ve only said a few words to him, so I’ve just been walking around with the camera.

Read an exclusive extract from Monaco, the new autofictional novella by Juliet Jacques.

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Minute 9: We’re All Going to the World’s Fair

She’s not concerned with how she looks. This is no cautionary tale about vanity or performative femininity. Something else is happening here. Our girl is not looking to be told she’s cute. And whatever she’s looking for, I sense, she’s not so sure she wants to find it. Her eyes are searching, pleading, unguardedly expressive — in other words, they are heartbreaking.

By Lindsay Lerman.

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The Aristocrats Joke

Writers are not necessarily overly stupid people, and we’re aware of what’s afoot on both the domestic and international fronts. We know the pimps whom we’re begging to turn us out like whores are not “literary” at all, but agents of tyranny, hot war, genocide, and all the other inevitabilities of late-stage capitalism. But, being mere creatures of a day, and subject to the usual human appetites, we crave personal fame as a substitute for the self-respect that the free enterprise system fails to provide. We grovel for the balm of approbation to be rubbed on the thin-skinned blisters bubbling over our narcissistic egos. Hence the need to puff up our curricula vitae with book publications, and the eagerness to submit to the rigors of our Stylist.

Read Tom Bradley‘s introduction to The Aristocrats Joke Anthology.

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You Are a Participant in a Clinical Trial

By virtue of reading this message you have become a participant in a clinical trial that is intended to evaluate the efficacy of a newly-developed therapeutic treatment for exposure to a lethal airborne environmental toxin. A complete prospectus outlining the guidelines for this study is on file in the office of the Food and Drug Administration. Be advised that the FDA as well as any persons involved in the clinical trial will not bear any liability for illness, injury, or death incurred by any participant in the study.

A short story by David Sheskin.

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The Child Actor and the Octopus

Dimple-chinned Malcolm Tanner is such a precious precious boy that his parents put him on TV so he can make them loads of money. He’s got five good years playing the young son on a hit sitcom but when TMZ leaks footage of his TV daddy beating a real-life mommy in a Silverlake bar, the show doesn’t get renewed for a sixth season. Little Malcolm and the whole crew are now out of work but unlike the bearded grips and buxom starlets, the boy is stranded in the wrong stage of puberty. Pizzaface acne and a cracking voice and sudden growth spurts don’t make little Malcolm so cute anymore. He learns that unemployed in this condition translates to unemployable, or so he hears the casting directors say.

A short story by Vita Tate.

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Poem Brut #153 – Cumae

My graphic and asemic work tries to reveal the harmony of the composition also using different materials and relying on the imagination and the pure pleasure of writing and drawing.

Pencil, inks of different colors, clippings from magazines and other materials contribute to the formation of the works while paper is the preferred medium.

In the 153rd of the Poem Brut series, new poetry by Antonio Devicienti.

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Largesse

They put—put—me in the countryside. There’s no other way to describe it. It happened suddenly. They grabbed me from my hospital bed one morning right after I had just slipped my hand under the sheets to begin my morning ritual. They must have known my habits, because they came in just as I was getting going, grabbing me first by that arm, then the other, then my legs, lifting me, carrying me downstairs and throwing me into the back of the van.

A short story by Alex Aspden.

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Q&A: Nathan Connolly, Dead Ink Books

I think readers are going into it with their eyes open, and the very fact that the book presents them with challenges is maybe part of what is driving the interest in it. It is a difficult book on a difficult subject matter and readers are hungry for that. A book that asks if the human race is even worthy of survival shouldn’t be easy.

Nathan Connolly of Dead Ink Books interviewed by 3:AM’s Fiction Editor, Daniel Davis Wood.

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Prolegomena to Future Agonies

Even if she had had legs, Dolores wouldn’t have known how to use them to get away. There was a poison in her and the theft of her legs had not been enough for it: those melted stumps were simply the sign of that greater corrosion, much as the trappings of a church are only there to point to the presence of the god, and it was this hidden thing, not their uncle, that was leading her into the forest. It was the blunt promise of her anatomy: the slack mouth and the round pig eyes; the antiquated languor of her fat white hands—these small acquiescences all pointed to the answer of a question never asked: a great pale feminine yes.

Read an extract from Missouri Williams’ The Doloriad.

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Warp and Weft

When you leaned in for the briefest hug—one arm, no chest—I fell sick with desire, pangs of longing. You in the backyard, you against the truck, you with the frayed sleeves, you with the canvas jacket, scruffy you, rough around the edges you, funny sharp quick you, you with the shoulders, you with the hands, you on the phone, you smoking a cigarette, you with an arm on the steering wheel, you spilling a few drops of soda on the ground, you with the Carhartts and Camels and raspy voice and me losing my mind.

A short story by Elizabeth Bevilacqua.

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DJ Shadow Meets Cockney Rejects Uptown

In its desire to play with form, its carousel of dreamlike, intertextual fragments and temporal jump cuts, there is something Benjaminian about what King has achieved here. Both spiky and serene, perhaps London Country has started to do for the London Orbital/Satellite belt what Walter Benjamin did for 1920s Paris in his Arcades Project. In its ‘circles, loops and fuck knows what else’ it reveals an always evolving cartography of desire.

Koushik Banerjea reviews John King‘s London Country.

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3:AM Top 5: Cathi Unsworth’s Goth of the Pops

It’s Thursday night, it’s seven o’clock, it’s Goth of the Pops! Cathi Unsworth talks all things Goth in the time of Thatcher with Andrew Stevens, ahead of her Season of the Witch: The Book of Goth, out May 11 (Nine Eight Books). 3:AM: Patricia Morrison just owns this, sometimes I barely even notice Andrew Eldritch.  LA glamour dropped into Leeds, the epicentre of Goth. CU: Interesting that you start the Sisters strand here, with Eldritch and Pats Morrison after the fatal Sisters schism of 1985. Talking to David Peace for the book about his teenage Goth activities, he remembered seeing

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